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2046 (2005)
Tomatometer
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Reviews Counted:106
Fresh:89
Rotten:17
Average Rating:7.4/10
Consensus: Director Wong Kar-Wai has created in 2046 another visually stunning, atmospheric, and melancholy movie about unrequited love and loneliness.
Runtime: 2 hrs 8 mins
Genre: Science-Fiction/Fantasy
US Box Office: $1,237,566
Synopsis: Director Wong Kar-Wai's style reaches its fullest expression in his stunning film 2046. Picture-perfect period sets and costuming, finely wrought atmosphere, languid shots, glamorous cigarette... Director Wong Kar-Wai's style reaches its fullest expression in his stunning film 2046. Picture-perfect period sets and costuming, finely wrought atmosphere, languid shots, glamorous cigarette smoke, amber lamplight, and allusions to film noir. 2046 is a meditation on memory, eroticism, love, loss, and longing which surpasses the director's beautiful, widely acclaimed IN THE MOOD FOR LOVE (2000) in terms of formal ambition and visual sumptuousness. With its intriguing, layered structure, the film follows the adventures of Chow Wo Man (Tony Leung), a womanizer who is writing a science fiction novel about a future year in which all memories are suspended. The film shuttles between the BLADE RUNNER-like world of Chow's futuristic novel (complete with androids and other metaphors of emotional disconnection) and late-'60s Hong Kong--where Chow writes from a hotel room, and engages in relationships with a series of beautiful, complex women (including the luminous trio of Gong Li, Zhang Ziyi, and Faye Wong). The film also journeys to Singapore and through the increasingly mysterious corridors of the protagonist's memory. 2046 resists tidy plot summaries with its disjointed, zigzagging construction. Yet, coupled with Wong's rich cinematography and dazzling formal techniques, it is as fluid, associative, and labyrinthine as memory itself. Sliding between keenly detailed realism (Wong's camera can capture the subtlest flicker of emotion in a characters' eyes) and lavish, expressionistic metaphor, the film is a deeply entrancing experience. Even given its jumbled, sometimes chaotic narrative, 2046 creates a poignant, emotionally charged, and richly rewarding experience. [More]
Starring: Tony Leung, Gong Li, Zhang Ziyi, Faye Wong
Starring: Tony Leung, Gong Li, Zhang Ziyi, Faye Wong, Maggie Cheung, Dong Jie, Carina Lau
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai
Studio: Sony Pictures Classics
Reviews for 2046
The romantic fatalism is so lush that you're invited to get lost in it.
Quite simply an incomparably sublime work of art, a triumph of lyricism over narrative in the cinema, and the most exquisite homage to the beauty of women it has ever been my privilege to witness on the screen.
It may help if you grasp the many allusions to Wong’s earlier films (including, notably, Days of Being Wild), but it’s far from necessary. This, after all, is undeniably real cinema.
A languid, shimmering mood piece from a master stylist, with some of Asia's finest actors at their peak.
Tematicamente óbvio e pouco ambicioso, 2046 é um filme que enche os olhos, mas que não tem muito a oferecer à mente e ao coração.
The fascinating visuals and performances by Leung and the assortment of actresses like Gong, Zhang Ziyi and Maggie Cheung ensure that the film is still worth watching.
Wong Kar-wai confirma, por si hacía falta, que es uno de los cineastas más precisos e integrales de la actualidad.
Wong's film has enough arresting images and intriguing characters that it manages to cast its spell, even though -- like Chow's relationships -- the magic doesn't linger.
“2046” feels like a lot of half-finished ideas all bound together with fancy ribbon.
Wong offers an artful meditation on the nature of love, making effective use of color schemes (yellows, greens and reds), placid shotmaking and diverse music to deliver a sultry portrait of postwar Hong Kong.
For viewers willing to look at the picture as they would an abstract painting, there are layers of enjoyment to be peeled back.
Wong composes shots as if he were squeezing drops of liquid narcotic into the viewer's eyes.
Richly layered and at times harebrained, it is more a beautiful failure than a genuine masterpiece, but it is nevertheless something to see.
Latest News for 2046
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November 01, 2006:
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September 05, 2006:
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May 26, 2006:
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