Oscar-winning actress Hilary Swank gives Earhart a convincing Kansas twang but little else in a performance that is unaccountably stiff.
Amelia (2009)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:140
Fresh:29
Rotten:111
Average Rating:4.4/10
Consensus: Amelia takes the compelling raw materials of its subject’s life and does little with them, conventionally ticking off Earhart's accomplishments without exploring the soul of the woman.
Genre: Dramas
US Box Office: $14,133,329
Synopsis:
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary...
Visionary. Lover. Dreamer. Fighter. Legend. Icon. AMELIA.
An extraordinary life of adventure, celebrity and continuing mystery comes to light in AMELIA, a vast, thrilling account of legendary aviation pioneer Amelia Earhart (two time Academy Award® winner Hilary Swank).
After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt (Cherry Jones) to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam (Golden Globe® winner Richard Gere), and her long time friend and lover, pilot Gene Vidal (Ewan McGregor). In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history. --© Fox Searchlight
[More]
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston
Starring: Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston, Joe Anderson
Director: Mira Nair
Director: Mira Nair
Screenwriter: Ron Bass, Anna Hamilton Phelan
Producer: Ted Waitt, Kevin Hyman, Lydia Dean Pilcher
Composer: Gabriel Yared
Studio: Fox Searchlight Pictures
Reviews for Amelia
Swanks’ clear shot at a third statuette is blocked by hulkingly dull writing and direction that could point the way towards a definitive cure for insomnia.
Romance edges ahead of adventure or characterisations and as a result, despite a soaring lead performance by Hilary Swank, the film suffers from a fatal dose of melodrama
The period detail is brilliantly brought to life, but the film is superficial, lacking the passion of its heroine.
Amelia reminds us how little we really know about the lives of famous achievers who changed the world, and underlines the power of biography on screen. It's a creatively and technically accomplished film with thrills and emotional action in equal measure
Towards the end, as the story returns to that round-the-world flight, the suspense kicks in, and Swank’s performance comes into its own.
Amelia was a great adventurer and an inspirational woman. But you would hardly know it from this uninspiring romantic slush.
What should have been a soaring, inspirational, complex epic has been grounded by bad storytell ADVERTISEMENT ing, chocolate-box visuals, rubbish star turns and another awful US accent from a Ewan McGregor.
Gere and McGregor are fine actors, but Nair uses them like the expendable males (Zachary Scott, Franchot Tone, et al) who stood back and let Bette Davis and Joan Crawford do all the heavy lifting back in the day.
Swank has fun in the role - I haven't seen her smile this much in years - but she isn't given much complicated to do besides frustrate her friends when she digs in her heels.
less engaging than a game of connect-the-dots, which is, essentially, all this is
The look of the movie – suave Art Deco lines and 1930s fashions – is blameless, though helpless to counter the Ron Bass screenplay, guaranteed to drain the life out of any drama it touches.
History can weigh heavily on a filmmaker, and that is what happens with Amelia, a disappointing rendering of the remarkable life of Amelia Earhart.
The movie is like a plane you see off in the distance: You recognize it's a plane but its details are indistinct.
Swank's resemblance to Earhart is uncanny, but the result is verisimilitude without engagement %u2014 a risk-taker's story told entirely without narrative risk, and a movie that consequently never takes flight.
Two-time Academy Award winner Hilary Swank can’t give any lift to Amelia, a soggy, un-engaging biopic.
What the film offers is melodrama, more interested in the aviatrix's bedroom activities than her spirit. Amelia hunts for complexity, but it only achieves a tedious middle ground.
Latest News for Amelia
October 22, 2009:
Critics Consensus: Astro Boy Doesn't Quite Soar
This week at the movies, we've got an anime hero (Astro Boy, with voice work from Kristen Bell and Nicolas Cage); a vampire war ( Cirque du Freak: The Vampire's Assistant,... More...
October 22, 2009:
Hollywood's Turbulent Relationship with Flight ![]()
When Hilary Swank takes to the sky in "Amelia" this weekend, she'll be adding to Hollywood's long -- and, yes, rather bumpy -- fascination with flight. More...
October 08, 2009:
New: Brand New Trailer and Poster Here. ![]()
More...
June 28, 2009:
Trailer & Poster review ![]()
More...
More Movies
What’s Hot On RT
Other News
Sponsored Links
Fresh Links
Featured

Last week, Moviefone offered us their worst films of the 2000s. Now see their 40 best!

Movieline gets bravely swept away with the recycled refuse of the 2000s.

Get all the latest movie updates, reviews, interviews and features here.
Competitions

We're giving away a bunch of stuff from the upcoming Squeakquel.



Top Critic


