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Babel (2006)
Tomatometer
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Reviews Counted:40
Fresh:25
Rotten:15
Average Rating:6.5/10
Consensus: In Babel, there are no villains, only victims of fate and circumstance. Director Alejandro Gonzalez Iñarritu weaves four of their woeful stories into this mature and multidimensional film.
Runtime: 2 hrs 23 mins 1 sec
Genre: Dramas
US Box Office: $34,237,104
Synopsis: BABEL is the crowning achievement in the trilogy from the unstoppable creative pairing of screenwriter Guillermo Arriaga and director Alejandro Gonzalez Innaritu, which also includes AMORES PERROS... BABEL is the crowning achievement in the trilogy from the unstoppable creative pairing of screenwriter Guillermo Arriaga and director Alejandro Gonzalez Innaritu, which also includes AMORES PERROS (2000) and 21 GRAMS (2003). Building upon its predecessors' method of weaving together disparate storylines, BABEL reaches new heights of ambition with a tale that, in the absence of traditional narrative and protagonist, relies on numerous incredible performances to evoke an affecting relevance by framing contemporary issues in very human struggles and mistakes. Richard and Susan (Brad Pitt and Cate Blanchett) are a wealthy couple from San Diego who are vacationing in Morocco in order to heal after the death of their young child; their other two children are at home with their Mexican maid, Amelia (Adriana Barraza). In a complex shift of ownership to which the audience is privy, a rifle finds its way into the hands of a local herdsman's young sons (Said Tarchani and Boubker Ait El Caid), who recklessly take a shot at a tour bus and catch Susan in the shoulder, causing her to nearly lose her life. The distraught Richard calls home to tell Amelia of the situation, who promptly departs for Mexico to attend her child's wedding, with Richard and Susan's children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with the harsh immigration policies of the Bush administration. Meanwhile, in Tokyo, a widower (Koji Yakusho) tied to the rifle in question attempts to deal with his memories and his raucous, promiscuous, deaf daughter (Rinko Kikuchi). Nearly every performance of the film is devastating, offering an intimate, emotional experience that would approach melodrama if it weren't rendered so realistically. Cinematographer Rodrigo Prieto's color palette masterfully captures the muted tones of the harsh natural landscapes of Morocco and the Mexican border, as well as the fluorescent lights of Tokyo that denote another, though equally barren, end of the spectrum. The misunderstandings born of cultural, language, and class barriers are on par with those that occur between family members, depicting a world that, while connected in the least expected of ways, is also faced with a deep-seated crisis that threatens to alienate humanity from itself. [More]
Starring: Cate Blanchett, Brad Pitt, Gael Garcia Bernal, Mahima Chaudhry
Starring: Cate Blanchett, Brad Pitt, Gael Garcia Bernal, Mahima Chaudhry, Shilpa Shetty, Koji Yakusho, Said Tarchani, Adriana Barraza, Boubker Ait El Caid, Rinko Kikuchi, Peter Wight, Peter Walter, Trevor Martin, Matyelock Gibbs, George Oumansky, Michael Maloney, Abdelkar Bara, Mustapha Rachidi, Elle Fanning, Nathan Gamble, Michael Pena, Jamie Mcbride
Director: Alejandro Gonzalez Inarritu
Director: Alejandro Gonzalez Inarritu
Screenwriter: Guillermo Arriaga Jordan
Producer: Steve Golin, Jon Kilik, Alejandro Gonzalez Inarritu, Corrine Golden Weber
Composer: Gustavo Santaolalla
Studio: Paramount Classics
Reviews for Babel
Actions, reactions and consequences are the themes of Babel, an intense and gripping drama that explores the closely connected chain of humanity that links us inextricably to each other.
Well acted and handsomely photographed, but still extraordinarily overpraised and overblown, a middlebrow piece of near-nonsense: the kind of self-conscious arthouse cinema that is custom-tailored and machine-tooled for the dinner-party demographic.
It may be too slow for some tastes, but Babel remains emotionally bruising but compulsive viewing.
One of the most challenging and saddest movies of the year -- and also one of the most memorable.
It's pretty -- oh, what's the word? -- stupid in its dramatization of the silly little connections that unite us, and it's somewhat selective in its choice of them.
The ultimate poor judgment: the decision to put Babel before the camera. That defies comprehension in any language.
Babel possesses unusual aesthetic force, even if it does not seem to be tethered to any coherent idea or narrative logic.
How Iñárritu and screenwriter Guillermo Arriaga seamlessly link these four stories makes for an unconventional film experience that is weighty, thought-provoking and riveting.
The film explores the ways in which cultural assumptions and biases tend to obscure reality even when reality is plain, and the way our perceived differences keep us from finding a human connection to one other.
Iñárritu has enough talent to shake up conventional moviemaking. But he still hasn’t figured out how to use it.
Latest News for Babel
August 12, 2008:
Rinko Kikuchi Hears Sounds of Tokyo ![]()
Babel star Rinko Kikuchi is in talks to star in Map of the Sounds of Tokyo, "a Japanese-set dramatic thriller that centers on a fish-market employee who doubles as a contract... More...
October 25, 2007:
Box Office Guru Preview: Saw IV Set to Brutalize All Competitors
Jigsaw's twisted games return for another late-October round of torture fun with Saw IV which should allow the lucrative franchise to claim the biggest horror opening of the... More...
September 25, 2007:
RT on DVD: Knocked Up Arrives, Delivers Healthy Bonus Menu
Judd Apatow fans, get thee to a video store! Knocked Up, starring Seth Rogen, is out on DVD today and features an entire disc of bonus materials that make it well worth your... More...
July 13, 2007:
Charlize Theron to Visit "The Burning Plain"
The Oscar-winning blonde will anchor the directorial debut of one of the hottest screenwriters around: Guillermo Arriaga. More...
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