Romance edges ahead of adventure or characterisations and as a result, despite a soaring lead performance by Hilary Swank, the film suffers from a fatal dose of melodrama
Amelia (2009)
Tomatometer
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Reviews Counted:140
Fresh:29
Rotten:111
Average Rating:4.4/10
Consensus: Amelia takes the compelling raw materials of its subject’s life and does little with them, conventionally ticking off Earhart's accomplishments without exploring the soul of the woman.
Genre: Dramas
US Box Office: $14,195,118
Synopsis:
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary...
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary aviation pioneer Amelia Earhart (two time Academy Award® winner Hilary Swank).
After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt (Cherry Jones) to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam (Golden Globe® winner Richard Gere), and her long time friend and lover, pilot Gene Vidal (Ewan McGregor). In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history. --© Fox Searchlight
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Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston, Joe Anderson
Director: Mira Nair
Director: Mira Nair
Screenwriter: Ron Bass, Anna Hamilton Phelan
Producer: Ted Waitt, Kevin Hyman, Lydia Dean Pilcher
Composer: Gabriel Yared
Studio: Fox Searchlight Pictures
Reviews for Amelia
Swanks’ clear shot at a third statuette is blocked by hulkingly dull writing and direction that could point the way towards a definitive cure for insomnia.
Oscar-winning actress Hilary Swank gives Earhart a convincing Kansas twang but little else in a performance that is unaccountably stiff.
Towards the end, as the story returns to that round-the-world flight, the suspense kicks in, and Swank’s performance comes into its own.
Amelia reminds us how little we really know about the lives of famous achievers who changed the world, and underlines the power of biography on screen. It's a creatively and technically accomplished film with thrills and emotional action in equal measure
The period detail is brilliantly brought to life, but the film is superficial, lacking the passion of its heroine.
[Swank is] so constrained by mannerisms that she never gets beyond the character’s surface -- although to be fair, trying to import feeling into the movie’s stilted dialogue is like trying to fly a plane blindfolded.
A dull, torturous bore. Could Earhart's life really have been this uninteresting?
Woodenly acted and grinningly bland, this Amelia Earhart life story turns Hilary Swank and Richard Gere, playing the aviatrix’s publisher husband, into virtual Thunderbirds puppets.
Burns a lot of fuel over the idea that Earhart was not just a hero of the air but an original feminist -- an iconoclast in jodhpurs and a necktie whose addiction to the 'freedom' of flight was representative of womankind's yearning for independence...
Top-flight portrayal of the aviator by Hilary Swank is an instant bio classic.
If there's one thing Amelia wants us to know, it's that Amelia Earhart was her own woman. If there's another thing...I don't have a clue what it could be.
The movie is like a plane you see off in the distance: You recognize it's a plane but its details are indistinct.
Amelia isn't a terrible movie, but its greatest value will be as a history lesson rather than as entertainment.
A tinny and barnacled affair, showcasing a peculiarly awful performance from Hilary Swank.
In its effort to be one of the first Oscar-bait titles out of the gate, the stately but sterile Amelia ends up stumbling over its own feet.
A biodrama about an extraordinary woman aviatrix who followed her passion and blazed a trail for others to do the same.
Eventually I just wanted her to crash the damn plane so I could go home already.
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