August Rush will not be for everyone, but it works if you surrender to its lilting and unabashedly sentimental tale of evocative music and visual poetry.
August Rush (2007)
Tomatometer
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Reviews Counted:116
Fresh:44
Rotten:72
Average Rating:4.8/10
Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
Australian Rating: PG [See Full Rating] Mild themes and infrequent violence
Runtime: 1 hr 53 mins
Genre: Dramas
Australian Theatrical Release:
Feb 21, 2008 Wide
US Box Office: $31,529,568
Synopsis: AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid... AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid 1990s, it's love at first sight, and they spend the night in each other's arms. But Lyla's father forces them apart, even though she later learns she's pregnant. Later, an accident lands Lyla in the hospital, and though her father tells her that her baby died, the child survives and is given up for adoption. AUGUST RUSH jumps to the present and begins to follow Evan (Freddie Highmore), an 11 year old who has grown up in a boys' home. As Evan embarks on a crusade to find his parents, he imagines he can communicate with them through his gift for music. His journey to New York City brings him into contact with Wizard (Robin Williams), a man eager to capitalize on the child prodigy's talent. Wizard gives Evan the name August Rush as he begins performing all over the city, but the boy's ultimate goal is to find the parents he has never met. From FINDING NEVERLAND to CHARLIE AND THE CHOCOLATE FACTORY, Highmore has displayed an almost prodigious talent himself. He's a gifted young actor, and this emotional story is the perfect venue for his acting. AUGUST RUSH isn't a film for the cynics, but even the hard-hearted in the audience will have difficulty not being touched by this sentimental film. As in Evan's life, music plays a central role in AUGUST RUSH, and it's tough not to let your heart soar along with the melodies. Though it could draw comparisons to OLIVER! and ANNIE, this is a unique and heartwarming film. [More]
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, William Sadler, Mykelti Williamson, Ronald Guttman
Director: Kirsten Sheridan
Director: Kirsten Sheridan
Screenwriter: Nick Castle, James V. Hart
Story: Paul Castro, Nick Castle
Producer: Richard Barton Lewis
Composer: Mark Mancina
Studio: Warner Bros.
Reviews for August Rush
Seems to want to wear its schmaltz on its breast pocket as if it were a medal of honor.
Far from the year's worst film, but it might be the year's biggest debacle -- it's hugely, ostentatiously bad.
The leaden script is full of empty romantic pronouncements that sound neither believable nor wondrous.
[An] odd, quasi-mystical movie that’s too silly for adults to take seriously and frankly too weird for kids.
Intended as a fuzzy family fable, August plays more to the gag reflex than to the heart.
The filmmakers are so deadly earnest about the power of music and love and all that stuff, you just twiddle your thumbs waiting for the inevitable.
It would be nice to say this predictable fantasy has such a big heart, we can forgive its excesses. But director Kirsten Sheridan overplays nearly every already-corny scene.
August Rush feels like the cinematic equivalent of being stuffed with fruitcake and doused with a gallon of egg nog.
Although Williams seems to be in another film altogether, Russell and Rhys Meyers make an attractive and believable would-be couple, and Highmore may actually be the best child actor working today.
The goal is to drive mothers everywhere insane with the urge to rescue him and brush his hair (or the other way around), and in my case it worked.
It's hard to believe in the magical power of music to heal and connect lost souls when the tunes are lame.
Director Kirsten Sheridan has no interest in keeping August Rush tethered to reality or toning down the sentimentality.
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