As tempting as it is to completely dismiss The Big Lebowski, it's hard to do because the Coens are able to create wickedly funny eccentrics and possess the ability to energize certain actors to inhabit them completely.
The Big Lebowski (1998)
Tomatometer
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Reviews Counted:72
Fresh:56
Rotten:16
Average Rating:7.1/10
Consensus: Typically stunning visuals and sharp dialogue from the Coen Brothers, brought to life with strong performances from Goodman and Bridges.
Synopsis: The Coen brothers have done it again. Mixing in Leninist philosophy, mistaken identity, crazy characters, a kidnapping plot, and a deep love of bowling, they have unleashed upon an unsuspecting... The Coen brothers have done it again. Mixing in Leninist philosophy, mistaken identity, crazy characters, a kidnapping plot, and a deep love of bowling, they have unleashed upon an unsuspecting world the many glories of THE BIG LEBOWSKI. Jeff Bridges plays Jeff Lebowski, known as the Dude, a laid-back, easygoing burnout who happens to have the same name as a millionaire whose wife owes a lot of dangerous people a whole bunch of money--resulting in the Dude having his rug soiled, sending him spiraling into the Los Angeles underworld. The film is beautiful to look at, especially the scenes in the bowling alley, which feature a vast array of bizarre characters--including Steve Buscemi, John Turturro, Sam Elliott, and the movie-stealing, riotously funny John Goodman as the Dude's crazy best buddy. As usual in Coen brothers films (BARTON FINK, RAISING ARIZONA), the dialogue is hysterically warped; the plot is confusing, complicated, and kinetic; the soundtrack is virtually another character; and the acting is weirdly stellar. THE BIG LEBOWSKI is yet another thoroughly entertaining foray into the strange and fascinating world ruled by Joel and Ethan Coen. [More]
Starring: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi
Starring: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, John Turturro, Peter Stormare, David Thewlis, Ben Gazzara, Jimmie Dale Gilmore, Philip Seymour Hoffman, Tara Reid, Flea, Torsten Voges, Philip Moon, Mark Pellegrino, Jack Kehler, Aimee Mann, Asia Carrera, Jerry Haleva
Director: Joel Coen
Director: Joel Coen
Producer: Ethan Coen, Eric Fellner, Tim Bevan
Screenwriter: Ethan Coen, Joel Coen
Composer: Carter Burwell
Reviews for The Big Lebowski
There is no satisfactory beginning, middle or end to it, but it does have its moments.
A genial spoof about life on the unhinged margins of L.A. that's a lot more carefully constructed than it pretends to be.
Although there are plenty of laughs to be had, what ultimately makes this film feel like a minor effort is the lack of the tightly coiled (albeit noticeably bent) internal logic that governed the duo's previous efforts.
There are bits of brilliance here as in all Coen Brothers movies. Just not enough of them.
It sounds like another precious Coen brothers gimmick, but in Bridges' hands it becomes a hysterical running joke.
I wish the Coens the best, but they're going to have to do better than this. I know they can.
Not that The Big Lebowski is without its charms, but, like its central character, it is occasionally aimless and incoherent.
Viewers with a taste for bizarre, even surreal, humor will have a ball.
The comedy here is sometimes so sharp that you could roll in the aisle with laughter and not seem any odder than the characters you see onscreen.
There are more ideas here, more wacko side characters and plot curlicues than the film can support, and inevitably it deflates from having to shoulder so much.
It's best just to accept The Big Lebowski on its own anything-goes terms.
A film that may be instantly forgettable but should keep you grinning for a couple of hours.
In a perfect world all movies would be made by the Coen brothers.
The Big Lebowski doesn't always bowl strikes. But in this wacky comedy, even the gutter balls are funny.
The Big Lebowski is a mess. But what a glorious, wonderfully-entertaining mess it is.
This plot need not be taken too seriously. Watching it amble along is enough of a treat, since the Coens populate this story with oddballs and bowling balls of such comic variety.
This uneven screwball comedy -- a disjointed and half-hearted attempt by the Coen brothers to return to the Raising Arizona style -- is bound to underwhelm even their most fervent admirers.
It never really bored me at any point, but at the same time, it never really excited me either.
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