Without cameras rolling, celebrities in attendance, or the winners on hand to collect their awards, the "ceremony" was over in 35 minutes (a length the producers might want to keep in mind for next year -- we're just saying). A list of the winners in the film categories follows below, with Tomatometers for each film in parentheses:
MOTION PICTURE - DRAMA
Atonement (83 percent)
American Gangster (79 percent)
Eastern Promises (88 percent)
The Great Debaters
Michael Clayton (90 percent)
No Country for Old Men (95 percent)
There Will Be Blood (100 percent)
MOTION PICTURE - COMEDY OR MUSICAL
Sweeney Todd: The Demon Barber of Fleet Street (86 percent)
Across the Universe (52 percent)
Charlie
Wilson's War (92 percent)
Hairspray (92
percent)
Juno (92 percent)
PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE - DRAMA
Julie Christie, Away From Her (95 percent)
Cate Blanchett,
Elizabeth: The Golden Age
(34 percent)
Jodie Foster,
The Brave One (45 percent)
Angelina Jolie,
A Mighty Heart
(77 percent)
Keira
Knightley, Atonement
PERFORMANCE BY AN ACTOR IN A MOTION PICTURE - DRAMA
Daniel Day-Lewis, There Will Be Blood (90 percent)
James McAvoy, Atonement
Viggo
Mortensen, Eastern Promises
Denzel
Washington, American Gangster
George
Clooney, Michael Clayton
PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE - COMEDY OR MUSICAL
Marion Cotillard, La Vie en rose (74 percent)
Ellen Page, Juno
Amy Adams,
Enchanted (94
percent)
Nikki
Blonsky, Hairspray
Helena
Bonham Carter, Sweeney Todd
PERFORMANCE BY AN ACTOR IN A MOTION PICTURE - COMEDY OR MUSICAL
Johnny Depp,
Sweeney Todd: The Demon Barber of Fleet Street
Ryan Gosling,
Lars
and the Real Girl (78 percent)
Tom Hanks,
Charlie Wilson's War
Philip
Seymour Hoffman, The
Savages (89 percent)
John C. Reilly,
Walk Hard: The Dewey Cox Story
ANIMATED FEATURE FILM
Ratatouille (96 percent)
The
Simpsons Movie (88 percent)
Bee Movie (52
percent)
FOREIGN LANGUAGE FILM
The Diving Bell And The Butterfly (94 percent)
The
Kite Runner, U.S. (65
percent)
Lust, Caution,
Taiwan (64 percent)
Persepolis,
France (100 percent)
4
Months, 3 Weeks and 2 Days, Romania (96 percent)
PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
Cate Blanchett, I'm Not There (80 percent)
Julia Roberts, Charlie Wilson's War
Saoirse Ronan,
Atonement
Amy Ryan,
Gone Baby Gone
(93 percent)
Tilda Swinton,
Michael Clayton
PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
Javier Bardem, No Country For Old Men (95 percent)
Philip Seymour Hoffman, Charlie Wilson's War
John Travolta,
Hairspray
Tom Wilkinson,
Michael Clayton
Casey
Affleck,
The Assassination of Jesse James by the Coward Robert Ford (75 percent)
DIRECTOR - MOTION PICTURE
Julian Schnabel,
The Diving Bell And The Butterfly
Ridley Scott, American Gangster
Joe Wright,
Atonement
Tim Burton,
Sweeney Todd
Ethan Coen and
Joel Coen,
No Country for Old Men
SCREENPLAY - MOTION PICTURE
Ethan Coen & Joel Coen,
No Country For Old Men
Christopher Hampton, Atonement
Ronald Harwood,
The Diving Bell and the Butterfly
Aaron Sorkin,
Charlie Wilson's War
Diablo
Cody, Juno
ORIGINAL SCORE - MOTION PICTURE
Dario Marianelli,
Atonement
Howard Shore, Eastern Promises
Michael
Brook,
Kaki King,
Eddie Vedder,
Into the Wild (82 percent)
Clint Eastwood,
Grace Is Gone
(70 percent)
Alberto
Iglesias, The Kite Runner
ORIGINAL SONG - MOTION PICTURE
"Guaranteed" from Into the Wild (82 percent), music & lyrics by Eddie Vedder
"That's How You Know" from Enchanted
"Walk Hard" from Walk Hard: The Dewey Cox Story
"Despedida" from
Love in the Time of Cholera (28 percent)
"Grace Is Gone" from Grace Is Gone
Source: Variety
Related Items
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on Jan 14 2008 06:14 AM It's about time Eddie Vedder got some respect from the film industry. He didn't win for Big Fish or Dead Man Walking in the past, which pissed me off to no end. Also, Atonement winning for best picture is a joke. It was good, but No Country for Old Men should have won, and if not that, then There Will Be Blood should have taken it. Both of those movies wreaked of brilliance. (Reply to this) |
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on Jan 14 2008 06:22 AM Up yours, Dick Clark Productions! props for the rat. (Reply to this) |
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on Jan 14 2008 06:49 AM Yay Sweeney Todd!!!! (Reply to this) |
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on Jan 14 2008 06:50 AM Atonement? The best year for movies in a decade and they reconize it by giving atonement and sweeneny best pictures? How about no country and juno? They were each better in my opinion. (Reply to this) |
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on Jan 14 2008 06:52 AM golden globes don't really matter anyway.. its the oscars that count for no country for old men... hopefully they take home the cake (Reply to this) |
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on Jan 14 2008 06:52 AM If P.T.A. gets snubbed at the Oscars, it'll be almost as great a travesty as voters ignoring Scorsese for thirty years. (Reply to this) |
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on Jan 14 2008 06:52 AM Nice to see the wins for Sweeney (although the musical/comedy category is typically weak and not an indication of oscar success) and especially Depp. I've read a number of posts from people convinced that Simpsons was a shoo-in for the animation oscar...anyone still think that's even a remote possibility at this point? (Reply to this) |
