The Black Dahlia revels in its stylish noir production, even though it gets lost in the maze of its zigzagging plot lines.
The Black Dahlia (2006)
Tomatometer
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Reviews Counted:36
Fresh:4
Rotten:32
Average Rating:4.4/10
Consensus: Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.
Runtime: 2 hrs 2 mins
Genre: Dramas
US Box Office: $22,518,325
Synopsis: Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history.... Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history. De Palma takes things slow, spending a good 20 minutes establishing the relationship between Buddy Bleichert, Lee Blanchard, and their mutual love Kay (Scarlett Johanssen), before introducing the 1947 murder after which the film is named. In the haunting screen-tests left behind after her mysterious death, aspiring actress Elizabeth Short appears to want fame so badly she'll do anything to get it. Her pornographic film appearances, and a rumored affair with narcissist heiress Madeleine Linscott (Hillary Swank), provide just two clues in a sea of confusion. THE BLACK DAHLIA crams every subplot from Ellroy's novel into two hours, but only connects them towards the end of the movie. The screen-tests featuring a sadly desperate Elizabeth Short (Mia Kirshner) are captivatingly filmed in gritty black-and-white. These scenes succeed in showing the industry ugliness most likely behind Elizabeth's death, while the rest of the film self-consciously strives to be noir through elaborate set design, dramatic camera angles, and narration taken straight from the book. If De Palma's goal was to make us examine our own voyeuristic fascination with murder, particularly the gruesome murder of a beautiful young woman, then he succeeds, because throughout a film invested in so many different storylines, Short's remains the most interesting one. [More]
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart, Mia Kirshner, Rose McGowan, Fiona Shaw, Jemima Rooper, John Kavenagh, Pepe Serna, Troy Evans, Gregg Henry
Director: Brian De Palma
Director: Brian De Palma
Story: Josh Friedman
Producer: Rudy Cohen, Art Linson, Moshe Diamont
Composer: Mark Isham
Studio: Universal Pictures
Reviews for The Black Dahlia
An over cooked ham of a film, overstuffed with vampish performances and a narrative far too convoluted for its own good
Gorgeously realised, gripping and doused in De Palma's familiar technical wizardry.
The picture is a kind of fattened goose that’s been stuffed with goose-liver pâté. It’s overrich and fundamentally unsatisfying.
Despite genius-level contributions from cinematographer Vilmos Zsigmond and art director Dante Ferretti, the handsome film is almost abusively murky, trafficking in difficult-to-follow plot manipulations, arbitrary twists and mumbled dialogue.
In The Black Dahlia, narrative strands tangle and wither, and minor characters clutter the plot.
What it accomplishes with its stunning cinematography and set design is undercut by a lack of coherence.
Brian De Palma drains the life out of James Ellroy's take on the spectacularly cruel 1947 murder of a young Los Angeles woman known as the Black Dahlia.
Despite some amusing distractions, watching the big picture coalesce is not unlike watching someone complete a jigsaw puzzle. It all comes together eventually, but you already saw the image on the box.
Such a shame that The Black Dahlia collapses into a gruesome pile of steaming camp in the last half hour.
A literally ripping good yarn is undercut by some lackluster performances and late-inning overripe melodrama.
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