As usual, his dogmatic politics blind [Lee] from making a coherent movie that both services his message and entertains.
Bamboozled (2000)
Tomatometer
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Reviews Counted:95
Fresh:45
Rotten:50
Average Rating:5.4/10
Consensus: Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.
Runtime: 2 hrs 18 mins
Genre: Television
US Box Office: $1,883,628
Synopsis: Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the... Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the only black employee on the staff of a struggling television network, suggests the most absurd idea for a pilot that he can possibly imagine, hoping it will convince his tyrannical boss, Dunwitty (Michael Rapaport), to terminate his contract and fire him. However, his plan backfires and his idea--MANTAN THE NEW MILLENNIUM MINSTREL SHOW--finds great success. The show is a stereotypical and racially charged depiction of the tap-dancing Mantan (Savion Glover) and Sleep 'n' Eat (Tommy Davidson), two lazy, homeless black men who spend their days in a watermelon patch. As the show becomes a national sensation, Delacroix, his assistant Sloan Hopkins (Jada Pinkett), as well as her older brother, aspiring rapper Big Black Af' (Mos Def), begin to see the harm the show is causing the community, triggering outbursts with deadly consequences. Shot on digital video, Lee uses his basic premise to mock and accuse today's entertainers (including Chris Rock, Ving Rhames, gangsta rappers, and Lee himself) for being modern reincarnations of the stereotypical caricatures that were so offensive in the past. The result is a biting commentary that is at turns hysterical, absurd, and poignant. [More]
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson, Jada Pinkett Smith, Mos Def
Director: Spike Lee
Director: Spike Lee
Producer: Jon Kilik
Composer: Terence Blanchard
Studio: New Line Cinema
Reviews for Bamboozled
A near masterpiece ambiguously balanced between brilliance and incoherence.
If Mr. Lee meant to bring back blackface entertainment as a metaphor for the current black performers he finds obnoxious, he has miscalculated.
Whereas Do the Right Thing left audiences stimulated, at the end of Bamboozled we feel exhausted and confused.
Spike Lee’s shotgun attack on the treatment of blacks in television and the blurring of image and identity is a brilliant rant that digresses into repetitive sermonizing.
Even amid the overload of foul imagery, Lee creates scenes so rich in meaning and implication that they achieve a kind of terrible beauty.
Empty-headed and unspeakably undisciplined… [the] question bears asking: Has Spike Lee -- the living, breathing antithesis of subtlety -- gone completely insane?
It's been a long time since I've seen a movie that made me feel, think, laugh and cry -- often simultaneously.
The film, veering clumsily between satire and drama, often feels like a history lesson.
Features scenes that are strong, confrontational and flat-out brave enough to salve the frustration of sketchy characters and a narrative that spirals out of control.
The story that Bamboozled tells could hardly be more urgent or timely.
Louder than a bomb -- and just as explosive and messy -- Bamboozled doesn't always hit its mark, but it keeps on firing.
It's a vintage Lee production: sometimes brilliant, frequently infuriating, never dull, and so jammed with provocative ideas that you're uncertain whether to yell 'Right on!' or throw your popcorn at the screen.
The mix of comedy and hard-hitting outrage sits uneasily, and two-dimensional characters and performances (Wayans and Rapaport spring to mind, though Pinkett delivers a rigorous integrity) are further impediments as the film increases in hysteria.
Glover is remarkable. His performances are fiery and charismatic, and the internal conflicts he brings to the blackface act are visible both in his acting and dancing performances.
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