It's a vintage Lee production: sometimes brilliant, frequently infuriating, never dull, and so jammed with provocative ideas that you're uncertain whether to yell 'Right on!' or throw your popcorn at the screen.
Bamboozled (2000)
Tomatometer
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Reviews Counted:95
Fresh:45
Rotten:50
Average Rating:5.4/10
Consensus: Bamboozled is too heavy-handed in its satire and comes across as more messy and overwrought than biting.
Runtime: 2 hrs 18 mins
Genre: Comedies
US Box Office: $1,883,628
Synopsis: Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the... Spike Lee turns up the controversy notch once again with BAMBOOZLED, a sizzling satire on race and racism within the modern media world. Harvard-educated writer Pierre Delacroix (Damon Wayans), the only black employee on the staff of a struggling television network, suggests the most absurd idea for a pilot that he can possibly imagine, hoping it will convince his tyrannical boss, Dunwitty (Michael Rapaport), to terminate his contract and fire him. However, his plan backfires and his idea--MANTAN THE NEW MILLENNIUM MINSTREL SHOW--finds great success. The show is a stereotypical and racially charged depiction of the tap-dancing Mantan (Savion Glover) and Sleep 'n' Eat (Tommy Davidson), two lazy, homeless black men who spend their days in a watermelon patch. As the show becomes a national sensation, Delacroix, his assistant Sloan Hopkins (Jada Pinkett), as well as her older brother, aspiring rapper Big Black Af' (Mos Def), begin to see the harm the show is causing the community, triggering outbursts with deadly consequences. Shot on digital video, Lee uses his basic premise to mock and accuse today's entertainers (including Chris Rock, Ving Rhames, gangsta rappers, and Lee himself) for being modern reincarnations of the stereotypical caricatures that were so offensive in the past. The result is a biting commentary that is at turns hysterical, absurd, and poignant. [More]
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson
Starring: Damon Wayans, Savion Glover, Michael Rapaport, Tommy Davidson, Jada Pinkett Smith, Mos Def
Director: Spike Lee
Director: Spike Lee
Producer: Jon Kilik
Composer: Terence Blanchard
Studio: New Line Cinema
Reviews for Bamboozled
Glover is remarkable. His performances are fiery and charismatic, and the internal conflicts he brings to the blackface act are visible both in his acting and dancing performances.
This is either the best or worst thing [Lee has] ever done. I'm not sure, but I'm leaning to the latter side.
What makes Bamboozled so exasperating ... is the hypocrisy and muddled thinking that eventually turn the film into an endurance test for the audience.
The fault lies with Lee, of course: he remains an exceptionally gifted filmmaker, but his writing and helming here demonstrate no penchant for satire.
After the overly long, loud and profane Summer of Sam two years ago, Lee returns to innovative filmmaking. Welcome back, Spike.
Lee's heavy-handed approach turns Bamboozled into a tedious and overlong polemic. This is sledgehammer satire.
The shortfall in Bamboozled stems from Lee trying to encompass too much, with too many subplots and a far from optimum choice of targets.
Bamboozled, for all its numerous and frustrating flaws, is important viewing. It's a film which says, in no uncertain terms, that there are some things we must not forget.
Interesting and certainly thought-provoking but not as good as it might have been.
If Lee’s purpose relies on creating a confusing menagerie to promote thinking, he succeeds
The most outrageous and disturbing movie Spike Lee has made to date, Bamboozled works only about half the time, perhaps even less.
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