For a movie that revels in its very artificiality, And the Ship Sails On possesses an astonishing emotional resonance in its last scenes.
And the Ship Sails On (1984)
Tomatometer
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Reviews Counted:9
Fresh:8
Rotten:1
Average Rating:6.8/10
Runtime: 2 hrs 18 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: Fellini takes the viewer on a sea voyage in 1914, complete with a collection of passengers of every description - an Austrian duke, peasant refugees, and members of the cast of an Italian opera... Fellini takes the viewer on a sea voyage in 1914, complete with a collection of passengers of every description - an Austrian duke, peasant refugees, and members of the cast of an Italian opera company, who are transporting the ashes of a departed friend to her homeland. As it is the eve of WWI, the ship encounters the first war refugees and takes them aboard, thus broadening the classes aboard the vessel. An impressive opening, an unexpected ending and a steady parade of Fellini's trademark set pieces and inconsequential, amusing events color this late work from the director's ouvre. [More]
Starring: Freddie Jones, Barbara Jefford, Victor Poletti, Peter Cellier
Starring: Freddie Jones, Barbara Jefford, Victor Poletti, Peter Cellier, Norma West, Sarah Jane Varley
Director: Federico Fellini
Director: Federico Fellini
Screenwriter: Federico Fellini, Catherine Breillat
Producer: Franco Cristaldi, Aldo Nemni
Reviews for And the Ship Sails On
The picture is worth watching, if only for the scenes with the rhino and the lengthy opening sequence, which begins as a scratchy, sepia-toned silent film that gradually but gloriously develops into a colorful sound picture.
Can be seen as a highly imaginative history lesson of the passing of an era
[The film] is to most movies what the Folies-Bergere was to the theater, a celebration of spectacle, even when it exists only for its own sake.
A lesser Fellini is still much greater than most of the product presented for our consumption.
Obviously, it isn't the intellectual content that's meant to carry the picture, but even Fellini's elaborate visuals seem timid and uninspired this time around.
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