Still a noteworthy achievement, but it's hard to keep from being a bit disappointed that Moore hasn't used the seriousness of the times to craft an ever-so-slightly more balanced documentary.
Capitalism: A Love Story (2009)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:141
Fresh:106
Rotten:35
Average Rating:6.7/10
Consensus: Love him or hate him, Capitalism captures Michael Moore in his muckraking element -- with all the Moore-centric showmanship that entails.
Australian Rating: TBC
Genre: Education/General Interest
Australian Theatrical Release:
Jul 23, 2009 Wide
US Box Office: $14,266,331
Synopsis: Plenty of excitement--and controversy--is sure to surround this film from decorated documentarian Michael Moore. After previously taking on America’s gun culture (BOWLING FOR COLUMBINE), the Bush... Plenty of excitement--and controversy--is sure to surround this film from decorated documentarian Michael Moore. After previously taking on America’s gun culture (BOWLING FOR COLUMBINE), the Bush administration (FAHRENHEIT 9/11), and America’s healthcare crisis (SICKO), this timely film addresses what caused the financial crisis that stopped the world in 2008. CAPITALISM: A LOVE STORY finds Moore criticizing the government bailout of privately held businesses. [More]
Director: Michael Moore
Director: Michael Moore
Screenwriter: Michael Moore
Producer: Michael Moore, Anne Moore
Composer: Jeff Gibbs
Studio: Overture
Reviews for Capitalism: A Love Story
Even if it's not the most cogent political docu-essay ever made, it's surely coming straight from the heart.
Maybe Moore should have used this platform to try to teach some fiscal responsibility rather than simply present an "off with their heads" argument.
Moore Sacrifices Narrative Thrust for Contemporary Relevance But Still Ends on a Strong Note.
Moore's loudest, most heartfelt warning, against corporate greed that is ruining his -- and our -- country. It's also a stirring cry to action.
Beneath all the expected liberal, mad-as-hell indignation, the guy with the closet full of ill-fitting ball caps also happens to be persuasive as hell, crafting an entertaining and provocative call to arms.
Unfortunately, Moore's slapdash approach withers before the sprawling canvas, and his dot-like anecdotes rattle around.
As always, Moore's at his best when he gets the hell out of the way and lets average citizens have their say.
I can't help smiling at Moore's response to the question concerning what he hopes audiences will take away from this film "Popcorn and pitchforks."
Underscored by a growling cover of 'Louie, Louie,' assorted thugs in masks pillage assorted banks. A lovely irony, given that the rest of the film deals with how those same banks are pillaging us.
the rotund baseball cap wearing 'everyman' filmmaker adds a grand sequel to his resume
A two-hour op-ed piece raging against the hijacking of the American Dream by special interests, Moore's a canny enough filmmaker to balance entertainment and foursquare truths to keep the audience entertained and fascinated.
Moore's most telling argument is about the extinguishing of the middle class, and the consequences of losing the crucial foundation of our economy and our culture.
Michael Moore preaches to the converted in his least insightful op-ed to date.
Those [attacking Moore] are doing worse than namecalling. By refusing to engage the substance of the film, they're conceding that he may be right.
The centerpiece of this documentary is a shocking and dynamic reel of archival footage.
It might seem like a fantasy for the baker interviewed in the film to be making $60,000 a year and benefits, but Moore proves the idea is less fictitious than the ones that sank Lehman Brothers.
The biggest strike...with this film is its hypocrisy. Here's a man taking shots at capitalism, and he's the biggest capitalist in Hollywood.
As you watch, your indignation grows. Moore has chosen precisely the right moment to tap into the throbbing vein of anti-corporate, anti-rich anger.
Latest News for Capitalism: A Love Story
October 01, 2009:
Critics Consensus: Zombieland Is Bloody Good
This week at the movies, we've got zombie zaniness (Zombieland, starring Woody Harrelson and Jesse Eisenberg); derby dolls (Whip it, starring Drew Barrymore and Ellen Page);... More...
September 30, 2009:
Michael Moore: The RT Interview
Michael Moore has never been afraid to tackle big issues, from the struggles of American workers (Roger & Me) to health care (Sicko) to the war in Iraq (Fahrenheit 9/11). His... More...
September 27, 2009:
New: View the Brand New Trailer Here. ![]()
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September 24, 2009:
Critics Consensus: Surrogates Is A Passable Thriller
This week at the movies, we've got robot clones (Surrogates, starring Bruce Willis and Radha Mitchell), artistic-minded freshmen (Fame, starring Kelsey Grammer and Megan... More...
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| 70% 70% | Where the Wild Things Are | 03/12 |
| 83% 83% | Paranormal Activity | 03/12 |
| 89% 89% | Zombieland | 03/12 |
| 76% 76% | The Informant! | 03/12 |
| | The Strength of Water | 03/12 |
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