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August Rush (2007)
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Reviews Counted:116
Fresh:44
Rotten:72
Average Rating:4.8/10
Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
Australian Rating: PG [See Full Rating] Mild themes and infrequent violence
Runtime: 1 hr 53 mins
Genre: Dramas
Australian Theatrical Release:
Feb 21, 2008 Wide
US Box Office: $31,529,568
Synopsis: AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid... AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid 1990s, it's love at first sight, and they spend the night in each other's arms. But Lyla's father forces them apart, even though she later learns she's pregnant. Later, an accident lands Lyla in the hospital, and though her father tells her that her baby died, the child survives and is given up for adoption. AUGUST RUSH jumps to the present and begins to follow Evan (Freddie Highmore), an 11 year old who has grown up in a boys' home. As Evan embarks on a crusade to find his parents, he imagines he can communicate with them through his gift for music. His journey to New York City brings him into contact with Wizard (Robin Williams), a man eager to capitalize on the child prodigy's talent. Wizard gives Evan the name August Rush as he begins performing all over the city, but the boy's ultimate goal is to find the parents he has never met. From FINDING NEVERLAND to CHARLIE AND THE CHOCOLATE FACTORY, Highmore has displayed an almost prodigious talent himself. He's a gifted young actor, and this emotional story is the perfect venue for his acting. AUGUST RUSH isn't a film for the cynics, but even the hard-hearted in the audience will have difficulty not being touched by this sentimental film. As in Evan's life, music plays a central role in AUGUST RUSH, and it's tough not to let your heart soar along with the melodies. Though it could draw comparisons to OLIVER! and ANNIE, this is a unique and heartwarming film. [More]
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, William Sadler, Mykelti Williamson, Ronald Guttman
Director: Kirsten Sheridan
Director: Kirsten Sheridan
Screenwriter: Nick Castle, James V. Hart
Story: Paul Castro, Nick Castle
Producer: Richard Barton Lewis
Composer: Mark Mancina
Studio: Warner Bros.
Reviews for August Rush
It's far-fetched and a leap of faith of Olympic proportions is required to keep abreast of the plot, but August Rush does deliver some charming moments, largely due to charismatic performances from Keri Russell and Jonathan Rhys Meyers
If you can stomach an ultra- contrived plot with a ridiculously schmaltzy finale, August Rush will be music to your ears.
While many films require a suspension of disbelief, August Rush asks viewers to terminate their disbelief without severance and have security escort it from the building.
Heavy-handed, undeniably saccharine, and about as magical as a clown at a kid's party, August Rush is an implausible, pus-covered pixie stick.
Cloying, annoying, and absurd. And that doesn't even include Robin Williams.
The abruptness of the picture as it leaps from character to character is unsettling, revealing that either Rush had a 30-hour rough cut or Sheridan just didn't know where to take a stand with the film's focal point.
The excellent actors and good music make you think the movie will get better as it progresses, but it never does.
August Rush feels like the cinematic equivalent of being stuffed with fruitcake and doused with a gallon of egg nog.
With its musical themes for individual characters that come together symphonically at the climax, the music is so persuasive that it carries the narrative rather than complementing it.
A perfect example of everything wrong about Hollywood films, "August Rush" is an obstinately perverse, hammy piece of instant-gratification cinema that weeps from the screen as so much emotional sludge.
Seems to want to wear its schmaltz on its breast pocket as if it were a medal of honor.
Intended as a fuzzy family fable, August plays more to the gag reflex than to the heart.
If sentimentality were a cymbal, it'd be like having a percussionist standing right behind you and crashing every other beat.
Slight, uneven and not very memorable. Just as the viewer's heart is intended to soar, mine was left lukewarm and wishing that it cared more.
In spite of its flabbergasting self-absorption, August Rush's devotion to following through on its screwy internal logic is almost genius.
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