Director Joe Wright is quickly establishing himself as a powerhouse adapter of period romance tomes.
Atonement (2007)
Tomatometer
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Reviews Counted:199
Fresh:164
Rotten:35
Average Rating:7.3/10
Consensus: Atonement features strong performances, brilliant cinematography, and a unique score. Featuring deft performances from James MacAvoy and Keira Knightley, it's a successful adaptation of Ian McEwan's novel.
Runtime: 2 hrs 3 mins
Genre: British, , Romance, Young Love, Period Piece, Theatrical Release, Crime, Family Crises, Based On A Novel
US Box Office: $50,830,581
Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer;... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave, Brenda Blethyn
Director: Joe Wright
Director: Joe Wright
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
Studio: Focus Features
Reviews for Atonement
At some points Wright appears to be simply showing off the dexterity of his visual ambitions to the detriment of the story's emotional core.
the film actually transcends the novel at times, due in no small part to Seamus McGarvey's fluid camera work.
Ronan has a remarkably self-possessed, haunted quality that would be impressive for a newcomer of any age.
...This leads to one of the best romances of the year. The problem comes when an older Briony attempts to atone for her misdeeds.
Wright's camera takes you on many memorable journeys, none as great as an incredible five minute tracking shot in which the scene never cuts away
Atonement exquisitely captures the essence and nuance of the page and translates it to the screen with breathtaking originality.
As a technical achievement, it's one of the better films I have seen this year. The story is old-school overblown and yet it is played so sincerely you hardly notice its old-fashioned fire.
An overly-ambitious, ultimately unsatisfying adaptation of Ian McEwen's best-selling romance novel.
Podrá resultar más o menos bella, triste, fría, conmovedora, romántica, incluso intrascendente, pero sin duda estamos ante una película exquisitamente elaborada por un brillante equipo de artistas.
Sweeping, showy, and stiff, Joe Wright's adaptation of Ian McEwan's pedigreed bestseller traffics in florid staging and callow emotions.
Atonement has significant themes, tragic circumstances and profound lessons on life and personal responsibility. It's sooooooo booooooring.
The lingering deaths of soldiers and the lost causes they embody serve as tragic backdrops to the less compelling plot points embodied by Briony and her characters.
Nothing ruins a pretty good movie more than calling it great, and with Atonement, even 'pretty good' feels like a stretch.
Knightley is exquisite shouldering... old Hollywood glamour... McAvoy positively simmers with the kind of emotion... that old Hollywood trained us to love in romantic heroes...
Acaba se sobressaindo não exatamente pela história de amor que narra (embora esta funcione), mas sim pelo curioso experimento narrativo que se propõe a fazer.
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