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Atonement

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Atonement (2007)

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Reviews Counted:199

Fresh:164

Rotten:35

Average Rating:7.3/10

Consensus: Atonement features strong performances, brilliant cinematography, and a unique score. Featuring deft performances from James MacAvoy and Keira Knightley, it's a successful adaptation of Ian McEwan's novel.

Runtime: 2 hrs 3 mins

Genre: British, , Romance, Young Love, Period Piece, Theatrical Release, Crime, Family Crises, Based On A Novel

US Box Office: $50,830,581

Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer;... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]

Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan

Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave, Brenda Blethyn

Director: Joe Wright

Director: Joe Wright
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
Studio: Focus Features

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Reviews for Atonement

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121 - 140 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 10 11 >> >|
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Atonement does what a tragic romance is supposed to do.

Full Review Source: Dallas Morning News | comment Comment
12/07/07
Chris Vognar
Chris Vognar
Dallas Morning News

Against those odds, screenwriter Christopher Hampton and director Joe Wright have turned McEwan's best novel into a fluid, sumptuous and thoroughly engaging drama.

Full Review Source: Contra Costa Times | comment Comment
12/07/07
Mary F. Pols
Mary F. Pols
Contra Costa Times

Given the difficulties in transferring Ian McEwan's trickily structured 2001 novel Atonement to the screen, director Joe Wright and screenwriter Christopher Hampton have done a commendable job. Commendable but not electrifying.

Full Review Source: Christian Science Monitor | comment Comment
12/07/07
Peter Rainer
Peter Rainer
Christian Science Monitor

Atonement is so good it redeems our faith in intelligent drama.

Full Review Source: Boxoffice Magazine | comment Comment
12/07/07
Kevin Courrier
Kevin Courrier
Boxoffice Magazine

The movie never goes as deep as the novel (no movie could), but it's a worthy approximation: a Merchant-Ivory movie that turns in on itself with a lucid and painful sigh.

Full Review Source: Boston Globe | comment Comment
12/07/07
Ty Burr
Ty Burr
Boston Globe

Atonement is one of the best and most powerful films of 2007 and should be well rewarded come Oscar time.

Full Review Source: IGN Movies | comment 1 Comment
12/07/07
Stax
Stax
IGN Movies

Fans of the original source material will definitely know what to expect here. The rest of us, who can't seem to connect to any of these characters (let alone care about them), can only marvel at the technical aspects of the film.

Full Review Source: Bronsonfive | comment Comment
12/07/07
Michael Ferraro
Michael Ferraro
Bronsonfive

It taises important questions about the relationship between honesty and kindness, and ends on a powerful note that asks whether there can ever be true mercy without, well, truth.

Full Review Source: Christianity Today | comment Comment
12/07/07
Peter T. Chattaway
Peter T. Chattaway
Christianity Today

In the story's nooks and crannies are ideas to savor...the human-condition horrors of unpassable distances of space, time, and reconciliation.

Full Review Source: Groucho Reviews | comment Comment
12/07/07
Peter Canavese
Peter Canavese
Groucho Reviews

Wright didn't just take a great book and turn it into a movie. He created visual poetry from beautiful prose.

Full Review Source: The Deadbolt | comment Comment
12/07/07
Brian Tallerico
Brian Tallerico
The Deadbolt

There is a lot of yearning going on in Atonement, and not all of it is confined to the actors on the screen.

Full Review Source: Sun Publications (Chicago, IL) | comment Comment
12/07/07
Josh Larsen
Josh Larsen
Sun Publications (Chicago, IL)

This is one of the year's best films, a certain best picture nominee.

Full Review Source: Chicago Sun-Times | comment 5 Comments
12/07/07
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

The trailer for Atonement had me giddy with excitement I thought I was going to be in for a truly epic love story that spanned time, distance, war, betrayal, but what I got was this anemic, pretentious, non-epic turd.

Full Review Source: Eclipse Magazine | comment 24 Comments
12/07/07
Michelle Alexandria
Michelle Alexandria
Eclipse Magazine

Atonement's main strength is its flow, and its cinematic techniques are able to both bolster the flow and occasionally distract from it.

Full Review Source: ReelTalk Movie Reviews | comment Comment
12/07/07
Jeffrey Chen
Jeffrey Chen
ReelTalk Movie Reviews

Positively demands a second viewing.

Full Review Source: Film Blather | comment Comment
12/07/07
Eugene Novikov
Eugene Novikov
Film Blather

It is one of the rare British period literary adaptations that feels like a fresh and vital story instead of a museum piece

Full Review Source: eFilmCritic.com | comment Comment
12/06/07
Peter Sobczynski
Peter Sobczynski
eFilmCritic.com

A handsome and good, but not great adaptation of Ian McEwan's best-selling, 2002 novel of the same name.

Full Review Source: Screen It! | comment Comment
12/06/07
Jim Judy
Jim Judy
Screen It!

I'm sure it works on the page, but on screen, it gets clunky, especially in the epilogue, which hardly packs the intended emotional punch as a result.

Full Review Source: Mark Reviews Movies | comment 1 Comment
12/06/07
Mark Dujsik
Mark Dujsik
Mark Reviews Movies

Wright's direction and the highly literary adaption of Ian McEwan's award-winning novel by Christopher Hampton give this story an epic sweep.

Full Review Source: Beliefnet | comment Comment
12/06/07
Nell Minow
Nell Minow
Beliefnet

The transition from imagined drama to reality grows tedious.

Full Review Source: Filmcritic.com | comment 2 Comments
12/06/07
Chris Cabin
Chris Cabin
Filmcritic.com
 
 
121 - 140 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 7 8 9 10 11 >> >|
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