Beast vs. beast, and it's not compelling in the least. Studio Fox rolls its two rampaging monster franchises out of cryo-stasis in this clunky and dumb sequel to the clunky and dumb 2004 eyesore, Alien vs. Predator
Aliens Vs. Predator: Requiem (2007)
Tomatometer
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Reviews Counted:67
Fresh:9
Rotten:58
Average Rating:3.2/10
Consensus: The increased gore and violence over the first Alien vs. Predator can't excuse Requiem's disorientating editing, excessively murky lighting, and lack of new ideas.
Runtime: 1 hr 45 mins
Genre: Science-Fiction/Fantasy
US Box Office: $41,668,854
Synopsis: ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America,... ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America, and those who have been waiting for it finally get to witness facehuggers, alien hybrids, and the dreadlocked Predator wreak some homeland havoc. Directors Colin and Greg Strause (billed as "The Brothers Strause") don’t seem concerned with achieving the tension of the original ALIEN and PREDATOR films, instead using their visual effects backgrounds to create a steady stream of monsters, gore, and goo. Picking up where AVP ended, REQUIEM sees Predator on a homebound spacecraft when a baby alien/Predator hybrid bursts from his chest, causing the ship to crash in the Colorado woods. Several facehugger specimens escape, planting eggs down the throats of a hunter and his son. Soon, baby aliens emerge from their bodies and head for town, where ex-con Dallas (Steven Pasquale), Iraq War vet Kelly (Reiko Aylesworth), pizza delivery boy Ricky (Johnny Lewis), high school heartthrob Jesse (Kristen Hager), and sheriff Morales (John Ortiz) have their own separate encounters with the creatures. The dead Predator’s home planet receives a transmission of the alien outbreak, and a fellow denizen of his world is dispatched to clean up the multiplying aliens, eventually causing enough death and destruction for government intervention. This is essentially a slasher film (or FREDDY VS. JASON with aliens), and the characters in REQUIEM are secondary to the creature effects. Fans of the comic books and videogames will appreciate the Strauses‘ adherence to the lore of the series, but others will probably just find thrills in the copious special effects, which are frequent and well-done (if often occurring in darkness). There is also a significant amount of indiscriminant gore in this rightfully R-rated film. A government conspiracy plot thread and an ambiguous ending ensure that this battle isn’t over yet. [More]
Starring: Steven Pasquale, Reiko Aylesworth, John Ortiz, Ariel Gade
Starring: Steven Pasquale, Reiko Aylesworth, John Ortiz, Ariel Gade, Johnny Lewis
Director: Brothers Strause
Director: Brothers Strause
Screenwriter: Shane Salerno
Producer: John Davis, David Giler, Walter Hill
Composer: Brian Tyler
Studio: 20th Century Fox
Reviews for Aliens Vs. Predator: Requiem
...an utterly needless sequel that's sure to disappoint fans of both franchises...
Well, it's official: the Road to Hell is pretty much paved over ... the Strause Brothers ... expressed their [good] intention to return to the dark, scary tone of 1979's Alien, yet Requiem is just about as bad as its 2004 predecessor.
Too underlit to qualify as splatter, too bloodless to qualify as fun, too unaware of its own idiocy to be enjoyed Grindhouse-style, AvP:R is a real education in the finer stratifications of badness.
Does Alien vs. Predator: Requiem spell the end of the dual-monster franchise? Let's hope so
I'm left wondering why I felt like I was watching two different movies that never quite came together as a parallel arc beyond the clunky "They're all fighting personal wars" motif...
Aliens vs. Predator - Requiem is literally shrouded in darkness, and the only explicable reason for this pitch-black visual schema is that the filmmakers understood it was better if no one could see the **** they were shooting.
With a spike in the gore quotient, hardcore fans left baying for Paul WS Anderson’s blood after the first AVP may be happy. Those interested in anything more than a barely comprehensible bitch-slap between two ill-treated icons should take a rain-check.
At best the movie's an unpretentious pile-up of B-movie clichés, but why "Requiem"? Time to give it a rest now.
The world's most illogical and boring action-horror grudge-match between two dull trademarked franchise monsters is back on.
This feature directing debut from former visual effects men Colin and Greg is enjoyable enough in rudimentary tension/splatter/scrap terms, but it still doesn't live up to its heritage.
Scriptwriter Shane Salerno’s dialogue is unspeakable, the visceral horror all too familiar, and the ideas distinctly second-hand.
...wastes no money on stars, no time on plot or character, and no lighting on the set...
Again, the Aliens are slapdash in their rampaging and the Predator is relatively moral, holding to strict rules of hunting.
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