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Changing Lanes (2002)
Tomatometer
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Reviews Counted:142
Fresh:110
Rotten:32
Average Rating:7/10
Consensus: A dark, compelling drama featuring Jackson's best performance in years.
Runtime: 1 hr 39 mins
Genre: Dramas
US Box Office: $66,650,688
Synopsis: Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson),... Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson), a meek, working-class black man. At the scene of this fender bender, Gavin, who is busy trying to make a business appointment on his cell phone, offers Doyle a blank check to cover damages. Doyle, wanting to properly exchange information, declines, causing Gavin to flee the accident site. In his haste, Gavin leaves behind an important legal file which Doyle uses to his advantage, setting off a brutal cycle of revenge between these two men who began this Good Friday as strangers. A class commentary that is decidedly different from director Roger Michell's previous film, NOTTING HILL, CHANGING LANES provides very little information about its two central characters before the moment of their car accident. Michell introduces them by crosscutting between both men speaking publicly--Gavin is lecturing to a charitable foundation, Doyle is talking at an AA meeting. These techniques of crosscutting and mirror imaging are used effectively throughout the film to underscore that the obvious social and economic differences between the two men doesn't disguise the dark and angry nature that exists in both of these men, and potentially in all of humanity. [More]
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt, Amanda Peet, Sydney Pollack, Bradley Cooper, Jennie Dundas, Richard Jenkins, Dylan Baker
Director: Roger Michell
Director: Roger Michell
Screenwriter: Michael Tolkin, Chap Taylor
Producer: Scott Rudin
Composer: David Arnold
Studio: Paramount Pictures
Reviews for Changing Lanes
Inside the film’s conflict-powered plot there is a decent moral trying to get out, but it’s not that, it’s the tension that keeps you in your seat. Affleck and Jackson are good sparring partners.
Like an accident on the side of the freeway, this adept and stylish pileup is hard to not look at.
There’s something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers.
That rarest of films --- a vehicle for two big stars that is also smart, deep, and well-written.
A thought-provoking, sophisticated drama that explores the motivations behind our split second decision-making and the consequences that result.
The story loses its bite in a last-minute happy ending that's even less plausible than the rest of the picture. Much of the way, though, this is a refreshingly novel ride.
It is entertaining as a legal yarn of the John Grisham variety, but just as generic despite grander aspirations.
A provocative study of the human condition...handled in a fully challenging way that never once talks down to the viewer.
A rare example of studio filmmaking evocatively concerned with the nature of morality.
An ethical thriller about two men whose biggest enemy is not each other, but their unwillingness to take responsibility for their own actions.
Latest News for Changing Lanes
August 10, 2006:
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July 17, 2006:
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May 30, 2006:
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