Stop shuckin' and Jivin' and go see this movie!
Bamboozled (2000)
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Reviews Counted:95
Fresh:45
Rotten:50
Average Rating:5.4/10
Consensus: Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.
Runtime: 2 hrs 18 mins
Genre: Television
US Box Office: $1,883,628
Synopsis: Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the... Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the only black employee on the staff of a struggling television network, suggests the most absurd idea for a pilot that he can possibly imagine, hoping it will convince his tyrannical boss, Dunwitty (Michael Rapaport), to terminate his contract and fire him. However, his plan backfires and his idea--MANTAN THE NEW MILLENNIUM MINSTREL SHOW--finds great success. The show is a stereotypical and racially charged depiction of the tap-dancing Mantan (Savion Glover) and Sleep 'n' Eat (Tommy Davidson), two lazy, homeless black men who spend their days in a watermelon patch. As the show becomes a national sensation, Delacroix, his assistant Sloan Hopkins (Jada Pinkett), as well as her older brother, aspiring rapper Big Black Af' (Mos Def), begin to see the harm the show is causing the community, triggering outbursts with deadly consequences. Shot on digital video, Lee uses his basic premise to mock and accuse today's entertainers (including Chris Rock, Ving Rhames, gangsta rappers, and Lee himself) for being modern reincarnations of the stereotypical caricatures that were so offensive in the past. The result is a biting commentary that is at turns hysterical, absurd, and poignant. [More]
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson, Jada Pinkett Smith, Mos Def
Director: Spike Lee
Director: Spike Lee
Producer: Jon Kilik
Composer: Terence Blanchard
Studio: New Line Cinema
Reviews for Bamboozled
Beyond the strong acting, there’s a lack of focus about the Delacroix character.
Spike Lee challenges our preconceptions, and dares us, as Malcolm X did in the quote from which this film's title derives, not to be bamboozled.
The mix of comedy and hard-hitting outrage sits uneasily, and two-dimensional characters and performances (Wayans and Rapaport spring to mind, though Pinkett delivers a rigorous integrity) are further impediments as the film increases in hysteria.
After the overly long, loud and profane Summer of Sam two years ago, Lee returns to innovative filmmaking. Welcome back, Spike.
The shortfall in Bamboozled stems from Lee trying to encompass too much, with too many subplots and a far from optimum choice of targets.
It is an inspired but difficult film that poses many questions and takes almost everyone to task, yet offers few suggestions as to what is to be done with this infamous legacy.
Fueled mostly by Lee's anger at racial stereotypes, but it can't run smoothly for 140 minutes on rage alone.
This is basically sloppy, all-over-the-map filmmaking with few hints of self-criticism and few genuine laughs.
People's feelings run too strongly and deeply for any satirical use [of blackface] to be effective. The power of the racist image tramples over the material and asserts only itself.
It's a movie that both entertains and provokes -- would we expect anything less from Spike Lee?
It's a vintage Lee production: sometimes brilliant, frequently infuriating, never dull, and so jammed with provocative ideas that you're uncertain whether to yell 'Right on!' or throw your popcorn at the screen.
Spike Lee's Bamboozled would be a daring movie no matter the year, but its timing at the tail end of 2000 is impeccable.
Glover is remarkable. His performances are fiery and charismatic, and the internal conflicts he brings to the blackface act are visible both in his acting and dancing performances.
At least Lee does bring up a past that everyone, race notwithstanding, ignores at his or her peril.
Features scenes that are strong, confrontational and flat-out brave enough to salve the frustration of sketchy characters and a narrative that spirals out of control.
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