Just relentless lisping monotonous speech that makes the prospect of entering the ring with Mike seem attractive if only because it will be over sooner.
Tyson (2009)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:123
Fresh:106
Rotten:17
Average Rating:7.1/10
Consensus: A fascinating, emotional, and frank confessional from Iron Mike that sheds a sympathetic light on one of boxing's most controversial icons.
Australian Theatrical Release:
Aug 6, 2009 Wide
US Box Office: $825,450
Synopsis: Love him or hate him, Mike Tyson is inarguably one of popular culture’s most fascinating figures. In this riveting documentary portrait of the controversial boxer, filmmaker and friend James Toback... Love him or hate him, Mike Tyson is inarguably one of popular culture’s most fascinating figures. In this riveting documentary portrait of the controversial boxer, filmmaker and friend James Toback lets Tyson tell his own volatile story. It all started in a rough-and-tumble Brooklyn neighborhood, where Tyson was picked on and beaten up as a youngster. But when he turned his fear into anger, he realized that his fists had the ferocity to frighten everyone around him. As a teenager, Tyson moved upstate to live with trainer Cus D’Amato, who became the devoted and compassionate father figure he never had. This support helped Tyson develop the strength and focus needed to become a devastating champion inside the ring. But when D’Amato died, something inside Tyson died too, turning him into an even more dangerous monster outside of the ring. As Tyson speaks openly about the ups and downs in his tumultuous life--alternating between moments of sincere introspection and animalistic rage--Toback employs a split-screen approach to further emphasize his emotionally unstable nature. Mixed into this talking-head monologue is striking archival footage that shows Tyson in his prime, when he was one of the most feared and idolized athletes on the planet. TYSON is an appropriately subjective journey into the mind of a massively complicated man. [More]
Director: James Toback
Director: James Toback
Producer: James Toback, Damon Bingham
Composer: Salaam Remi
Studio: Sony Pictures Classics
Reviews for Tyson
Brutally honest, Tyson offers one perspective on the life of the boxer – his own. This intimate look is enough to carry the film through its fascinating portrait of the fallen hero.
This doco goes a little way to portraying Tyson as more human than animal. Iron Mike even sheds a few tears.
He’s amazingly frank about some of the people he doesn’t like, and he breaks down when he talks about his friends and the people he loved. A surprisingly fine documentary.
Tyson is presented via multiple split screen, with relentlessly frank and rhythmic sentences overlapping one another. The effect is mesmerising.
In these interviews, there's a strange poetry to the way he talks about his life. I actually found it really moving.
There is something compelling about the way he presents his version of the stories and scandals that surround him.
Tyson simply doesn't provoke you enough intellectually. It feels mildly compelling, occasionally moving and revealing, but it ultimately suffers from too much style over substance.
I went into the movie ambivalent about him, but after hearing his hate-fuled, unself-aware rants, I shifted to the 'can't stand him' camp.
It's a movie that's thought-provoking without being intelligent and candid without being truthful. The same aesthetic choices that [director] Toback seems convinced will set his documentary apart are also what diminishes its credibility.
...there ultimately reaches a point at which the former fighter's relentless chattering simply becomes too much to take.
Despite some compelling moments, this one-sided portrait of former boxing superstar Mike Tyson feels like a missed opportunity.
Tyson is indeed an intriguingly contradictory hulk, but he's far from the troubling Caliban Toback's own obsessions with athleticism and negritude make him out to be
Tyson may be the case of a subject not quite ready for primetime, a man still smarting from his past wounds, too narcissistic, frankly, to be very interesting.
With no sense that Toback is pressing Tyson behind the camera, it's easy to see this as more of a puff piece propping up Tyson's sense of importance rather than any work of documentary filmmaking.
The mostly first-person documentary Tyson isn’t a dud, exactly, but it does feel like a missed opportunity.
[S]erves only to show us a reprehensible example of the worst of American manhood, and of American celebrity....
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