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Bamboozled (2000)
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Reviews Counted:95
Fresh:45
Rotten:50
Average Rating:5.4/10
Consensus: Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.
Runtime: 2 hrs 18 mins
Genre: Television
US Box Office: $1,883,628
Synopsis: Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the... Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the only black employee on the staff of a struggling television network, suggests the most absurd idea for a pilot that he can possibly imagine, hoping it will convince his tyrannical boss, Dunwitty (Michael Rapaport), to terminate his contract and fire him. However, his plan backfires and his idea--MANTAN THE NEW MILLENNIUM MINSTREL SHOW--finds great success. The show is a stereotypical and racially charged depiction of the tap-dancing Mantan (Savion Glover) and Sleep 'n' Eat (Tommy Davidson), two lazy, homeless black men who spend their days in a watermelon patch. As the show becomes a national sensation, Delacroix, his assistant Sloan Hopkins (Jada Pinkett), as well as her older brother, aspiring rapper Big Black Af' (Mos Def), begin to see the harm the show is causing the community, triggering outbursts with deadly consequences. Shot on digital video, Lee uses his basic premise to mock and accuse today's entertainers (including Chris Rock, Ving Rhames, gangsta rappers, and Lee himself) for being modern reincarnations of the stereotypical caricatures that were so offensive in the past. The result is a biting commentary that is at turns hysterical, absurd, and poignant. [More]
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson, Jada Pinkett Smith, Mos Def
Director: Spike Lee
Director: Spike Lee
Producer: Jon Kilik
Composer: Terence Blanchard
Studio: New Line Cinema
Reviews for Bamboozled
As usual, his dogmatic politics blind [Lee] from making a coherent movie that both services his message and entertains.
If Mr. Lee meant to bring back blackface entertainment as a metaphor for the current black performers he finds obnoxious, he has miscalculated.
Whereas Do the Right Thing left audiences stimulated, at the end of Bamboozled we feel exhausted and confused.
Empty-headed and unspeakably undisciplined… [the] question bears asking: Has Spike Lee -- the living, breathing antithesis of subtlety -- gone completely insane?
The film, veering clumsily between satire and drama, often feels like a history lesson.
The mix of comedy and hard-hitting outrage sits uneasily, and two-dimensional characters and performances (Wayans and Rapaport spring to mind, though Pinkett delivers a rigorous integrity) are further impediments as the film increases in hysteria.
Lee, in his least commercial film, shoots for controversy but loses focus.
This is either the best or worst thing [Lee has] ever done. I'm not sure, but I'm leaning to the latter side.
What makes Bamboozled so exasperating ... is the hypocrisy and muddled thinking that eventually turn the film into an endurance test for the audience.
The fault lies with Lee, of course: he remains an exceptionally gifted filmmaker, but his writing and helming here demonstrate no penchant for satire.
Lee's heavy-handed approach turns Bamboozled into a tedious and overlong polemic. This is sledgehammer satire.
The shortfall in Bamboozled stems from Lee trying to encompass too much, with too many subplots and a far from optimum choice of targets.
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