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The Chess Players (1977)
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Reviews Counted:6
Fresh:5
Rotten:1
Average Rating:6.6/10
Synopsis: Based on a short-story by the renowned Hindi writer Premchand, and directed by Indian film master Satyajit Ray, THE CHESS PLAYERS tells the story of the independent Indian kingdom of Awadh--ruled... Based on a short-story by the renowned Hindi writer Premchand, and directed by Indian film master Satyajit Ray, THE CHESS PLAYERS tells the story of the independent Indian kingdom of Awadh--ruled by the art- and music-loving King Wajid Ali Shah--that becomes threatened with the colonial aspirations of the British Empire and the devious machinations of a British General (Sir Richard Attenborough, JURASSIC PARK) eager to annex the kingdom. Meanwhile, two wealthy landowners, Mirza and Mir become obsessively involved in their endless chess games, seemingly oblivious to the chess-like moves being made all around them. Mirza and Mir come to represent the weakness and apathy of the Indian people (the film was made in 1977 during a major democratic crisis in modern India) as they ignore not only the political activity surrounding them, but also the sexual dissatisfaction of their wives, who both find new lovers. Using exquisite performances, and a perfectionist's eye for detail, Ray conjures a historical epic and tells a strange tale of a self-involved and emasculated people in danger of losing everything. As is frequently the case in the films of Satyajit Ray, there are no villains and there are no heroes, only meticulously imagined pawns in a grand historical and sociological game. [More]
Starring: Saeed Jaffrey, Richard Attenborough, Sanjeev Kumar, Victor Banerjee
Starring: Saeed Jaffrey, Richard Attenborough, Sanjeev Kumar, Victor Banerjee
Director: Satyajit Ray
Director: Satyajit Ray
Reviews for The Chess Players
Ray's movies are frequently something of an acquired taste, but it's a habit worth acquiring, as this specimen amply demonstrates.
Ray's film is an incisive dissection of culture shock and class privilege.
The slow pace can make it tedious to watch at times, but for Ray, allowances should be made.
Ponderously allegorical and overlong, a major disappointment from director Ray.
combines a comedy of manners with historical drama, as it examines the 1856 British takeover of India
Its mannered goofiness echoes the pastoral comedy of Days and Nights In the Forest while the Raj-era dancing-girl trappings recall the decidedly grim The Music Room.
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