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Being John Malkovich (1999)
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Reviews Counted:116
Fresh:107
Rotten:9
Average Rating:8/10
Consensus: Being John Malkovich is both funny and smart, featuring a highly original script.
Synopsis: Original is far too understated a term to describe this picture, brought to you by the surreal, twisted minds of screenwriter Charlie Kaufman and actor-director Jonze. The story concerns a... Original is far too understated a term to describe this picture, brought to you by the surreal, twisted minds of screenwriter Charlie Kaufman and actor-director Jonze. The story concerns a puppeteer, Craig Schwartz (John Cusack), who discovers his office has a secret portal that leads directly into the brain of one of America's most popular actors, John Malkovich (Malkovich himself, in a hilariously self-mocking appearance). When the journey ends fifteen minutes later, the participant is spewed onto the side of the New Jersey Turnpike. Schwartz uses his discovery as a way to get closer to fellow co-worker Maxine (the always sexy Catherine Keener). Together, the pair form JM, INC., which allows ordinary citizens to join in on the fun for $200 a pop. But when Craig's wife Lotte (a homely Cameron Diaz), as Malkovich, is seduced by Maxine, things begin to unfurl at an even more outrageous pace. Sound confusing? Thanks to Spike Jonze's grounded direction, it isn't. The result is one of the decade's most original films. [More]
Starring: John Cusack, Cameron Diaz, Catherine Keener, John Malkovich
Starring: John Cusack, Cameron Diaz, Catherine Keener, John Malkovich, Orson Bean, Mary Kay Place, W. Earl Brown
Director: Spike Jonze
Director: Spike Jonze
Screenwriter: Charlie Kaufman
Producer: Steve Golin, Sandy Stern, Michael Stipe, Vincent Landay
Composer: Carter Burwell
Reviews for Being John Malkovich
Simply the most original, brilliant film of the year! Marvellously entertaining and overflowing with surprises, the inventive, intelligent script never falters; there are new ideas and twists when you least expect them.
This outrageous comic fantasy may not sustain its brilliance throughout its 112 minutes, but it keeps cooking for so much of that time that I don't have many complaints.
The movie is so successful at being so far on the fringe, it often isolates.
Will benefit greatly from repeat viewings and fervent post-viewing deconstruction.
By the time the tunnel worthy of the likes of Gulliver and Alice becomes a freeway clogged with bit players, a big chill has descended on all the characters.
In just a few years, with a flurry of wildly imaginative films and three Oscar nominations, Kaufman has managed to join the likes of David Mamet, Stephen King, William Shakespeare and Oscar Wilde on the short list of screenwriting superstars.
This must be seen to be believed, a hundred carat cult item -- and all credit to Malkovich for playing along.
A triumph. Featuring a bizarrely original storyline, the screenplay by Charlie Kaufman is brought to the screen by Jonze in what may turn out to be one of the funniest films of the year.
It is hard to mix moods -- the film is manic, subtle, comic and vaguely sad -- but [Jonze] does it masterfully.
A surrealistic ride into a fantasy world that is unique and never before seen.
...dense with ideas and non sequitur surprises, a viewer-friendly fun house of a film that asks only that we enjoy the ride. It is smart without seeming challenging...
This is "Alice in Wonderland" for this decade; its heroes crawl down rabbit holes into a world of gender role and sexual identity conflicts.
No one will accuse music-video director Spike Jonze of making his feature-film debut with a boring, conventional movie.
Premises don't come packaged more cleverly than this one. Stellar cast, eclectic story and a peculiar concept render this an imaginative albeit uneven two hours of unusual movie entertainment.
I highly recommend being John Malkovich. And if you can't do it, at least see the film.
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