The story loses its bite in a last-minute happy ending that's even less plausible than the rest of the picture. Much of the way, though, this is a refreshingly novel ride.
Changing Lanes (2002)
Tomatometer
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Reviews Counted:142
Fresh:110
Rotten:32
Average Rating:7/10
Consensus: A dark, compelling drama featuring Jackson's best performance in years.
Runtime: 1 hr 39 mins
Genre: Dramas
US Box Office: $66,650,688
Synopsis: Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson),... Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson), a meek, working-class black man. At the scene of this fender bender, Gavin, who is busy trying to make a business appointment on his cell phone, offers Doyle a blank check to cover damages. Doyle, wanting to properly exchange information, declines, causing Gavin to flee the accident site. In his haste, Gavin leaves behind an important legal file which Doyle uses to his advantage, setting off a brutal cycle of revenge between these two men who began this Good Friday as strangers. A class commentary that is decidedly different from director Roger Michell's previous film, NOTTING HILL, CHANGING LANES provides very little information about its two central characters before the moment of their car accident. Michell introduces them by crosscutting between both men speaking publicly--Gavin is lecturing to a charitable foundation, Doyle is talking at an AA meeting. These techniques of crosscutting and mirror imaging are used effectively throughout the film to underscore that the obvious social and economic differences between the two men doesn't disguise the dark and angry nature that exists in both of these men, and potentially in all of humanity. [More]
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt
Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt, Amanda Peet, Sydney Pollack, Bradley Cooper, Jennie Dundas, Richard Jenkins, Dylan Baker
Director: Roger Michell
Director: Roger Michell
Screenwriter: Michael Tolkin, Chap Taylor
Producer: Scott Rudin
Composer: David Arnold
Studio: Paramount Pictures
Reviews for Changing Lanes
Good, solid entertainment for adults who like to have something to chew on while enjoying their bubble-gum.
Helps us see that "the place of the squeeze" (as Buddhist Pema Chodron calls situations involving obstacles) is a reset button that can propel us to transformation.
Brimming with ethical dilemmas, "Changing Lanes" sometimes errs on the side of convenience, the same vice it vehemently condemns.
Changing Lanes explores human behavior with unsentimentalized and uncommon directness and honesty.
By the time the dual dilemmas are neatly resolved in a contrived ending that clumsily invalidates its cynical view of American life, the movie just seems like one more Hollywood cop-out, and a waste of our original emotional investment.
Changing Lanes -- despite some solid acting and cinematography -- mistakenly turns what should have been a fast-paced thriller into a cerebral sermon about the slippery slope of corporate law.
An inventive, absorbing movie that's as hard to classify as it is hard to resist.
Changing Lanes never stops moving. But sometimes it heads in the wrong direction.
It is so dishonest that the title Changing Lanes can just as well refer to the cheaply contrived turns in the film.
It is entertaining as a legal yarn of the John Grisham variety, but just as generic despite grander aspirations.
A frustrating yet deeply watchable melodrama that makes you think it's a tougher picture than it is.
Like an accident on the side of the freeway, this adept and stylish pileup is hard to not look at.
One of those movies where you walk out of the theater not feeling cheated exactly, but feeling pandered to, which, in the end, might be all the more infuriating.
A compelling story featuring warring heroes who earn our respect while trying our patience.
The movie's heavy-handed screenplay navigates a fast fade into pomposity and pretentiousness.
Succeeds both as taut drama and as a thought-provoking examination of how ordinary people struggle with ethical dilemmas in their everyday lives.
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