There are so many elements, you really don't know what's coming next, even though you know exactly what's going to happen.
The Last House on the Left (2009)
Tomatometer
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Reviews Counted:137
Fresh:57
Rotten:80
Average Rating:4.9/10
Consensus: Excessive and gory, this remake lacks the intellectual punch of the 1972 original.
Australian Theatrical Release:
Oct 15, 2009 Wide
US Box Office: $32,721,635
Synopsis: Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four... Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang. When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film shown such images of human wickedness. Grainy and low budget, the original film played like a maniacal cackle from the seedy underbelly of an America nursing a brutal post-Aquarian hangover. Things play out a little differently, though, in 2009. For starters, the movie actually looks quite beautiful, and the story’s idyllic mountain setting is milked for all it's worth. The performances are noteworthy as well, with Garret Dillahunt more than convincing as Krug, the gang's swaggering leader; and Monica Potter and Tony Goldwyn portraying the distressed parents with an effective mix of panic, courage, and blind instinct. In an age marked by both increasingly ghastly films and a public discourse that actually debates the merits of institutional torture, a film like LAST HOUSE ON THE LEFT really shouldn’t shock anyone. But in both the original and the remake, there’s a latent nihilism that permeates the world. The idea of a sense of lawlessness that cannot be understood or prevented, but only reacted against, is truly disquieting and makes this story unique in the annals of horror. [More]
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Martha MacIsaac, Riki Lindhome
Director: Dennis Iliadis
Director: Dennis Iliadis
Screenwriter: Carl Ellsworth
Producer: Wes Craven, Marianne Maddalena, Sean Cunningham
Composer: John Murphy
Studio: Rogue Pictures
Reviews for The Last House on the Left
A fascinating and confrontational horror film that deals with terrors a lot more chilling than some dude swinging a machete.
A stylish but pointless exercise that wastes all the great talent involved.
Gone is the original's early campiness, here replaced by eye-of-the-storm calm that portends tragedy, as well as its later over-the-top grindhouse gore, now swapped for taut suspense punctuated by visceral brutality.
Bucolic class warfare, while toying sadistically with the wrongheaded notion that victims likewise harbor inner homicidal maniacs waiting to be set free. But undeniably super-scary, just when you thought that genre had been done to death, no pun.
By dismembering Craven’s landmark extremities, [director] Iliadis celebrates his source for all the wrong reasons.
This film is only for those who go in with open eyes and understand what they're in for.
This remake is merely vile (and dull), with a badly miscast Tony Goldwyn as the raging dad who makes revenge for his daughter's violation look more gratuitously brutal than the crime.
While at the hands of a less competent director, Last House could have been an epic failure, but Dennis Iliadis has proven to the world that he's more than capable of directing a film of this caliber - and taking it to a higher level.
This is a horror movie that illustrates the difference between cringing and feeling.
Someone somewhere will probably try to foist The Last House on the Left remake off as some sort of social commentary. Don't be fooled. It's not.
As an exploitation B-horror movie, this latest addition to the genre is heads and shoulders above anything Rob Zombie has ever done.
The banal piece, filled with clunky dialogue and generic villains, is a story inspired, believe it or not, by 'The Virgin Spring,' one of the world's all-time great films.
It fails, through its villainy; this trio of baddies resembles a dive-bar slumming suburban psychobilly band, no meth-breath hazards.
Terrifying. Director Iliadis burns tension and Garret Dillahunt still scares me. Makes Ned Beatty's Deliverance rape look like a romance.
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June 12, 2009:
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March 12, 2009:
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March 12, 2009:
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