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Movies / On DVD / 27 Dresses
27 Dresses

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27 Dresses (2008)

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Reviews Counted:30

Fresh:7

Rotten:23

Average Rating:4.9/10

Consensus: The filmmakers perfectly follow the well-worn romantic comedy formula, rendering 27 Dresses clichéd and mostly forgettable.

Australian Rating: PG [See Full Rating] Mild sexual references and coarse language

Runtime: 1 hr 47 mins

Genre: Comedies

Australian Theatrical Release:
Jan 10, 2008 Wide

US Box Office: $76,624,274

Synopsis: KNOCKED UP's Katherine Heigl stars in this romantic comedy about a selfless young woman who is trapped in the role of perennial bridesmaid. Set in New York City, the film opens with Jane (Heigl)... KNOCKED UP's Katherine Heigl stars in this romantic comedy about a selfless young woman who is trapped in the role of perennial bridesmaid. Set in New York City, the film opens with Jane (Heigl) racing by cab to appear in two friends' weddings in the same night. She is the maid of honor for both fetes, and she rushes back and forth in time to shimmy to both electric slides. She meets Malcolm (James Marsden), a cynical young man who, unbeknownst to her, writes for a newspaper's wedding column. Malcolm is intrigued by the sheer number of times Jane has played bridesmaid, and he secretly decides to write a story about her. To further complicate Jane's life, her younger sister Tess (Malin Akerman) has just come to town and ensnared Jane's longtime crush, George (Edward Burns). When George and Tess become engaged, Jane faces the humiliating prospect of playing bridesmaid in the wedding of her sister and the man she loves. Meanwhile, Malcolm continues hounding Jane, and Jane's life and closet soon explode in a taffeta-tangled mess that forces her to make some big changes. Heigl is a pleasure to watch, as she has the kind of crowd-pleasing, no-nonsense presence that could ground any film, so 27 DRESSES greatly benefits from her comedic skill and charm. While the film features all of the hallmarks of chick flick fare (wacky best friend, dress-up sequence, obnoxious but strangely attractive love interest) the story often veers into territory that may leave some feeling it stretches even the romantic comedy standards for suspension of disbelief. Heigl deserves comparisons to Julia Roberts for her sheer likability, and like PRETTY WOMAN, women will likely watch 27 DRESSES as a pleasant diversion--aware of the fantasy, but still delighted by the attractive lady in the different outfits. [More]

Starring: Katherine Heigl, James Marsden, Malin Akerman, Edward Burns

Starring: Katherine Heigl, James Marsden, Malin Akerman, Edward Burns, Melora Hardin, Judy Greer

Director: Anne Fletcher

Director: Anne Fletcher
Screenwriter: Aline Brosh McKenna
Producer: Roger Birnbaum, Gary Barber, Jonathan Glickman
Composer: Randy Edelman
Studio: Fox 2000 Pictures

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Reviews for 27 Dresses

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1 - 13 (sorted by date; Australian critics are listed first)
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Manages to cover every wedding film cliche in the canon, and does so without yielding any genuine laughs

Full Review Source: Dark Horizons | comment Comment
02/04/08
Garth Franklin
Garth Franklin
Dark Horizons
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Thanks to Katherine Heigl, this formulaic and saccharine sweet romantic comedy is more palatable than its predictable script and cardboard characters suggest. But I am disappointed in the film, which starts with a flourish, but fizzles into mediocrity.

Full Review Source: Urban Cinefile | comment Comment
01/12/08
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
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What a maddening waste of Katherine Heigl this insipid romantic comedy is.

Full Review Source: Guardian [UK] | comment Comment
03/28/08
Cath Clarke
Cath Clarke
Guardian [UK]
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The story requires an antagonist, so Jane’s sister is painted as a monster for most of the film. At the end, however, she is reshaped as Jane’s close friend and confidante. The film’s credibility crumbles like stale wedding cake.

Full Review Source: Times [UK] | comment Comment
03/28/08
Wendy Ide
Wendy Ide
Times [UK]
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Cute, cute, cute. No bouquets for originality, but it pushes all the buttons of this mini-genre, and Heigl and Marsden ring dem bells.

Full Review Source: Empire Magazine | comment Comment
03/27/08
Angie Errigo
Angie Errigo
Empire Magazine
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Katherine Heigl carries 27 Dresses when all else fails, which it does with great regularity.

Full Review Source: Wall Street Journal | comment Comment
01/23/08
Joe Morgenstern
Joe Morgenstern
Wall Street Journal
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Talk about setting the woman’s movement back by about a half-century.

Full Review Source: Ebert & Roeper | comment Comment
01/22/08
Richard Roeper
Richard Roeper
Ebert & Roeper
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Certainly Heigl fares better in less formulaic fare, such as Judd Apatow's irreverent Knocked Up, but she does raise the level of this chick flick from bland to mildly entertaining.

Full Review Source: USA Today | comment Comment
01/18/08
Claudia Puig
Claudia Puig
USA Today
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27 Dresses makes the point that modern American weddings are all pretty much alike. The same could be said about modern American romantic comedies.

comment Comment
01/18/08
A.O. Scott
A.O. Scott
New York Times
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27 Dresses is one heck of a happy date movie. Smiling faces are guaranteed on all seen exiting when the credits finally do roll here.

Full Review Source: Chicago Sun-Times | comment Comment
01/18/08
Bill Zwecker
Bill Zwecker
Chicago Sun-Times
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A romantic comedy that -- despite her [Star Katherine Heigl] undeniable, apple-cheeked appeal -- sags like a day-old bouquet.

Full Review Source: Washington Post | comment Comment
01/17/08
Ann Hornaday
Ann Hornaday
Washington Post
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27 Dresses dutifully privileges its formulaic plot over its stick-figure characters, slapping a happy ending on a setup that, say, Happiness director Todd Solondz could have gone to town on.

Full Review Source: Los Angeles Times | comment Comment
01/17/08
Carina Chocano
Carina Chocano
Los Angeles Times
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Frothy, funny and formulaic, this pleasantly predictable romantic comedy may be viewed as another step forward for Katherine Heigl.

Full Review Source: Variety | comment Comment
01/03/08
Joe Leydon
Joe Leydon
Variety
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1 - 13 (sorted by date; Australian critics are listed first)
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