It's more than a nostalgia trip. The real pleasure lies in Taymor's ability to make it all seem brand new.
Across the Universe (2007)
Tomatometer
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Reviews Counted:149
Fresh:80
Rotten:69
Average Rating:5.8/10
Consensus: Psychedelic musical numbers can't mask Across the Universe's clichéd love story and uninteresting characters.
Runtime: 2 hrs 13 mins
Genre: Musical & Performing Arts
US Box Office: $24,343,673
Synopsis: The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from... The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from visionary director Julie Taymor. Newcomer Jim Sturgess stars as Jude, a young man working on the docks in Liverpool. Eager to escape, he travels to Princeton where he meets Max (Joe Anderson). But it's his meeting with Max's younger sister Lucy (Evan Rachel Wood) that changes him. They quickly fall in love, but their relationship is tested by the chaos of the late 1960s and Max's unwilling tour in Vietnam. Throughout the film, characters burst into classics from the Beatles: frat boys sing "With a Little Help from My Friends," while Uncle Sam bursts from a recruitment poster with strains of "I Want You (She's So Heavy)." U2's Bono makes a cameo as a counterculture leader and croons "I Am the Walrus," and actor-comedian Eddie Izzard provides a trippy rendition of "Being for the Benefit of Mr. Kite." Sturgess has the voice, charm, and good looks to fill Shea Stadium with hordes of screaming young women. As Jude, he's earnest and certainly capable of carrying the film. Wood capably balances Lucy's naiveté and knowledge, easily moving between her love for Jude and her passion for her cause. Though the performances are strong, it's Taymor's gifted direction that makes ACROSS THE UNIVERSE so fascinating to watch. As in FRIDA and Broadway's THE LION KING, she proves herself an artist with creativity few can match. Director of photography Bruno Delbonnel also deserves praise for his contribution to the striking visuals. He has worked with Jean-Pierre Jeunet on AMELIE and A VERY LONG ENGAGEMENT, and he brings the same sense of romance and whimsy to this unique musical. [More]
Starring: Jim Sturgess, Evan Rachel Wood, Joe Anderson, Dana Fuchs
Starring: Jim Sturgess, Evan Rachel Wood, Joe Anderson, Dana Fuchs, Martin Luther McCoy, Bono, Eddie Izzard, Salma Hayek
Director: Julie Taymor
Director: Julie Taymor
Screenwriter: Dick Clement, Ian La Frenais
Story: Julie Taymor, Dick Clement, Ian La Frenais
Producer: Suzanne Todd, Jennifer Todd, Matthew Gross
Composer: Elliot Goldenthal
Studio: Columbia Pictures
Reviews for Across the Universe
Julie Taymor's adventure in Beatle-land is a huge success, ripping the songs that defined a generation and its (dashed) hopes for peace in a microcosm of a love story
What makes this the Battlefield Earth of musicals is the plot – a wafer-thin affair that might have been written by someone who once skimmed a short magazine article about the 1960s while waiting for their hair appointment.
After two hours of butchered classics, it's just a relief when it's over.
Across the Universe, in which Taymor shoehorns, contorts and otherwise bullies some of the Fab Four's greatest hits into a vapid Hollywood musical, is the kind of project that must have looked great on paper. On screen, eh, not so much.
Across the Universe feels like something entombed on Broadway, made to instruct bored tourists while grasping after Importance. It’s an anomalous musical epic: a Pop movie without the excitement of pop.
Across the Universe serves up a handful of brilliant music videos badly strung together by a lame narrative that borrows heavily from Hair.
You have to work so hard at forgetting everything you know about the boys from Liverpool, even as the movie constantly throws their monumental achievements directly at you, that it's frequently not worth the effort
Whatever one thinks of it, it’s clear that this film isn’t made from a recipe for mainstream American embrace.
An example of how not to let your "grand idea" get the better of you and make you forget about the basics of moviemaking, like character, plot, and, because this one's a musical, people who can sing.
The romance will be painful and tumultuous, and the film will find a way to tie together all external events to this seemingly personal connection.
chooses cheesy and nostalgic mis-en-scene over meaningful engagement with the musical material. A terrible disappointment.
Taymor has mistaken a deeply clichéd view of the late ’60s for a radical slice of the zeitgeist. Let it be.
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