The tragic, proud, vulnerable and empathetic Robbie is [McAvoy's] breakthrough role, proof that this is a leading man with a terrific future in movies.
Atonement (2007)
Tomatometer
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Reviews Counted:199
Fresh:164
Rotten:35
Average Rating:7.3/10
Consensus: Atonement features strong performances, brilliant cinematography, and a unique score. Featuring deft performances from James MacAvoy and Keira Knightley, it's a successful adaptation of Ian McEwan's novel.
Runtime: 2 hrs 3 mins
Genre: British, , Romance, Young Love, Period Piece, Theatrical Release, Crime, Family Crises, Based On A Novel
US Box Office: $50,830,581
Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer;... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave, Brenda Blethyn
Director: Joe Wright
Director: Joe Wright
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
Studio: Focus Features
Reviews for Atonement
McEwan's uncanny expression of the intangible has posed a challenge to those who've brought his novels and short stories to the screen, and Wright resorts to obvious cinematic shorthand to communicate Atonement's metaphysical ideas.
Cleansing by self atonement doesn't hack it, and the resolution provided is something far less than satisfying.
Beautifully photographed adaptation of a major British novel that illustrates the value of counting to 10--make that l,000--before doing anything rash.
Atonement is an intelligently, evocatively directed movie in every aspect...
Starry, sexy and unmistakably British, Atonement is the kind of film that comes along all too rarely.
A stunning, powerful sophomore effort from Joe Wright, likely to have as much impact on second viewing.
Chalk up another stunning achievement for Joe Wright, who must now be recognized as an auteur with few equals of his age and experience in world cinema.
What a clever, ambitious, compassionate picture it is; what a success for Joe Wright and for Knightley and McAvoy. It's a film which aims at big ideas, and it treats us like grownups.
...it's certainly worth noting that the movie packs a far more potent emotional punch than its literary forebearer.
Atonement is an awesome achievement – I urge you to see it as soon as you can.
Knightley looks every inch a movie star, and the role won't do her career any harm. But it doesn't have the kind of range or depth that is normally required in an awardwinning performance.
Part costume drama, part war epic, Joe Wright’s follow-up to Pride & Prejudice is above all a touching love story with a potent sexual charge. Some viewers may feel cheated by the ending, but fans of the novel won’t be disappointed.
Keira Knightley and James McAvoy deliver the sort of performances that have got Oscar written all over them as the doomed lovers in director Joe Wright's sumptuous adaptation of Ian McEwan's dark novel.
An adaptation at least as good as the novel - complex, delicate and devastating. Gorgeous cinematography, a lilting score and near-faultless performances, under Wright’s assured direction, make this the first contender for next year’s Best Picture Oscar.
There's much to admire about this adaptation of the Ian McEwan novel, enough that its occasional faltering can be easily forgiven.
Impressively directed, beautifully photographed and superbly adapted drama with terrific performances from its cast.
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