Bamako is an amazing polemical political film like no other.
Bamako (2006)
Tomatometer
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Reviews Counted: 51
Fresh: 43
Rotten:8
Average Rating: 7.1/10
Consensus: A courtroom drama and a portrait of everyday Mali life, Bamako approaches both subjects with equal skill and success.
Theatrical Release: Feb 14, 2007 Limited
Synopsis: The life of a troubled couple from a town in Mali is the focus of BAMAKO. The twist in the tale is that they have to cope with their problems while a hugely important trial is set up in the courtyard next door to their house.... The life of a troubled couple from a town in Mali is the focus of BAMAKO. The twist in the tale is that they have to cope with their problems while a hugely important trial is set up in the courtyard next door to their house. [More]
Starring: Danny Glover, Aissa Maiga, Tiecoura Traore, Maimouna Helene Diarra
Starring: Danny Glover, Aissa Maiga, Tiecoura Traore, Maimouna Helene Diarra, Habib Dembele, Djeneba Kone, William Bourdon, Roland Rappaport, Mamadou Savadogo, Mamadou Konate
Director: Abderrahmnane Sissako
Director: Abderrahmnane Sissako
Studio: New Yorker Films
DVD Info
Release:
Mar 18, 2008
DVD Features:
- Keep Case
- Full Frame 1.33
- Widescreen - 1.85
Audio:
- Dolby Digital 5.1 - Bambara, French
- Subtitles - English - Optional
Additional Release Material:
- Interview - 1. Abderrahmane Sissako - Director
- 2. Danny Glover - Executive Producer
- 3. Gita Sen (Development Alternatives with Women For a New Era)
- 4. Harry Belafonte - Actor
- 5. Yao Graham (Third World Network Africa)
- Trailers - Theatrical Trailer
Interactive Features:
- Scene Selections
Text/Photo Galleries:
- Essay - 1. Aminata Traore
- 2. Mahmood Mamdani
Reviews for Bamako
Sissako's bolt of lightning is how he once again merges spaces: he sets the trial out-of-doors... editing the village's daily events as if they are all a part of the trial's fabric.
A clumsy, talk-heavy and crushingly heavy-handed hybrid. While it may have the best of intentions, Bamako is sometimes hard to watch.
Unlike other recent films about the plight of Africa, Bamako channels its outrage more directly, yet with greater subtlety, by recruiting real-life witnesses to Africa's economic crises.
Free of the indignant self-righteousness of Michael Moore's lowbrow sloganeering, Abderrahmane Sissako's poetic drama offers a clear-sighted examination of Third World economic collapse.
Bamako is a film that grows on you. Its power is subtle and you don't really feel the impact until it's all over. And when it has, its left with you something unshakeably real.
If Jean-Luc Godard had kept his sense of humor, he might be making engaging movies like Bamako.
Dramatic features born and bred on the African continent are rare commodities on these shores, and the opportunities they offer can stretch far beyond film appreciation and into the realm of world understanding.
[An] intimate, urgent and wildly imaginative indictment of post-colonial economic policies in Africa.
Trial movies can be painful, but Bamako is a powerful polemic leavened with moments of beauty and humor.
Bamako is an attack on globalization that is endlessly cogent, confrontational -- and, best of all, as captivating as it is illuminating.
Bamako is challenging without a doubt, but Sissako's righteous anger never loses its ability to connect to the heart, even in the film's densest thickets of symbolism.
Overall, Bamako is a passionate plea, filled with interesting ideas and wrapped up in an uneven presentation.
[Director] Sissako somehow manages to reconcile the passionate words of the debate and the mundane activities surrounding it, but he seems most interested in noting and even marveling at the subtle comedy of their coexistence.
[Director] Sissako has an unusual camera eye, patient and alert to the ebb and flow of both the courtroom sequences and the outside scenes. The music is wonderful as well.
This sophisticated picture about a desperate situation expresses its optimism through its style and its respect for the people who appear in it.
That the G8's policies have been disastrous for Africa won't come as news to anyone who goes to see African art-house films.
while the film may be impaired as an oral treatise, Sissako’s use of the trial is still vindicated. It provides rich symbolism in what is, on the whole, a stimulating work.
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