Mottola hasn't concocted the funniest summer comedy ever, but he may have given us one of the wisest.
Adventureland (2009)
Tomatometer
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Reviews Counted:193
Fresh:170
Rotten:23
Average Rating:7.3/10
Consensus: Full of humor and nostalgia, Adventureland is a sweet, insightful coming-of-age comedy that will resonate with teens and adults alike.
Australian Theatrical Release:
Jun 4, 2009 Wide
US Box Office: $16,025,394
Synopsis: Capturing all at once the wistful emotions of early adulthood, the chaotic freedom of youth, and that uniquely wonderful boredom of summer, Greg Mottola’s coming-of-age comedy, ADVENTURELAND,... Capturing all at once the wistful emotions of early adulthood, the chaotic freedom of youth, and that uniquely wonderful boredom of summer, Greg Mottola’s coming-of-age comedy, ADVENTURELAND, splits the difference between his commercial breakthrough, SUPERBAD, and his underrated debut, THE DAYTRIPPERS. ADVENTURELAND follows recent college grad James Brennan (Jesse Eisenberg) as he slogs his way through summer as a games attendant at a local amusement park, where he learns about the shady goings-on of the carny’s world and is introduced to an assortment of weirdos, stoners, goons, and other lost souls. Among that last group is the angsty Em (Kristen Stewart), who captures James’s heart despite her involvement with the park bad-boy, a rocker-turned-maintenance-man (Ryan Reynolds) who seduces women with a dubious story about jamming with Lou Reed. Though the movie has its share of vomit scenes and erection jokes, Mottola is surprisingly restrained in his use of gross-out humor (particularly given SUPERBAD’s near Shakespearean vulgarity), with much of the film’s more blatant hilarity coming courtesy of Bill Hader and Kristen Wiig as the park’s completely unhinged yet utterly in love managers. At its core, ADVENTURELAND is really nothing more than a coming-of-age story set in a colorful locale--the monotonous siren call to "Step right up!" compels after-work beer blasts, random make-out sessions, and drunken existential yearning. Yet what in any other film would be played for cheap laughs and easy smiles is here used to conjure the ineffable mystery of a summer romance. Through a mixture of pleasing performances, a nuanced script, and a brilliant soundtrack (featuring the Replacements, Husker Du, David Bowie, and, of course, Lou Reed), Mottola has created a bittersweet delight that will stay with the viewer long after the midway goes dark. [More]
Starring: Jesse Eisenberg, Kristen Stewart, Martin Starr, Kristen Wiig
Starring: Jesse Eisenberg, Kristen Stewart, Martin Starr, Kristen Wiig, Bill Hader, Margarita Levieva, Ryan Reynolds, Sue O'Malley, Jack Gilpin, Wendie Malick
Director: Greg Mottola
Director: Greg Mottola
Screenwriter: Greg Mottola
Producer: Anne Carey, Ted Hope, Sidney Kimmel
Studio: Miramax Films
Reviews for Adventureland
Most films about the sex problems of young people are puerile and offensive. Mottola's are distinctive because he cares about his characters, and because he knows them at first hand.
While many movies have danced the "it was the summer where ..." tango before, few have done it with such grace, guile and good humour as Adventureland.
Greg Mottola's auto-biographical coming of age story has plenty of heart and although the elements of a first-love plot with all its complications are not new, the script is a good one with detailed, compelling characterisations.
There’s an honesty about this film that’s at times painful, but mainly it’s just funny and very sweet.
It’s fantastic to observe Adventureland reach out and seek a timeless youthful uprising feel, but the film's eventual realization is a crushing disappointment.
Adventureland is no Superbad. To Mottola's credit, though, it's obvious that the director is deliberately trying to avoid repeating the same formula.
Adventureland is reminiscent of indie movies like Breaking Away, Dazed and Confused and Clerks. You could put it another way and say it’s not very original. Yet, watching the movie, you’re too swept up in James’s problems to care.
While this has its longueurs and is not without clichés, it is also a richly enjoyable, witty, well observed piece of nostalgia.
It's beautifully written and sensitively acted, it's got a killer soundtrack.
The film, written and directed by Greg Mottola, plants its flag in thoroughly explored territory, but that familiarity turns out to be integral to its loose and scruffy appeal.
Adventureland is one of those American rites-of-passage movies that so effortlessly nails what it's like to be young that watching it is liable induce hazy sensory flashbacks.
While Adventureland fits squarely into the that-was-the-summer-that-changed-everything genre, it showcases its characters with such grace that you don't mind the familiarity of the story.
Born from the trauma of Reaganomics, the teen films of the '80s had the same awareness of the gulf separating the haves and have nots.
the poignant sense of transience be it of Adventureland's short summer season, or the more subtle shifting of relationships, is beautifully realized here
Adventureland, is a total delight, with a winsome and terrifically textured cast who seem both like young-adult archetypes and recognizable human beings.
Thanks to an exceptionally deft touch, Mottola manages to capture the absurdity and anguish of young adulthood, while never sacrificing meaning on the altar of crude humor.
It is a coming-of-age picture which seems not so different from any other but hits delightfully odd notes thanks to Mottola's terrifically smart script and a cast of mostly eager young actors.
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