Acclimate yourself to the frenzied vibe and you'll feel the movie grow into itself as an urban fairy tale whose rapturous finale stakes a wishful claim on the redemptive power of love and art.
August Rush (2007)
Tomatometer
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Reviews Counted:116
Fresh:44
Rotten:72
Average Rating:4.8/10
Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
Australian Rating: PG [See Full Rating] Mild themes and infrequent violence
Runtime: 1 hr 53 mins
Genre: Dramas
Australian Theatrical Release:
Feb 21, 2008 Wide
US Box Office: $31,529,568
Synopsis: AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid... AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid 1990s, it's love at first sight, and they spend the night in each other's arms. But Lyla's father forces them apart, even though she later learns she's pregnant. Later, an accident lands Lyla in the hospital, and though her father tells her that her baby died, the child survives and is given up for adoption. AUGUST RUSH jumps to the present and begins to follow Evan (Freddie Highmore), an 11 year old who has grown up in a boys' home. As Evan embarks on a crusade to find his parents, he imagines he can communicate with them through his gift for music. His journey to New York City brings him into contact with Wizard (Robin Williams), a man eager to capitalize on the child prodigy's talent. Wizard gives Evan the name August Rush as he begins performing all over the city, but the boy's ultimate goal is to find the parents he has never met. From FINDING NEVERLAND to CHARLIE AND THE CHOCOLATE FACTORY, Highmore has displayed an almost prodigious talent himself. He's a gifted young actor, and this emotional story is the perfect venue for his acting. AUGUST RUSH isn't a film for the cynics, but even the hard-hearted in the audience will have difficulty not being touched by this sentimental film. As in Evan's life, music plays a central role in AUGUST RUSH, and it's tough not to let your heart soar along with the melodies. Though it could draw comparisons to OLIVER! and ANNIE, this is a unique and heartwarming film. [More]
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, William Sadler, Mykelti Williamson, Ronald Guttman
Director: Kirsten Sheridan
Director: Kirsten Sheridan
Screenwriter: Nick Castle, James V. Hart
Story: Paul Castro, Nick Castle
Producer: Richard Barton Lewis
Composer: Mark Mancina
Studio: Warner Bros.
Reviews for August Rush
Even though August Rush is sappy, it's the kind of sweetness that everyone needs once in awhile -- like a big, honkin' ice cream sundae.
[A] joyful movie -- so joyful, in fact, that its soul and heart triumph over the many flaws of some of its separate parts.
this crowd-pleasing fable does a lot of good things, but it also makes so many glaring missteps that it’s hard to get truly caught up by the magic.
Freddie Highmore, still the cutest kid in the movies, is an endangered species, about to turn 16 in February and allegedly not intending to continue as an adult actor.
Flawed, yet, does what I, as a musician, find difficult to do. It conveys in words&pictures that wonderful feeling of being caught in a much grander current of rhythm&melody.
A fanciful fairytale blending elements of Oliver Twist, Ferris Bueller, Peter Pan and The School of Rock likely to entertain and enthrall preteens for a couple of hours.
So gloriously, astonishingly nutty that it almost qualifies as an instant camp classic...the visual flamboyance only adds to the pretentious goofiness of it all.
Overly sentimental it may be, but August Rush took me quite willingly to a cinematic world full of music and hope.
As a real-life story, this would be preposterous. But as a fantasy ode to the spiritual qualities of music in our lives, it works beautifully.
In spite of its flabbergasting self-absorption, August Rush's devotion to following through on its screwy internal logic is almost genius.
Following in the footsteps of her father Jim Sheridan (In America), helmer Kirsten has concocted a contrived, sentimental urban fantasy--a reworking of Oliver Twist-- far more impressive in music, sound, and imagery than in plot, dialogue, and words.
Fans of soppy movies will probably love it, but everyone else should steer clear.
May be the best film I have seen in 2007. August will have you Rushing to theatres to witness his musical masterpiece.
A poetic joy: if you can suspend your subscription to the definition of film Hollywood has groomed us to accept, you'll love this film.
An often charming urban fantasy that teeters perilously on the brink of preciousness but never quite topples over.
Those who are prepared to forgive the film its stock characters and lack of emotional subtlety may allow themselves to be ravished -- by the sumptuous soundtrack, if nothing else.
Many of the so-called twists feel strained, though preteens are unlikely to complain, and there's nothing here to really frighten an even younger crowd.
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