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August Rush (2007)
Tomatometer
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Reviews Counted:25
Fresh:6
Rotten:19
Average Rating:4.4/10
Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
Australian Rating: PG [See Full Rating] Mild themes and infrequent violence
Runtime: 1 hr 53 mins
Genre: Dramas
Australian Theatrical Release:
Feb 21, 2008 Wide
US Box Office: $31,529,568
Synopsis: AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid... AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid 1990s, it's love at first sight, and they spend the night in each other's arms. But Lyla's father forces them apart, even though she later learns she's pregnant. Later, an accident lands Lyla in the hospital, and though her father tells her that her baby died, the child survives and is given up for adoption. AUGUST RUSH jumps to the present and begins to follow Evan (Freddie Highmore), an 11 year old who has grown up in a boys' home. As Evan embarks on a crusade to find his parents, he imagines he can communicate with them through his gift for music. His journey to New York City brings him into contact with Wizard (Robin Williams), a man eager to capitalize on the child prodigy's talent. Wizard gives Evan the name August Rush as he begins performing all over the city, but the boy's ultimate goal is to find the parents he has never met. From FINDING NEVERLAND to CHARLIE AND THE CHOCOLATE FACTORY, Highmore has displayed an almost prodigious talent himself. He's a gifted young actor, and this emotional story is the perfect venue for his acting. AUGUST RUSH isn't a film for the cynics, but even the hard-hearted in the audience will have difficulty not being touched by this sentimental film. As in Evan's life, music plays a central role in AUGUST RUSH, and it's tough not to let your heart soar along with the melodies. Though it could draw comparisons to OLIVER! and ANNIE, this is a unique and heartwarming film. [More]
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, William Sadler, Mykelti Williamson, Ronald Guttman
Director: Kirsten Sheridan
Director: Kirsten Sheridan
Screenwriter: Nick Castle, James V. Hart
Story: Paul Castro, Nick Castle
Producer: Richard Barton Lewis
Composer: Mark Mancina
Studio: Warner Bros.
Reviews for August Rush
It's far-fetched and a leap of faith of Olympic proportions is required to keep abreast of the plot, but August Rush does deliver some charming moments, largely due to charismatic performances from Keri Russell and Jonathan Rhys Meyers
Even the final few moments, which should have us choking up, seemed hurried and shot from the wrong angles.
Watching this yucky emotional drama is like being sprayed with treacle from a high-pressure hose.
A show-stopping compendium of clichés, bogus emotions, duff dialogue and cringeworthy performances. Yet it’s so naively idiotic that it’s hard to hate. Better just to ignore it.
August Rush will not be for everyone, but it works if you surrender to its lilting and unabashedly sentimental tale of evocative music and visual poetry.
Intended as a fuzzy family fable, August plays more to the gag reflex than to the heart.
August Rush feels like the cinematic equivalent of being stuffed with fruitcake and doused with a gallon of egg nog.
I dislike sentimentality where it doesn't belong, but there's something brave about the way August Rush declares itself and goes all the way with coincidence, melodrama and skillful tear-jerking.
Unapologetically preposterous, but it is a (very sweet) fairy tale and Highmore is captivating.
To describe August Rush as a piece of shameless hokum doesn’t quite do justice to the potentially shock-inducing sugar content of this contemporary fairy tale.
Many of the so-called twists feel strained, though preteens are unlikely to complain, and there's nothing here to really frighten an even younger crowd.
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