It’s fantastic to observe Adventureland reach out and seek a timeless youthful uprising feel, but the film's eventual realization is a crushing disappointment.
Adventureland (2009)
Tomatometer
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Reviews Counted:193
Fresh:170
Rotten:23
Average Rating:7.3/10
Consensus: Full of humor and nostalgia, Adventureland is a sweet, insightful coming-of-age comedy that will resonate with teens and adults alike.
Australian Theatrical Release:
Jun 4, 2009 Wide
US Box Office: $16,025,394
Synopsis: Capturing all at once the wistful emotions of early adulthood, the chaotic freedom of youth, and that uniquely wonderful boredom of summer, Greg Mottola’s coming-of-age comedy, ADVENTURELAND,... Capturing all at once the wistful emotions of early adulthood, the chaotic freedom of youth, and that uniquely wonderful boredom of summer, Greg Mottola’s coming-of-age comedy, ADVENTURELAND, splits the difference between his commercial breakthrough, SUPERBAD, and his underrated debut, THE DAYTRIPPERS. ADVENTURELAND follows recent college grad James Brennan (Jesse Eisenberg) as he slogs his way through summer as a games attendant at a local amusement park, where he learns about the shady goings-on of the carny’s world and is introduced to an assortment of weirdos, stoners, goons, and other lost souls. Among that last group is the angsty Em (Kristen Stewart), who captures James’s heart despite her involvement with the park bad-boy, a rocker-turned-maintenance-man (Ryan Reynolds) who seduces women with a dubious story about jamming with Lou Reed. Though the movie has its share of vomit scenes and erection jokes, Mottola is surprisingly restrained in his use of gross-out humor (particularly given SUPERBAD’s near Shakespearean vulgarity), with much of the film’s more blatant hilarity coming courtesy of Bill Hader and Kristen Wiig as the park’s completely unhinged yet utterly in love managers. At its core, ADVENTURELAND is really nothing more than a coming-of-age story set in a colorful locale--the monotonous siren call to "Step right up!" compels after-work beer blasts, random make-out sessions, and drunken existential yearning. Yet what in any other film would be played for cheap laughs and easy smiles is here used to conjure the ineffable mystery of a summer romance. Through a mixture of pleasing performances, a nuanced script, and a brilliant soundtrack (featuring the Replacements, Husker Du, David Bowie, and, of course, Lou Reed), Mottola has created a bittersweet delight that will stay with the viewer long after the midway goes dark. [More]
Starring: Jesse Eisenberg, Kristen Stewart, Martin Starr, Kristen Wiig
Starring: Jesse Eisenberg, Kristen Stewart, Martin Starr, Kristen Wiig, Bill Hader, Margarita Levieva, Ryan Reynolds, Sue O'Malley, Jack Gilpin, Wendie Malick
Director: Greg Mottola
Director: Greg Mottola
Screenwriter: Greg Mottola
Producer: Anne Carey, Ted Hope, Sidney Kimmel
Studio: Miramax Films
Reviews for Adventureland
Adventureland is no Superbad. To Mottola's credit, though, it's obvious that the director is deliberately trying to avoid repeating the same formula.
Mottola hasn't concocted the funniest summer comedy ever, but he may have given us one of the wisest.
Most films about the sex problems of young people are puerile and offensive. Mottola's are distinctive because he cares about his characters, and because he knows them at first hand.
While many movies have danced the "it was the summer where ..." tango before, few have done it with such grace, guile and good humour as Adventureland.
Greg Mottola's auto-biographical coming of age story has plenty of heart and although the elements of a first-love plot with all its complications are not new, the script is a good one with detailed, compelling characterisations.
There’s an honesty about this film that’s at times painful, but mainly it’s just funny and very sweet.
Regardless of the well filled-out cast and the fact that it's structured like a comedy, Adventureland just isn't funny. There really aren't jokes and the overlong running time is mostly given to a standard budding romance.
The youths of Superbad were a little bit younger, a little more likable, their dirty-virgin wit more hilarious [than in Adventureland].
The '80s-centric atmosphere means that viewers over a certain age will probably connect to the material to a greater extent than their younger counterparts. In fact, the nostalgia factor might be enough for some people to overlook Adventureland's flaws.
It's fantastic to observe Adventureland reach out and seek a timeless youthful uprising feel, but the film's eventual realization is a crushing disappointment.
The '80s-centric atmosphere means that viewers over a certain age will probably connect to the material to a greater extent than their younger counterparts. In fact, the nostalgia factor might be enough for some people to overlook Adventureland's flaws.
The only real nostaglia on display (much like the overplayed rock soundtrack of the park's speakers) is the feeling that you've just seen and heard this story all before.
Yet another quirky coming-of-age tale, it's amiable enough but rather lackadaisical, and generates neither the laughs nor the insight needed to set it apart from the pack.
I had really hoped we'd moved beyond the era of movies about boredom. Once people realized that mundane lives aren't actually entertaining, I thought they'd stopped making them.
This is like watching a home movie of someone's summer job - and that someone is bland and boring.
There isn't nearly as much comedy as you would expect based on the previews. There's nothing wrong with that, except the created void isn't really filled with anything, and that ending is just bad.
Although this '80s flashback has an appealing sheen of sweetness, it sticks so closely to the rhythms of remembrance that it lacks dramatic impact. We've heard this story too many times before.
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