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Bug (2007)
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Reviews Counted:126
Fresh:74
Rotten:52
Average Rating:6.2/10
Consensus: Disappointing resolution aside, Bug uses its claustrophobic setting and cinéma vérité camerawork to tense, impressive effect.
Runtime: 1 hr 42 mins
Genre: Horror/Suspense
US Box Office: $7,006,708
Synopsis: Ashley Judd stars as a lonely waitress in this study in fear and paranoia from director William Friedkin. Aggie lives a largely solitary life in Oklahoma, haunted by a sad past and hounded by her... Ashley Judd stars as a lonely waitress in this study in fear and paranoia from director William Friedkin. Aggie lives a largely solitary life in Oklahoma, haunted by a sad past and hounded by her ex-con ex-husband (Harry Connick, Jr., WILL & GRACE). When a female friend and occasional lover introduces Aggie to Peter (Michael Shannon, WORLD TRADE CENTER), it seems she has found her match. The pair enters into a cautious romance, but their dark natures fuel more than just passion. Peter reveals that he was a victim of government experimentation that left blood-hungry aphids crawling under his skin, and the couple begins to obsess over the idea that they could be infected by the insects. Based on Tracy Letts's play, BUG is an effective psychological thriller that gets under the audience's skin. Though the film never takes advantage of the freedom of the screen versus the confines of the stage, setting the action almost entirely within the walls of Aggie's hotel room evokes a claustrophobic feeling. Shannon deftly reprises his role from the stage play with a squirm-inducing mass of tics and twitches, but it's Judd who deserves the bulk of the praise. With her role as Aggie, she leaves behind roles such as the romantic comedy lead of SOMEONE LIKE YOU or the revenge-seeking heroine of DOUBLE JEOPARDY. Instead, she's alternately proud and insecure, fully immersing herself in the part of a woman unlike anyone she has played before. Though Friedkin helmed two of the most notable films of the 1970s with THE EXORCIST and THE FRENCH CONNECTION, he hasn't directed many critical successes since. But with its similarities to the moody work of Roman Polanski, this film could represent a return to form for the veteran director. [More]
Starring: Ashley Judd, Harry Connick, Michael Shannon, Lynn Collins
Starring: Ashley Judd, Harry Connick, Michael Shannon, Lynn Collins, Brian F. O'Byrne
Director: William Friedkin
Director: William Friedkin
Screenwriter: Tracy Letts
Producer: Michael Ohoven, Holly Wiersma, Malcolm Petal, Kimberly C. Anderson
Composer: Brian Tyler
Studio: Lions Gate Films
Reviews for Bug
Supposed to be a serious psychological thriller, an unsettling little number designed to creep us out and make us think. But it's really just junk.
The cheesy soundtrack and the lacklustre acting undermine [director Friedkin's] efforts at turning an intelligent play into a scary movie.
you realize they are just going to keep talking and talking and talking for the whole movie, when you wish they would SHUT UP!
A nerve-rending, extremely unpleasant experience but also a compelling one.
William Friedkin's overwrought screen version of Tracy Letts' play assaults the viewer with aggressive thesping and over-the-top notions of shocking incident, all to intensely alienating effect.
The audience is likely to be left scratching their heads, and that wouldn't be from insect bites brought on by this film's extremely unpleasant subject matter.
Beat by beat, Bug is gripping: It has that feverish compression of great theater, but director William Friedkin gets inside it, so it’s never stagy.
Probably a very good play, but it doesn't make the transition to the big screen.
It's a nasty, nasty piece of work, which wouldn't disqualify it from consideration if it had some redeeming virtue -- pleasure, edification, wonder, something. But it doesn't, so to hell with it.
Consider how low Friedkin has fallen when 'doesn’t entirely suck' is a reason to celebrate.
Blame Lions Gate for neither sending this direct to cable or treating it as the art house movie it is. Instead... they have ensured the film's failure.
Dishonestly marketed but fascinatingly macabre...Bug is about creepy-crawlies as much as Magnolia is about frogs and The Squid and the Whale is about sea creatures.
Bug can't decide if it's a woman-in-peril noir thriller or a modernist paranoia saga, so it just gets weirder, bloodier, and grosser.
After a well-constructed first act, the story becomes a little tiresome and repetitive and the characters, who are will defined to begin with, stray ever closer to the edge of overwrought one-dimensionality.
It's entrancing to watch and wonder just how crazy Bug is going to get. Then the movie goes absolutely bonkers, and you wish you hadn't asked.
...one of those failed experiments that still merits attention, if for no other reason than to see Judd pull herself away from those awful cop thrillers costarring Morgan Freeman to actually act again.
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