A flawed gem.
Besieged (1998)
Tomatometer
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Reviews Counted:45
Fresh:33
Rotten:12
Average Rating:7/10
Synopsis: In BESIEGED, Bernardo Bertolucci returns to the taut, slow-burning intimacy of LAST TANGO IN PARIS; this film is predicated on smaller victories, however. Heroine Shandurai (Thandie Newton) left... In BESIEGED, Bernardo Bertolucci returns to the taut, slow-burning intimacy of LAST TANGO IN PARIS; this film is predicated on smaller victories, however. Heroine Shandurai (Thandie Newton) left Africa when her husband was made a political prisoner, and she numbs her grief in Rome by keeping busy at medical school. By day she earns her keep cleaning house for Mr. Kinsky (David Thewlis), the classical pianist who inherited the villa in which they both live. When Kinsky finally admits his infatuation with his downstairs tenant, she shocks him by demanding that he free her husband. What follows is a profound sacrifice that reminds these two frightened people that the differences between them need not be insurmountable. BESIEGED is partly about getting to know people by looking at them, and the film itself seems nearly wordless. Bertolucci charts emotion in handheld close-up shots and wraps his principals in rich color, texture, and music. Rome is modern and sumptuous at the same time, just as the villa is nestled between a busy subway station and the Spanish Steps. The small-narrative feel is no accident; the film is based on a short story by James Lasdun. [More]
Starring: David Thewlis, Thandie Newton
Starring: David Thewlis, Thandie Newton
Director: Bernardo Bertolucci
Director: Bernardo Bertolucci
Screenwriter: James Lasdun, Bernardo Bertolucci
Reviews for Besieged
Maddening on many fronts and strangely wordless, Bernardo Bertolucci's purported love story breaks no new ground.
Bertolucci and co-writer Clare Peploe seem intent on deconstructing the story's interesting elements at every turn, substituting woolliness for clarity, atmospherics for real emotion and an often condescending, armchair-liberal naivete for real political
It's a film about the limits of art, about civilization at this moment of flux, and about a gentle connection between a man and a woman.
This is a deeply engrossing, often exquisite film by someone who knows visuals. It's sensory, sensual, handmade.
One of the most accessible films to come from Bertolucci and shows the filmmakers deep understanding of his craft.
Despite a vividly expressive performance by Newton, the lack of urgency equates to a lack of intimacy.
An aesthetic treat for art film lovers. Everyone else should stay away.
A film full of hope, full of heart and full of simple rewards for the audience lucky enough to find it.
Bertolucci and co-writer Clare Peploe tell an intimate and painstaking tale that's complemented by exquisitely restrained acting.
Does this allusive, delicate story work? The answer is yes, provided you are sympathetic with what Bertolucci is trying to do.
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