El mundo creado por el autor, es recreado aquí de forma soberbia y majestuosa.
The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe (2005)
Tomatometer
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Reviews Counted:202
Fresh:151
Rotten:51
Average Rating:6.9/10
Consensus: With first-rate special effects and compelling storytelling, this adaptation stays faithful to its source material and will please moviegoers of all ages.
Runtime: 2 hrs 30 mins
Genre: Action/Adventure
US Box Office: $291,685,219
Synopsis: Director Andrew Adamson gives a new dimension to C.S. Lewis's enchanting story with this long-awaited Disney adaptation. As the story begins, Mrs. Pevensie--in order to keep her children safe... Director Andrew Adamson gives a new dimension to C.S. Lewis's enchanting story with this long-awaited Disney adaptation. As the story begins, Mrs. Pevensie--in order to keep her children safe during World War II--sends Lucy (Georgie Henley), Edmond (Skandar Keynes), Susan (Anna Popplewell), and Peter (William Moseley) off to stay at a professor's country estate. Away from London and under the care of a strict housekeeper, they are instructed to stick to themselves and stay out of trouble. But when an innocent game of hide-and-seek leads young Lucy to a spare room containing a large wardrobe, she discovers something that will change their lives forever. Inside the wardrobe there is a world frosted with ice and filled with magical beings. Known as Narnia, the land is stuck in eternal winter at the hands of the cruel White Witch, played with great force by the pale, strong-featured Tilda Swinton. When she steps back into reality, Lucy struggles to convince her skeptical siblings of the things she's seen. After much disbelief, the others finally enter the world as well, learning that the creatures of Narnia have long been waiting for humans like themselves to appear and break the witch's spell. But in order to be of any help to the lovable talking beavers, fawns, foxes, and centaurs that they meet, the four will have to face betrayal by one of their own as Edmond cracks under the witch's tempting offer of unlimited Turkish Delights. Under the leadership of the great lion Aslan (voice of Liam Neeson), can Lucy, Edmond, Susan, and the oldest, Peter, prove themselves heroes in the ultimate battle of good vs. evil? High-budget special effects, impressive performances by the film's young newcomers, and beautiful set design move this film far beyond previous television adaptations. [More]
Starring: Tilda Swinton, Jim Broadbent, James McAvoy, Anna Popplewell
Starring: Tilda Swinton, Jim Broadbent, James McAvoy, Anna Popplewell, Georgie Henley, William Moseley, Skandar Keynes, James Cosmo, Ray Winstone, Dawn French, Rupert Everett, Kiran Shah
Director: Andrew Adamson
Director: Andrew Adamson
Screenwriter: Ann Peacock, Christopher Markus, Stephen McFeely
Producer: Mark Johnson
Composer: Harry Gregson-Williams
Studio: Walt Disney Pictures
Reviews for The Chronicles of Narnia: The Lion, The Witch,...
Descrever este filme como um O Senhor dos Anéis para crianças acabaria sendo uma ofensa tanto para a trilogia comandada por Peter Jackson quanto para os espectadores infantis.
No matter how brilliantly done they are, I hate talking animals. With that bias out of the way, even an Heathen like me enjoyed Narnia.
The kids are disastrous, except for Henley. Her irresistible crooked grin is a triumph over British dentistry. She makes Dakota Fanning look like a calculating android.
They are warriors, drawn into the sense that wars might solve problems, or at the least, beat them into submission.
The climactic clash of zoological and mythological combatants is the stuff of my childhood fantasies made digitally simulated flesh: It's like 'Doctor Dolittle' as reimagined by Robert E. Howard.
For sheer entertainment value, and the painless imparting of values about family, loyalty and bravery, this lion in winter roars loudly.
It's a ripping yarn, full of narrow escapes, talking animals, marvelous sights and magical happenings that lead up to an epic battle between good and evil. The extensive CGI work is well used and the children are exceptionally well cast.
It's a work of profound ambition, and, in adapting it for the screen, the makers of The Chronicles of Narnia don't shy away from its demands.
even if you must categorize Narnia as a Christian movie, it's many times better than any overtly Christian movie in recent memory.
The Chronicles of Narnia is off to an impressive start as another classic of myth and fable comes to entertaining life on the big screen.
Swinton and McAvoy, not to mention the legions of Lewis fans, deserved better than this. This is a not-so-promising start for what could become a classic series, given better scripts and more competent directors.
Too bad Narnia itself has such a petrified feel. Here's hoping that as the series grows, its emotional component grows with it.
The hard-core may experience the thrill of recognition. But the rest of us can be forgiven a perfectly appropriate giggling fit.
Adamson should stick to animated ogres. Narnia lovers should stick to their books.
Rarely has there been such a seamless blending of digital creations and live actors. ...a classy kick-off to what should be a highly rewarding series of fantasies.
It can be a good thing, St. Paul tells us, to put away childish things. But it is sometimes an even better thing to pick them up again.
I mean 'childlike' in the best sense, evoking a sense of awe and innocence in the face of challenges. This is art as well as entertainment and it operates at a sophisticated level.
As the rare offering that plays well to the entire family it’s a welcome addition to this holiday season.
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