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on Jan 14 2008 06:54 AM Saw Atonement, Sweeney Todd, Juno and No Country and I have to say that they HFPA got it right. Still haven't seen There Will Be Blood, but it's on the list. I loved all of the above movies, don't get me wrong, but I thought Atonement was a phenomenal picture in almost every aspect. (Reply to this) |
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on Jan 14 2008 07:02 AM In reply to this comment (#1466654) My feeling is that "The Simpsons" doesn't need any kind of recognition or validation from the Academy or the HFPA. They're part of the cultural zeitgeist, and therefore above awards. In any case, the movie itself is pretty much a longer, bigger-budget television episode. Voters, I'm betting, would be most likely to recognize projects that were conceived of from the beginning as animated features - Ratatouille, Persepolis. I love The Simpsons, but it's not going to win any major award. Besides (and I could be wrong on this) doesn't it already have a whole ton of Emmys? (Reply to this) |
![]() on Jan 14 2008 07:41 AM While I thought The Simpsons was alright but I don't beleive it needs to be in this conversation. What was new, interesting or different about that movie? I am looking forward to the DVD buzz dying down as I am so tired of Spider-Pig and seeing giant Homer's everywhere with a freaking donut in his mouth. Enough already; this over-exposure has finally done them in as far as I am concerned. (Reply to this) |
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on Jan 14 2008 07:47 AM It sucks that No Country for Old Men didn't win best picture. I am glad that Duchovny won for his role in Californication, the only true justice I saw in these awards. (Reply to this) |
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on Jan 14 2008 07:54 AM In reply to this comment (#1466672) I really have to disagree when people write off the simpsons movie as an extended episode. It was made as an experience on the big screen. images flying at you, the intense camera angles and larger-than-life plot. it was an event, not just an episode. the quality of the writing and animation was way beyond anything the weekly show has offered in a number of years. and despite the highest of expectations, pretty much evertyone saw it and liked it. While it shouldn't beat out ratatouille for best animated feature, it does deserve the oscar nomination and a lot more respect than being called a long episode. (Reply to this) |
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on Jan 14 2008 07:54 AM Yes! I saw No Country two days after seeing Atonement and still think Atonement is the better picture. No Country may have had better dialogue, tension and depth but Atonement takes the cake in terms of style and emotional impact w/c I personally tend to value more. Great choice for best drama imo. (Reply to this) |
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on Jan 14 2008 08:18 AM Ratatouille is about the only one I agreed with. Walk Hard deserves an award. Didn't they write, like, 30 songs from scratch? (Reply to this) |
![]() on Jan 14 2008 08:40 AM The problem w/ both NCFOM and Atonement was their endings (NCFOM was an existential WTF and Atonement was cloyingly Saving Privat Ryanesque); however, Atonement's middle also had issues (needless length made it ponderous at points), whereas NCFOM had some slow points, but mostly moved forward in smooth dramatic fashion. Overall, Atonement had a better setup, but NCFOM seemed the better movie. (Reply to this) |
![]() on Jan 14 2008 08:41 AM Oh, yeah, and I'm definitely on board w/ all these awards shows being 30 minutes long. Definitely could do w/o all of the mental masturbation going on. (Reply to this) |
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on Jan 14 2008 08:48 AM I'm excited that Dario Marianelli won for Original Score. His music for Atonement is simply beautiful. (Reply to this) |
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on Jan 14 2008 09:08 AM I dare say that, if the Oscar race is between "No Country For Old Men" and "Atonement," "Atonement" will win, hands down. Not necessarily that it SHOULD win (I haven't seen Atonement yet, so I don't have an opinion on it) but it will quite likely be a repeat of the "Fargo"/"English Patient" competition from 1996. "The Departed" not withstanding, gritty crime dramas almost never win the big prize--especially when there's a costume drama/war movie in the competition. (Reply to this) |
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on Jan 14 2008 09:17 AM I hated the last half hour of no country for old men. Am I alone in this? (Reply to this) |
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on Jan 14 2008 09:22 AM For all you people who love No Country, see There Will Be Blood before you decide. I thought Blood was superior in every way to No Country. God Bless Daniel Day Lewis, perhaps America's greatest living actor. (Reply to this) |
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