More amusing than compelling, like a campy episode of Lost in Space where anything goes and nothing makes sense. Oh dear! Oh dear!
Children of Men (2006)
Tomatometer
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Reviews Counted:199
Fresh:183
Rotten:16
Average Rating:8/10
Consensus: Children of Men works on every level: as a violent chase thriller, a fantastical cautionary tale, and a sophisticated human drama about societies struggling to live. This taut and thought-provoking tale may not have the showy special effects normally found in movies of this genre, but you won't care one bit after the story kicks in, about a dystopic future where women can no longer conceive and hope lies within one woman who holds the key to humanity's survival. It will have you riveted.
Runtime: 1 hr 50 mins
Genre: Science-Fiction/Fantasy
US Box Office: $35,286,428
Synopsis: CHILDREN OF MEN is not a popcorn movie. With its almost relentlessly bleak perspective on the future, Alfonso Cuarón's film doesn't make for pleasant viewing. But it's an exhilarating experience... CHILDREN OF MEN is not a popcorn movie. With its almost relentlessly bleak perspective on the future, Alfonso Cuarón's film doesn't make for pleasant viewing. But it's an exhilarating experience because the picture is an amazing dystopian drama that lacks all the typical trappings of the genre. Set uncomfortably close to the present, it paints a frighteningly realistic picture of the future. In 2027, every woman on earth is infertile. With the loss of the ability to have children, the world has also lost hope. Clive Owen (CLOSER) plays Theo, an Englishman attempting to make a life in a hellish world. His estranged wife (Julianne Moore) convinces him to help transport a young woman to safety. When Theo learns that the woman is pregnant, their journey takes on a significance--and a danger--he never imagined. This is Cuarón's best film to date, a strong statement considering his wonderful HARRY POTTER AND THE PRISONER OF AZKABAN and Y TU MAMA TAMBIÉN. Filmed using a handheld camera, the action draws the audience close, making the horror that much more real. In addition to its remarkable car-chase scenes, the film features impressive acting. With his expressive face and voice, Owen gives a nuanced performance that ranks with the best of his career. As a reclusive hippie, Michael Caine shares a charming counterculture view of the crumbling world. Chiwetel Ejiofor (DIRTY PRETTY THINGS) brings gravitas to the role of a terrorist. Just when the film threatens to overwhelm with its sense of dread, small moments of comedy show through in Owen's wry sense of humor and Caine's perfect delivery. When the credits roll, CHILDREN OF MEN leaves the audience feeling shell-shocked, not only because of its brutal prophecy, but also because of its brilliance. [More]
Starring: Clive Owen, Julianne Moore, Michael Caine, Chjwetel Ejiofor
Starring: Clive Owen, Julianne Moore, Michael Caine, Chjwetel Ejiofor, Peter Mullan, Charlie Hunnam, Pam Ferris, Danny Huston, Jacek Koman
Director: Alfonso Cuaron
Director: Alfonso Cuaron
Screenwriter: Timothy J. Sexton, Alfonso Cuaron
Producer: Hilary Shor, Marc Abraham, Tony Smith, Eric Newman, Iain Smith
Composer: John Tavener
Studio: Universal Pictures
Reviews for Children of Men
This is a heart-thumping thriller with two of the most exciting chase scenes since The Matrix Reloaded. But it is also a thoughtful, provocative, and complex film, each shot packed with details, each scene packed with ideas.
Confusion reigns supreme in this preachy and pretentious picture.
Children of Men is one of those very rare movies that actually improves the book upon which it is based.
Children of Men is worth seeing, if for no other reason than the gorgeous vision of the end of the world Cuarón has crafted and, as mentioned earlier, some of the most unreal single-take action sequences ever committed to screen.
Cuaron has once again proven that he is a filmmaker to be reckoned with in both technical prowess and keen, quiet observance
Children of Men, the superbly directed political thriller by Alfonso Cuarón, may be something of a bummer, but its the kind of glorious bummer that lifts you to the rafters.
Even in a picture where the smallest gears all work perfectly and harmoniously, Emmanuel Lubezki's cinematography is a unifying and galvanizing force.
The screenplay, which differs significantly from the novel, is uneven, but the distorted mirror it holds up to the present is disturbingly clear.
This dystopian masterpiece of misery kept me wound up for hours after the credits rolled.
As exciting and disturbing as it is in many ways, Children of Men -- based on a novel by P.D. James -- doesn't add up to a credible alternate view of the near-future.
Men presents a provocative proposition, because it is not all that far-fetched in our age of environmental degradation and the potential it has to wreak havoc. The film is also that rare thing, one that entertains even as it leaves you thinking.
Cuarón relies on his ample visual style, and he has indeed created a film you cannot tear your eyes away from.
It's a masterwork on every level -- storytelling, production design, camera work, acting and photography.
The story is strong enough, but it's the atmosphere, thick with matter-of-fact doom and guerrilla warfare, that gives the film its quickened pulse.
The film is a triumph of direction, a collection of long takes so carefully planned out that it seems as if Cuaron had very little work to do in the editing room.
It's a sophisticated notion handled fairly deftly in what might be the first film of the 21st century to ponder the end of humanity as it is most likely to occur: slowly with lots of time to think about it.
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