The period detail is brilliantly brought to life, but the film is superficial, lacking the passion of its heroine.
Amelia (2009)
Tomatometer
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Reviews Counted:137
Fresh:28
Rotten:109
Average Rating:4.4/10
Consensus: Amelia takes the compelling raw materials of its subject’s life and does little with them, conventionally ticking off Earhart's accomplishments without exploring the soul of the woman.
Genre: Dramas
US Box Office: $13,766,323
Synopsis:
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary...
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary aviation pioneer Amelia Earhart (two time Academy Award® winner Hilary Swank).
After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt (Cherry Jones) to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam (Golden Globe® winner Richard Gere), and her long time friend and lover, pilot Gene Vidal (Ewan McGregor). In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history. --© Fox Searchlight
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Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston, Joe Anderson
Director: Mira Nair
Director: Mira Nair
Screenwriter: Ron Bass, Anna Hamilton Phelan
Producer: Ted Waitt, Kevin Hyman, Lydia Dean Pilcher
Composer: Gabriel Yared
Studio: Fox Searchlight Pictures
Reviews for Amelia
Amelia reminds us how little we really know about the lives of famous achievers who changed the world, and underlines the power of biography on screen. It's a creatively and technically accomplished film with thrills and emotional action in equal measure
Towards the end, as the story returns to that round-the-world flight, the suspense kicks in, and Swank’s performance comes into its own.
Oscar-winning actress Hilary Swank gives Earhart a convincing Kansas twang but little else in a performance that is unaccountably stiff.
Swanks’ clear shot at a third statuette is blocked by hulkingly dull writing and direction that could point the way towards a definitive cure for insomnia.
Romance edges ahead of adventure or characterisations and as a result, despite a soaring lead performance by Hilary Swank, the film suffers from a fatal dose of melodrama
When it takes to the skies Amelia really soars with thrilling recreations of Earhart’s solo flights but when it returns to earth all that remains is soap opera.
Swank’s moving performance, the period dressing and beautiful planes all appeal, but dramatically it doesn’t really soar.
Though this traditional story about a defiantly nontraditional woman doesn't always soar, it fits Hilary Swank, its producer/star, like a jumpsuit. She and Nair thrill to the life of this American who broke records, hearts, and boundaries.
Director Mira Nair stays within the safe parameters [of the biopic]in bringing the life of Amelia Earhart to the screen.
Overly glorifies its human subject, cautious to get its hands dirty and dig beneath the surface of Earhart's public life. And yet, even so, Hilary Swank is a joy to watch.
By no means the perfect biopic, but one that covers a lot of ground in telling Amelia Earhart's story. The amount of research that went into (it) is fairly impressive.
A biodrama about an extraordinary woman aviatrix who followed her passion and blazed a trail for others to do the same.
Swank makes it look easier than it probably should be. She's equally charming and vulnerable, which were evidently a couple of the traits of the real-life Earhart. And that's a good thing, because the film often sputters, sways and wobbles...
Although Amelia is too conventionally constructed to attain the heights of Martin Scorsese's "The Aviator," the cinematography and Depression-era props are splendid. Swank, of course, is too.
[A] quiet, reflective film... Earhart is not an icon or a symbol: she's a human being... [T]he assumption of autonomy... is a luxury rarely accorded to women in our pop culture, and it is wonderful to see here.
When (Swank) steps into the right role, she wears and inspires it like Denzel Washington.
Amelia is never less than watchable thanks to gorgeous cinematography and strong performances but the script's insistence on playing it safe prevents it from becoming the film it could have been.
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