An extraordinary documentary.
Tyson (2009)
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Reviews Counted:123
Fresh:106
Rotten:17
Average Rating:7.1/10
Consensus: A fascinating, emotional, and frank confessional from Iron Mike that sheds a sympathetic light on one of boxing's most controversial icons.
Australian Theatrical Release:
Aug 6, 2009 Wide
US Box Office: $825,450
Synopsis: Love him or hate him, Mike Tyson is inarguably one of popular culture’s most fascinating figures. In this riveting documentary portrait of the controversial boxer, filmmaker and friend James Toback... Love him or hate him, Mike Tyson is inarguably one of popular culture’s most fascinating figures. In this riveting documentary portrait of the controversial boxer, filmmaker and friend James Toback lets Tyson tell his own volatile story. It all started in a rough-and-tumble Brooklyn neighborhood, where Tyson was picked on and beaten up as a youngster. But when he turned his fear into anger, he realized that his fists had the ferocity to frighten everyone around him. As a teenager, Tyson moved upstate to live with trainer Cus D’Amato, who became the devoted and compassionate father figure he never had. This support helped Tyson develop the strength and focus needed to become a devastating champion inside the ring. But when D’Amato died, something inside Tyson died too, turning him into an even more dangerous monster outside of the ring. As Tyson speaks openly about the ups and downs in his tumultuous life--alternating between moments of sincere introspection and animalistic rage--Toback employs a split-screen approach to further emphasize his emotionally unstable nature. Mixed into this talking-head monologue is striking archival footage that shows Tyson in his prime, when he was one of the most feared and idolized athletes on the planet. TYSON is an appropriately subjective journey into the mind of a massively complicated man. [More]
Director: James Toback
Director: James Toback
Producer: James Toback, Damon Bingham
Composer: Salaam Remi
Studio: Sony Pictures Classics
Reviews for Tyson
The term isn't generally applied to the subject of a nonfiction film, but 'starring' is the right description for Mike Tyson's participation in James Toback's provocatively sympathetic, impressionistic documentary portrait, Tyson.
Forget the ear biting, forget the porn career, forget the wife abuse, at least he seems to have come to terms with these issues and might be closer to being at peace with himself.
Plainly, this isn’t the only account you would need to consult to form a proper picture of the man, but it’s a compelling spectacle, to be sure.
A documentary that is as near to an honest apologia as we're ever likely to get. It's a fascinating story, though not a pretty one.
Whatever preconceptions you have about Tyson will be challenged in a modern story of self-destruction and renewal that is as much about one vulnerable man's desperate need for guidance and security as it is a reflection on American society, the media, and
A highly divisive figure tells his side of the story in a revealing film that still leaves too many questions unanswered.
Mixed with clips and photos from his tumultuous career but no contributions from peers or 'experts', this is a genuinely incisive portrait of a fighter at war with himself.
Tyson won’t shatter all your preconceptions, but if you don’t at least question them, you haven’t been paying attention.
Not the full story - not even close - but this is ‘Iron’ Mike Tyson as you’ve never seen him before. One of the most devastatingly personal on-camera confessionals ever put on screen.
Very humane portrait of a potentially extremely unlikeable character.
Toback steers Tyson through every triumph and disaster you want to hear about, never pretending that the platform belongs to anyone but the man they used to call Iron Mike.
Toback’s split-screen moments, in which the film dissolves from gripping memories into something far closer to stream of consciousness, is pure documentary poetry. Hold tight for a guided tour of Tyson’s surreal descent into hell.
Up close with a mumbling criminal – sorry, boxing legend – whom James Toback probes for a conscience, finding crazy levels of self-delusion instead.
James Toback’s been close with Tyson since the 80s (he played in Toback’s Black And White), and this stab at redemption is subjective and sympathetic.
Prepare to be floored yourself as the retired boxer delivers an emotionally devastating and nakedly honest confession about his life, times and crimes.
It is a fascinating interview which would have been more powerful if Tobak hadn’t pulled his punches.
Like Raging Bull, like On the Waterfront, even like Woyzeck (the granddaddy of lumpenprole tragic drama), Toback’s portrait asks us to ransack the human animal to see if there is a soul inside – and if so, of precisely what kind?
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