The story is passable, albeit a little too manufactured for my taste in terms of its moral lessons, but the execution is so stilted and unconvincing that the experience is uncomfortable
The Boy in the Striped Pajamas (2008)
Tomatometer
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Reviews Counted:124
Fresh:80
Rotten:44
Average Rating:6.2/10
Consensus: A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist.
Australian Theatrical Release:
Feb 2, 2009 Wide
US Box Office: $9,030,581
Synopsis: Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is... Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace. [More]
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman, Asa Butterfield, Jack Scanlon, Amber Beattie, Attila Egyed, Béla Fesztbaum, Sheila Hancock, Jim Norton
Director: Mark Herman
Director: Mark Herman
Screenwriter: Mark Herman
Producer: David Heyman
Composer: James Horner
Studio: Miramax Films
Reviews for The Boy in the Striped Pajamas
You may get halfway through and wonder why it's getting so heavily recommended here. Once you've experienced it in its entirety, you'll know why.
This writer can't remember witnessing a harder-hitting kids' movie denouement than the one that closes this microcosm of middle-class German family life in WWII.
The power of this story and the way director Mark Herman tells it through the innocent eyes of an eight year old boy overcome all the hurdles with its child-like simplicity that clutches our hearts
For me, the pluses far outweighed any misgivings I had with this ultimately very moving film.
We are left in no doubt about the brutality of what's going on there but it's almost entirely off-screen. Still, the film is terribly confronting.
Why do the all the Nazis here have British accents? How confusing is that? An unintentionally-comical cross of Hogan's Heroes and Springtime for Hitler!
While I can't say the film had much emotional impact on me -- I get the point, but it's sloppily executed -- it's definitely an unusual attempt.
The picture is blatantly obvious, pandering, and rather insulting.
There are plausibility issues no German accents; no guards noticing the kids frequent chats but Herman builds a tightening sense of dread that finds no release in the final, tragic twist. Expect a sleepless night.
Will undoubtedly pull many a heartstring and make many an audience member shed a tear, but, with a premise and execution this hollow and manipulative, I beg you, don't fall for it.
The Boy in the Striped Pajamas fails to illuminate history. Instead, it raises questions about the project itself. As in, who thought this was a good idea?
This beautifully rendered family film is told in a classic and old-fashioned style, in the best sense, providing poignant and powerful teachable moments.
Herman has the unenviable task of presenting a challenging and delicate topic like the Holocaust honestly, while at the same time delivering his tale in a kid-friendly way.
Only in the last 10 minutes does it get to grips with the full horror of the Holocaust, and that saves it from a Disneyish propensity not to shock us too much or impose a feelgood ending.
Writer-director Mark Herman, working from the novel by John Boyne, has created a smart-looking film, but one in which the only thing we learn about the Holocaust is that children were its victims, too.
Despite moments of improbable whimsy, this is a hugely affecting film. Important, too. It engages with the complexity of the Holocaust in a language that can move children as profoundly as adults.
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March 01, 2009:
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