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Movies / Upcoming / Cheri
Cheri

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Cheri (2009)

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Reviews Counted:30

Fresh:14

Rotten:16

Average Rating:5.7/10

Consensus: A too-short script and a romance lacking in heat detracts from an otherwise haughty charmer.

Australian Rating: TBC

Runtime: 1 hr 48 mins

Genre: Dramas

Australian Theatrical Release:
Jul 23, 2009 Wide

US Box Office: $2,643,292

Synopsis: Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I,... Stephen Frears, director of THE QUEEN and HIGH FIDELITY, continues to demonstrate his genre-defying talent with this adaptation of a Colette novel. Set in Paris in the years before World War I, CHERI paints a picture of the romance between young Chéri (Rupert Friend) and retired courtesan Léa (Michelle Pfeiffer). Chéri’s mother (Kathy Bates), a rival of Léa, plots to separate the pair by arranging a marriage between her son and Edmée (Felicity Jones). Screenwriter Christopher Hampton previously collaborated with the director on DANGEROUS LIAISONS. [More]

Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones

Starring: Michelle Pfeiffer, Kathy Bates, Rupert Friend, Felicity Jones, Frances Tomelty

Director: Stephen Frears

Director: Stephen Frears
Screenwriter: Christopher Hampton
Producer: Bill Kenwright, Andras Hamori, Tracey Seaward, Thom Mount
Composer: Alexandre Desplat
Studio: Miramax Films

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Reviews for Cheri

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1 - 18 (sorted by date; Australian critics are listed first)
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The film is a comedy of manners with a powerful undercurrent of tragedy. Cheri is funny, sad and charming, and the ending may shock you.

Full Review Source: The Australian | comment Comment
07/28/09
David Stratton
David Stratton
The Australian
Top Critic Icon Top Critic

Sadly the few good elements of Cheri only serve to highlight the films considerable inadequacies, and the only bedroom-based action it will inspire is a comforting nap, possibly before the end of the film.

Full Review Source: Sydney Morning Herald | comment Comment
07/27/09
Giles Hardie
Giles Hardie
Sydney Morning Herald
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Remember Boyle and MacDonald's names: you'll be hearing them a lot when awards season comes around.

Full Review Source: Time Out Sydney | comment Comment
07/24/09
Nick Dent
Nick Dent
Time Out Sydney
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Stretching out like a cat on the wide screen, Michelle Pfeiffer shows off her durable glamour in the star role of Lea de Lonval, a high-class courtesan in pre-World War I France.

Full Review Source: The Age (Australia) | comment Comment
07/24/09
Jake Wilson
Jake Wilson
The Age (Australia)
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At the centre of this film is the luminous Pfeiffer who knows only too well the ravages of time in an industry where youth and beauty are so valued.

Full Review Source: At the Movies (Australia) | comment Comment
07/22/09
Margaret Pomeranz
Margaret Pomeranz
At the Movies (Australia)
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The intense chemistry between Pfeiffer and Friend is what really elevates Cheri above the sum of its slender parts.

Full Review Source: Herald Sun (Australia) | comment Comment
07/22/09
Leigh Paatsch
Leigh Paatsch
Herald Sun (Australia)
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While it's not likely to be as admired as much as his Dangerous Liaisons, Frears - who is heard as the narrator - has given audiences an elegant treat that's easy to escape into, and there are skilful performances by the entire ensemble.

Full Review Source: Courier Mail (Australia) | comment Comment
07/22/09
Des Partridge
Des Partridge
Courier Mail (Australia)
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A disappointing script lets down the film despite its lavish costuming and consummate cast.

Full Review Source: FILMINK (Australia) | comment Comment
07/22/09
Brian Duff
Brian Duff
FILMINK (Australia)
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If the devil is in the detail, this is a devil of a film

Full Review Source: Urban Cinefile | comment Comment
07/16/09
Louise Keller
Louise Keller
Urban Cinefile
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The challenge here is to make a film in which the protagonists frequently say one thing and feel another. It's a film which has to work on two levels, and it does.

Full Review Source: MovieTime, ABC Radio National | comment Comment
07/24/09
Julie Rigg
Julie Rigg
MovieTime, ABC Radio National
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It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away.

Full Review Source: Los Angeles Times | comment Comment
07/01/09
Kenneth Turan
Kenneth Turan
Los Angeles Times
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Cheri, like the character, is an entertaining bauble without much on its mind.

Full Review Source: USA Today | comment Comment
06/26/09
Claudia Puig
Claudia Puig
USA Today
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The movie bogs down by going nowhere other than inside its characters, who are intensely passionate but of an era more curious than emotionally relevant.

Full Review Source: Washington Post | comment Comment
06/26/09
Michael O'Sullivan
Michael O'Sullivan
Washington Post
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In Chéri you see the frailty and the strength, yet you rarely experience either with the depth of feeling you might because of the palpable uneasiness surrounding her performance.

Full Review Source: New York Times | comment Comment
06/26/09
Manohla Dargis
Manohla Dargis
New York Times
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The success of Stephen Frears’ film Chéri begins with its casting.

Full Review Source: Chicago Sun-Times | comment Comment
06/25/09
Roger Ebert
Roger Ebert
Chicago Sun-Times
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This glimpse into a decadent era has its charms, but they’re mostly visual. While Pfeiffer and Friend perform well, the script is tonally confused and lacks edge.

Full Review Source: Empire Magazine | comment Comment
05/08/09
Anna Smith
Anna Smith
Empire Magazine
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we’re treated to a group of dull-witted doyennes of the oldest profession, languishing on silk cushions, lazily point-scoring and carping.

Full Review Source: Times [UK] | comment Comment
05/08/09
Wendy Ide
Wendy Ide
Times [UK]
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Michelle Pfeiffer deserved the finest vehicle for her comeback. This is the film-equivalent of a knackered Trabant with four bald tyres and a farting exhaust.

Full Review Source: Guardian [UK] | comment Comment
05/08/09
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
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1 - 18 (sorted by date; Australian critics are listed first)
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