The film is a comedy of manners with a powerful undercurrent of tragedy. Cheri is funny, sad and charming, and the ending may shock you.
Cheri (2009)
Tomatometer
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Reviews Counted:116
Fresh:63
Rotten:53
Average Rating:5.7/10
Consensus: A too-short script and a romance lacking in heat detracts from an otherwise haughty charmer.
Australian Theatrical Release:
Jul 23, 2009 Wide
US Box Office: $2,643,292
Synopsis: Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I,... Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I, CHERI paints a picture of the romance between young Chéri (Rupert Friend) and retired courtesan Léa (Michelle Pfeiffer). Chéri’s mother (Kathy Bates), a rival of Léa, plots to separate the pair by arranging a marriage between her son and Edmée (Felicity Jones). Screenwriter Christopher Hampton previously collaborated with the director on DANGEROUS LIAISONS. [More]
Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones
Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones, Frances Tomelty
Director: Stephen Frears
Director: Stephen Frears
Screenwriter: Christopher Hampton
Producer: Bill Kenwright, Andras Hamori, Tracey Seaward, Thom Mount
Composer: Alexandre Desplat
Studio: Miramax Films
Reviews for Cheri
While it's not likely to be as admired as much as his Dangerous Liaisons, Frears - who is heard as the narrator - has given audiences an elegant treat that's easy to escape into, and there are skilful performances by the entire ensemble.
Stretching out like a cat on the wide screen, Michelle Pfeiffer shows off her durable glamour in the star role of Lea de Lonval, a high-class courtesan in pre-World War I France.
The intense chemistry between Pfeiffer and Friend is what really elevates Cheri above the sum of its slender parts.
At the centre of this film is the luminous Pfeiffer who knows only too well the ravages of time in an industry where youth and beauty are so valued.
Remember Boyle and MacDonald's names: you'll be hearing them a lot when awards season comes around.
A disappointing script lets down the film despite its lavish costuming and consummate cast.
Sadly the few good elements of Cheri only serve to highlight the films considerable inadequacies, and the only bedroom-based action it will inspire is a comforting nap, possibly before the end of the film.
Stellar cast, topnotch director, impressive design%u2014all the components for a rich satisfying movie, but without a compelling story it's somewhat forgettable.
Chéri is a very enjoyable and fascinating cinematic experience. Despite being set almost a century ago, the movie's central themes are very relevant to our age-obsessed contemporary society.
Clever, charming, and slightly superficial, Cheri is the kind of pert period piece that gets by on a great deal of creative goodwill.
Frears takes Hampton's wet-lipped hint and bathes the film in a booze-soaked haze of opulence and intolerance, employing masterful cinematographer Darius Khondji to deliver bold images.
Cheri may be too leisurely paced for the Fast & Furious and Terminator Salvation crowd. But if you're in the mood for a warm bath rather than a quick shower, you might find this bittersweet period piece quite moving.
Cheri radiates quality in every department, and - whether it's popular or not - this splendid achievement establishes him as one of Britain's very best film producers.
Cheri, like the character, is an entertaining bauble without much on its mind.
Chéri is a sad, intelligent film about coming of age late in life, looking in the mirror and wondering, "What happened?"
Thanks to a radiant performance from Michelle Pfeiffer, 'Chéri' occasionally overcomes a storyline that never quite develops momentum.
Chéri looks a real treat, which is half the battle. It may not quite give the measure of Colette, nor Frears at his absolute best, but you don’t have to look at it through rose-tinted glasses to luxuriate in its splendour.
Latest News for Cheri
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April 19, 2009:
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