It sticks with its characters and doesn't exploit them in order to orchestrate some grandiose revenge scenario befitting a C-grade thriller.
Changing Lanes (2002)
Tomatometer
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Reviews Counted:142
Fresh:110
Rotten:32
Average Rating:7/10
Consensus: A dark, compelling drama featuring Jackson's best performance in years.
Runtime: 1 hr 39 mins
Genre: Dramas
US Box Office: $66,650,688
Synopsis: Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson),... Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson), a meek, working-class black man. At the scene of this fender bender, Gavin, who is busy trying to make a business appointment on his cell phone, offers Doyle a blank check to cover damages. Doyle, wanting to properly exchange information, declines, causing Gavin to flee the accident site. In his haste, Gavin leaves behind an important legal file which Doyle uses to his advantage, setting off a brutal cycle of revenge between these two men who began this Good Friday as strangers. A class commentary that is decidedly different from director Roger Michell's previous film, NOTTING HILL, CHANGING LANES provides very little information about its two central characters before the moment of their car accident. Michell introduces them by crosscutting between both men speaking publicly--Gavin is lecturing to a charitable foundation, Doyle is talking at an AA meeting. These techniques of crosscutting and mirror imaging are used effectively throughout the film to underscore that the obvious social and economic differences between the two men doesn't disguise the dark and angry nature that exists in both of these men, and potentially in all of humanity. [More]
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt, Amanda Peet, Sydney Pollack, Bradley Cooper, Jennie Dundas, Richard Jenkins, Dylan Baker
Director: Roger Michell
Director: Roger Michell
Screenwriter: Michael Tolkin, Chap Taylor
Producer: Scott Rudin
Composer: David Arnold
Studio: Paramount Pictures
Reviews for Changing Lanes
Had the conclusion been bitter, the message would have been the same -- and maybe even more powerful, because the audience would have gotten the message on its own.
Viscerally engaging as you cringe at their actions & reel in surprise at the result & the new information...a nice little movie that also redeemed both actors a great deal.
A thrilling ride but also a thoughtful one, it's a movie that does manage to do more good than bad by the end of the day.
It winds up as one of the most cogent and moving films I've seen in recent years on the precariousness of human relations.
Movies like this make an audience feel numb after being put through so much in a short amount of time. It’s unbelievable and relentless.
at its most powerful ... when it shows us the complexities of moral decision making in a fast-paced world that leaves little time for such choices
Coincidence piles on top of coincidence in such rapid succession that the film becomes exasperatingly funny. The whole movie %u2013 with very little alteration %u2013 could, in fact, be played for comedy.
A surprisingly acid-tongued character study that has a good deal more on its mind than cheap thrills.
With a cast like this I expected much more - like to be entertained. I was hoping that they would just kill each other so I could get in my car and go home.
Too smart to pander to the instincts that would demand a hanging-by-the-fingernails climax.
I don't go to the movies with the hopes of being spiralled into a depression. Nevertheless, that's what I got when I saw Changing Lanes.
Neither Gipson nor Banek makes much of a poster child for the danger of civilized behavior devolving into savagery, since neither of them seems quite stable from the outset.
In addition to gluing you to the edge of your seat, Changing Lanes is also a film of freshness, imagination and insight.
A refreshing and unexpected experience, rife with ideas and observation.
Latest News for Changing Lanes
August 10, 2006:
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May 30, 2006:
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