Could have been a tour de force for director Paul Schrader and his cast, and the glimpses of greatness make the reality all the more disappointing.
Adam Resurrected (2008)
Tomatometer
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Reviews Counted:36
Fresh:13
Rotten:23
Average Rating:5.1/10
Consensus: Such an unusual tale might have made for a compelling drama, but Adam Resurrected suffers from narrative confusion and an emotional detachment at its core.
Synopsis: The trouble with Holocaust movies is that they're about the Holocaust; they resurrect an illustrious horror, habited by history's most reliable demons, with little to say except that, yes, this was... The trouble with Holocaust movies is that they're about the Holocaust; they resurrect an illustrious horror, habited by history's most reliable demons, with little to say except that, yes, this was a tragedy. ADAM RESURRECTED isn't likely to fit anyone's definition of a Holocaust movie. As director Paul Schrader (AFFLICTION) summarized, "It's a film about a man who once was a dog who meets a dog who once was a boy." Clear enough? Jeff Goldblum plays Adam Stein, a Jeff Goldblum-esque Jewish entertainer who survived the concentration camps by being the personal dog for Commandant Klein (Willem Dafoe). While his wife and daughter were being incinerated, Adam was entertaining on all fours, fighting with a German Shepherd over scraps, and getting his ears lovingly scratched. Ever since, he's been in and out of a psychiatric hospital for survivors in Israel. There, the ex-magician casts his spell over patients and staff, particularly his gorgeous nurse Gina (Ayelet Zurer). But when Adam discovers an abused child in the hospital who acts like a dog, it brings back his traumatic past--and may offer a chance for redemption. Based on the novel by Yoram Kaniuk, ADAM RESURRECTED is a mystifying mixed metaphor that skirts the edge between reality and dream. Enhancing the uncanny atmosphere is Goldblum who, warbling in and out of his German accent, is a delight to watch. If meaning is opaque, the film is resolutely fearless, with many moments not often seen on film--including a Nazi appearing from a burning bush, canine sexual roleplay, and an adolescent in loincloth being led by chain--or likely seen again. [More]
Starring: Jeff Goldblum, Willem Dafoe, Derek Jacobi, Ayelet Zurer
Starring: Jeff Goldblum, Willem Dafoe, Derek Jacobi, Ayelet Zurer, Moritz Bleibtreu
Director: Paul Schrader
Director: Paul Schrader
Producer: Ehud Bleiburg, Werner Wirsing
Reviews for Adam Resurrected
I can tentatively recommend it if only because there has never been anything like it in the history of cinema as far as I can remember.
It seems to have been written in a tone of magical realism, but the director is Paul Schrader, a filmmaker who has many talents, but no feel for whimsy, let alone magic.
A well-acted, sporadically intriguing drama that has a few poignant moments...but its convoluted, unfocused plot fails to pack an emotional wallop as a whole.
The conclusion of the film conveys a sense of moderate relief over life-altering transformation, shortchanging the miracle Goldblum is working overtime to achieve.
Between Jeff Goldblum's wildly over-mannered performance and the schlocky treatment of serious subject matter, it's hard to know whether to simply dismiss the film or be outraged by it.
"Slaughter House Five" meets "The Night Porter" in director Paul Schrader's energetic adaptation of Yoran Kaniuk's 1968 novel about former cabaret star Adam Stein (brilliantly played by Jeff Goldblum).
...a wrong-headed and surprisingly interminable failure from prolific filmmaker Schrader.
It offers little justification for a viewer to sit through such a depressing film.
Jeff Goldblum transforms even his lanky befuddlement into tall dignity here and ends up giving the intellectually mature performance of his career.
Jeff Goldblum gives a remarkable range to the title character, from the theatrical flair of his cabaret performances to his deep anguish at an Israeli cemetery.
Grapples with important themes and is expertly made, but is simply too odd and off-putting to be anything more than an almost grotesque curiosity.
In a less competitive year, Jeff Goldblum would have had a shot at an Oscar nod.
There's no doubt about this one extending [Paul Schrader's] run of low profile non-events.
An experience that is intellectual where it should be emotional, one belonging more on the stage than on the screen, a picture to be respected more than wrapped up in.
For all the nightmarish scenes conceived as a creepy cross between Burroughs and Weisel, we don't receive the cathartic satisfaction typically related to the dramatization of Jewish tragedy.
Might have been a touching story of deep irony if Schrader's approach didn't suffer so much from narrative confusion in an effort to convey the disorientation at its center.
Especially disappointing after Schrader's precise and undervalued character study The Walker, though by this point it should be clear that erraticism is a key facet of his artistry.
Latest News for Adam Resurrected
October 30, 2008:
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