It’s a title you simply must watch, not necessarily for the truths it packs but rather for the bombed-out buildings of postwar Italy, peripheral details that director Vittorio De Sica insisted on.
The Bicycle Thief (1948)
Tomatometer
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Reviews Counted:41
Fresh:39
Rotten:2
Average Rating:8.8/10
Runtime: 90 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: The recipient of international acclaim, Vittorio de Sica's Italian Neorealist masterwork, THE BICYCLE THIEF, is a treasure of world cinema. After nearly two years of unemployment, Antonio (Lamberto... The recipient of international acclaim, Vittorio de Sica's Italian Neorealist masterwork, THE BICYCLE THIEF, is a treasure of world cinema. After nearly two years of unemployment, Antonio (Lamberto Maggiorani) finally finds work posting bills. But he needs a bicycle to do the job. Unfortunately, he was forced to pawn his own bicycle long ago. In a humbling, tragic scene, Antonio exchanges his family's linen for his bicycle. But when the bike is stolen on his first day of work, he must comb the streets of Rome in search of the bike: his family's only means to survival. After three days of hunting, Antonio and his son, Bruno (Enzo Staiola), find the thief (Vittorio Antonucci)--but without witnesses or evidence, the police are unwilling to help Antonio. Hopeless, Antonio and Bruno wander aimlessly through Rome, landing outside of a soccer stadium where hundreds of bicycles are parked. His will broken, Antonio attempts to steal a bike but is caught in the act. Thematically, Vittoria de Sica's THE BICYCLE THIEF details an everyman story of loss of innocence in the face of a destitute society, while the film's poignant acting and directing creates an individual and heart-wrenching tale of one man's struggle to feed his family. The film is often considered one of the masterpieces of 20th century cinema. [More]
Starring: Enzo Staiola, Lamberto Maggiorani, Lianella Carell, Gino Saltamerenda
Starring: Enzo Staiola, Lamberto Maggiorani, Lianella Carell, Gino Saltamerenda, Vittorio Antonucci, Giulio Chiari
Director: Vittorio De Sica
Director: Vittorio De Sica
Screenwriter: Vittorio De Sica, Cesare Zavattini
Composer: Alessandro Cicognini
Screenwriter: Suso Cecchi D'Amico
Reviews for The Bicycle Thief
One of the great, perfect crystalisations of a specific point in time into a particular film, this is one of the greatest cinematic experiences ever.
De Sica’s neo-realist lodestone may have retained its vitality over the decades, but whatever sense of anger it whipped up in the disgruntled masses of postwar Rome feels lost to the excessively syrupy score.
Yes, it's a titan in the annals on cinema history, but more importantly this is a profoundly moving allegory that balances the grimness of its characters' plight against some of the period's most elegant visual poetry.
Bicycle Thieves is a postwar classic from the school of Italian Neo-Realism.
This is poverty's authentic sting: banal and horrible loss of dignity. Bicycle Thieves is a brilliant, tactlessly real work of art.
The lasting soul of Thieves’ pure cinema poverty-parable finally nestles in its deeply affecting father-son pairing in which seven-year-old Staiola dazzles as one of cinema’s wonder-kids.
Not in the top 10 or 15 or 100 films ever made... But it is undeniably good, very good.
... a plainspoken, poetic work that is likely to surprise you with its virtues no matter how often you've heard it called a "great film."
Devastating. Brilliant. Perhaps the most influential film of all time.
there are few characters that are more fully realized and deeply felt as Ricci
Like so many of the films grouped together under the heading of Italian neo-realism, its grainy monochrome images and simple storyline never delve beneath the surface of the characters' lives to reveal the social mechanisms at work there.
A defining landmark of Italian neorealism and a haunting fable of want and desperation an ideal marriage of form and meaning. Even the title is indispensable.
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