Crump's film is a vitally important document in this respect, bringing out Wagstaff's personality and vividly capturing the stories of the people who knew him.
Black White + Gray: A Portrait Of Sam Wagstaff And Robert Mapplethorpe (2007)
Tomatometer
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Reviews Counted: 17
Fresh: 14
Rotten:3
Average Rating: 6.4/10
Consensus: Vital documentation of an unsung 70’s art patron and his famous photographer lover. A vivid and tragic story.
Theatrical Release: Oct 19, 2007 Limited
Synopsis: Yale-educated and born with a silver spoon in his mouth, Sam Wagstaff’s transformation from innovative museum curator to Robert Mapplethorpe’s lover and patron is intensively probed in Black White + Gray. During the heady years of the... Yale-educated and born with a silver spoon in his mouth, Sam Wagstaff’s transformation from innovative museum curator to Robert Mapplethorpe’s lover and patron is intensively probed in Black White + Gray. During the heady years of the 1970s and 1980s, the New York City art scene was abuzz with a new spirit, and Mapplethorpe would be at the center of it. Wagstaff pulled him from his suburban Queens existence, gave him a camera and brought him into this art world that seemed to be waiting for him, creating the man whose infamous images instilled emotions ranging from awe to anger. In turn, Mapplethorpe brought the formerly starched-shirt preppie to the world of drugs and gay S-and-M sex, well-documented in his still-startling photographs. Twenty five years separated the lovers, but their relationship was symbiotic to its core, and the two remained together forever. The film also explores the relationship both men had with musician/poet Patti Smith, whose 1975 debut album “Horses” catapulted her to fame. --;copy& Arthouse Films [More]
Director: James Crump
Director: James Crump
Screenwriter: James Crump
Studio: Arthouse Films
DVD Info
Reviews for Black White + Gray: A Portrait Of Sam Wagstaff And Robert...
This is a terrific documentary by James Crump about the unsung collector, Wagstaff, and his lopsided relationship with his hungry young lover, Mapplethorpe.
A well made portrait of an intriguing man, presented with a tragic but resounding weight.
Crump’s film colourfully depicts Wagstaff’s complex inner mindset and rarefied eye for imagery by allowing the stunning prints to linger on the screen.
Let's hope this is the springboard for a biopic on the art world's dynamic gay duo - maybe by the time it gets made we'll even have some openly gay actors to play the parts.
The movie makes its main point. Wagstaff was an important, complex, fascinating figure, well worth remembering.
Wagstaff's character accounts for some of the frustration the film induces. Crumb's documentary style accounts for the rest.
This ham-handed interpolation of irrelevant footage is the chief demerit of his movie.
Wagstaff was a fascinating figure and deserves the detailed tribute provided here.
The more famous Mapplethorpe is moved aside to give Sam Wagstaff the spotlight. But the best photography in the world steals the show.
The film itself is staid in comparison to the descriptions of the '70s high life.
Black White & Gray raises provocative questions but can't answer them, or even frame them with total clarity.
Draws out the unseen riches that exist within what may otherwise appear typical or commonplace.
Relatively tame retrospective about the relationship of a gay patron of the arts and his famous photographer lover best remembered for graphic, homoerotic snapshots featuring shocking sights like that of a bullwhip in a tight place.
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October 22, 2007:
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by: ReelReviewer.com 9/27/07
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