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Movies / Upcoming / The Last House on the Left
The Last House on the Left

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The Last House on the Left (2009)

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Reviews Counted:135

Fresh:56

Rotten:79

Average Rating:4.9/10

Consensus: Excessive and gory, this remake lacks the intellectual punch of the 1972 original.

Australian Rating: TBC

Runtime: 1 hr 50 mins

Genre: Horror/Suspense

Australian Theatrical Release:
Oct 15, 2009 Wide

US Box Office: $32,721,635

Synopsis: Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four... Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang. When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film shown such images of human wickedness. Grainy and low budget, the original film played like a maniacal cackle from the seedy underbelly of an America nursing a brutal post-Aquarian hangover. Things play out a little differently, though, in 2009. For starters, the movie actually looks quite beautiful, and the story’s idyllic mountain setting is milked for all it's worth. The performances are noteworthy as well, with Garret Dillahunt more than convincing as Krug, the gang's swaggering leader; and Monica Potter and Tony Goldwyn portraying the distressed parents with an effective mix of panic, courage, and blind instinct. In an age marked by both increasingly ghastly films and a public discourse that actually debates the merits of institutional torture, a film like LAST HOUSE ON THE LEFT really shouldn’t shock anyone. But in both the original and the remake, there’s a latent nihilism that permeates the world. The idea of a sense of lawlessness that cannot be understood or prevented, but only reacted against, is truly disquieting and makes this story unique in the annals of horror. [More]

Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt

Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Martha MacIsaac, Riki Lindhome

Director: Dennis Iliadis

Director: Dennis Iliadis
Screenwriter: Carl Ellsworth
Producer: Wes Craven, Marianne Maddalena, Sean Cunningham
Composer: John Murphy
Studio: Rogue Pictures

[See More Credits]

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Reviews for The Last House on the Left

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101 - 120 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 >> >|
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First-time director Dennis Iliadis spices up the visual style with unusual camera and cutting choices that liven the tempo beyond typical horror-movie cliché. Time will tell whether or not this Last House launches his career.

Full Review Source: Seattle Times | comment Comment
03/12/09
Ted Fry
Ted Fry
Seattle Times

The Last House on the Left is reverent to his original. Too bad it's not as nasty.

Full Review Source: Filmcritic.com | comment Comment
03/12/09
Bill Gibron
Bill Gibron
Filmcritic.com

In comparison [to Craven's original], Ililadis's remake is like the difference between Rob Zombie's "House of 1000 Corpses" and "The Devil's Rejects" - times ten.

Full Review Source: Reeling Reviews | comment Comment
03/12/09
Laura Clifford
Laura Clifford
Reeling Reviews

This remake is faithful in plot but not in spirit.

Full Review Source: Orlando Weekly | comment Comment
03/12/09
Justin Strout
Justin Strout
Orlando Weekly

For what it is, it's effective. But lost among the bloodlust is any sense of these characters as human beings.

Full Review Source: Metromix.com | comment Comment
03/12/09
Geoff Berkshire
Geoff Berkshire
Metromix.com

The latest remake of an old story, in which escaped criminals unknowingly seek shelter at the home of their latest victim's parents, The Last House on the Left wallows in sick sadism while missing the point completely.

Full Review Source: E! Online | comment Comment
03/12/09
Luke Y. Thompson
Luke Y. Thompson
E! Online

For what it is...The Last House on the Left is effective. The problem lies in what it is--a pure exercise in sadism unencumbered by any larger concerns.

Full Review Source: One Guy's Opinion | comment Comment
03/12/09
Frank Swietek
Frank Swietek
One Guy's Opinion

The remake kind of neuters the unpredictable (and sometimes wild) characters in the service of making them less ethically complicated.

Full Review Source: Boxoffice Magazine | comment Comment
03/12/09
Sara Schieron
Sara Schieron
Boxoffice Magazine

Substitutes general 'intensity' for every thorny stylistic and political particulars that made Craven’s film so singular.

Full Review Source: AV Club | comment Comment
03/12/09
Scott Tobias
Scott Tobias
AV Club

Enthralling, mature and full of measured tension. The Last House on the Left is no The Virgin Spring, but it beats the pants off of its direct thirty-seven-year-old predecessor.

Full Review Source: DustinPutman.com | comment Comment
03/12/09
Dustin Putman
Dustin Putman
DustinPutman.com

It's a typical neo-horror thriller that replaces suspense with grotesque clinical violence.

Full Review Source: Philadelphia Daily News | comment Comment
03/12/09
Gary Thompson
Gary Thompson
Philadelphia Daily News

The Last House on the Left is the best in the latest crop of slasher remakes. Admittedly, that is faint praise.

Full Review Source: Philadelphia Inquirer | comment Comment
03/12/09
Tirdad Derakhshani
Tirdad Derakhshani
Philadelphia Inquirer

This film...is what it is: a stark story of bloodthirstiness quenched, first by the obvious antagonists, then by sympathetic, civilized characters who avenge the atrocities that have come before.

Full Review Source: Chicago Tribune | comment Comment
03/12/09
Michael Phillips
Michael Phillips
Chicago Tribune

Those viewers trapped in the film's nihilism and hoping for more can amuse themselves by looking at the film as an Aristotelian tragedy--take that, Friday the 13th remake!

Full Review Source: Groucho Reviews | comment Comment
03/12/09
Peter Canavese
Peter Canavese
Groucho Reviews

Audiences with a brain cell left have only one choice: Look for the first exit on the right.

Full Review Source: Rolling Stone | comment Comment
03/12/09
Peter Travers
Peter Travers
Rolling Stone

Dennis Iliadis is able to make a cult classic once told, feel relevant and terrifying all over again.

Full Review Source: JoBlo's Movie Emporium | comment Comment
03/12/09
JimmyO
JimmyO
JoBlo's Movie Emporium

Its main goals are to shock, titillate, enrage and otherwise jolt your reflexes, which it does shrewdly and successfully.

Full Review Source: Newsday | comment Comment
03/12/09
Rafer Guzman
Rafer Guzman
Newsday

A banal, insistently juvenile venture that climaxes loudly from its own gaudy sadism, reveling in sexual violence to a blinding degree that spotlights brazen incompetence over any fundamental genre manipulation.

Full Review Source: DVDTalk.com | comment Comment
03/12/09
Brian Orndorf
Brian Orndorf
DVDTalk.com

It fails to provide much in the way of entertainment value thanks to scenes of violence that turn its otherwise escapist gore into a harrowing and often hard-to-watch reality.

Full Review Source: Sci Fi Wire | comment Comment
03/12/09
Todd Gilchrist
Todd Gilchrist
Sci Fi Wire

I'm giving it a 2.5 in the silly star rating system and throwing up my hands.

Full Review Source: Chicago Sun-Times | comment 6 Comments
03/12/09
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic
 
 
101 - 120 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 >> >|
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