Horrific and harrowing but the narrative arc could leave the audience unmoved.
Vinyan (2008)
Tomatometer
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Reviews Counted:12
Fresh:7
Rotten:5
Average Rating:6/10
Synopsis: VINYAN is a terrifying film that takes every parent’s worst nightmare and follows it into new realms of sheer horror. After losing their only child in the devastating tsunami of Southeast Asia,... VINYAN is a terrifying film that takes every parent’s worst nightmare and follows it into new realms of sheer horror. After losing their only child in the devastating tsunami of Southeast Asia, Paul (Rufus Sewell, DARK CITY) and Janet Belhmer (Emmanuelle Beart, MISSION: IMPOSSIBLE) barely have the strength to go on. Despite being a little disturbed by Janet’s seemingly irrational claims that she saw their son in a documentary about the orphans living in the Burmese jungle, Paul shows his support by agreeing to join her on a search for the boy. But what they encounter on their trip are horrors both earthly and ungodly: drug traffickers threaten their lives and the presence of a clan of inexplicably rabid children seem to suggest a fate that goes far beyond death. Julie Dreyfus (KILL BILL: VOL 1) co-stars in this unimaginable descent into pure madness. [More]
Starring: Rufus Sewell, Emmanuelle Beart, Julie Dreyfus
Starring: Rufus Sewell, Emmanuelle Beart, Julie Dreyfus
Director: Fabrice Du Weltz
Director: Fabrice Du Weltz
Reviews for Vinyan
A remorselessly grim but deeply affecting psychological horror that's likely to bitterly divide its audience. Not for the faint-hearted, Vinyan is a pitch-black, poetic exploration of the nightmare of losing a child.
Du Welz never manages to generate enough menace - this is no Apocalypse Now.
Vinyan is a fine example of art-house horror. It’s rich in spooky atmospherics, but it’s not really scary.
Without resorting to cheap frights or bogeymen, Vinyan locates its horror in the human heart of darkness.
A sense of dread weighs heavy throughout, reinforced by a score so intense that at times it verges on abusive. Yet this is also one of the most gorgeous-looking films in recent memory, with brave, unabashed performances.
Steeped in a bleak atmosphere and beautifully made, Vinyan journeys from the credible to the pretentious as the tension mounts and the horror grows increasingly extreme.
A dark and pessimistic drama which goes slap-happily mad towards the end but keeps you watching all the same.
This could have been a strong supernatural thriller in its own right. However, while its premise is potentially decent, too much of the film is spent just waiting for something to happen.
A vivid example of style over substance, this textured film creates an overwhelming sense of emotion and dread, but never manages to find a point to it all. It merely gives into the grisliness, leaving us shaken and unstirred.
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