Murray playing the glutton doesn't exactly fit the bill and for all the architectural care that's gone into Ember's creation, the secret at its heart is no mystery to us, the audience.
City of Ember (2008)
Tomatometer
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Reviews Counted:117
Fresh:60
Rotten:57
Average Rating:5.7/10
Consensus: City of Ember is visually arresting, and boasts a superb cast, but is sadly lacking in both action and adventure.
Australian Rating: G [See Full Rating] Some scary scenes
Runtime: 2 hrs 3 mins
Genre: Science-Fiction/Fantasy
Australian Theatrical Release:
Dec 11, 2008 Wide
US Box Office: $7,781,625
Synopsis:
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. Built as a refuge for humanity and powered by a massive generator - this...
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. Built as a refuge for humanity and powered by a massive generator - this City will only sustain for 200 years. Now Ember is falling into darkness as the generator fails, and the dazzling lights begin to flicker and fade.
Despite growing concern for the future of their beloved City, Ember's students find themselves confronting the next step in their lives. A rite of passage for all graduates, it is Assignment Day, the day on which the Mayor himself will stand before the graduating students as they choose, by lottery, how they will spend their lives working for their society. Lina, praying with all her might to be a messenger, is devastated to be assigned to the Pipeworks, the vast network of pipes underneath the City. Her classmate, Doon Harrow, who wants more than nothing else to work in the Generator, panics when he pulls the messenger assignment. The Pipeworks isn't the Generator, but it is close enough and Doon offers to swap assignments with Lina. She is thrilled and grateful and eagerly changes jobs. Thus, an unlikely friendship is born, one that, as it blossoms, will change the course of all the lives in Ember.
Lina takes easily to the job of messenger and finds herself zipping all over Ember, delivering important missives to even more important people, including the mayor himself. At home she cares for her aging and forgetful grandmother, and her baby sister Poppy. When an old metal box is discovered in their closet, Lina's grandmother is overjoyed. Completely sure that the contents of the box are of the utmost importance, she is completely bereft of any memory as to why.
Lina manages to jimmy the lock open, and discovers some cryptic papers inside. Unable to piece the papers together, but sure that they are important, Lina resolves to decipher their meaning and enlists Doon's help.
As blackouts in the City become more frequent, Lina and Doon realize that the information inside that box could lead to the salvation of their City and their fellow citizens. Now racing against the clock, the two follow the clues, cleverly maneuvering around corrupt politicians and unsavory characters hoping to keep them from their goal: restoring the light in the City of Ember.
A Walden Media and Playtone co-production, this heart-thumping, edge-of-your seat adventure boasts an impressive cast and crew of acclaimed, award-winning talent. City of Ember was directed by Gil Kenan (Academy Award® nominee for Monster House), and was produced by Playtone¹s Tom Hanks and Gary Goetzman. The cast includes recent Academy Award nominee Saoirse Ronan (Atonement) as the fiesty Lina, Academy Award® nominee Bill Murray, in the role of the larger than life Mayor of Ember, Harry Treadaway (Control) as Doon, Academy Award nominee Marianne Jean-Baptiste (Secrets & Lies) as Clary, and Toby Jones (Infamous) as Barton Snode, the Mayor of Ember¹s right hand man. Academy Award® winner Tim Robbins plays Loris Harrow, father of Doon, and Academy Award® winner Martin Landau appears as Sol, the Pipeworks gauge minder. The film is from a script written by Caroline Thompson (Edward Scissorhands) based on the best-selling novel by Jeanne Duprau.
The creative production team includes Academy Award® nominated costume designer Ruth Myers (Emma, The Addams Family), Academy Award® winning senior special effects supervisor Kit West (Raiders of the Lost Ark), production designer Martin Laing (Titanic), cinematographer Xavier Perez Grobet (Before Night Falls), supervising art director Jon Billington (Pearl Harbor, Troy) and art director James Foster (Children of Men.)
--© Fox Walden
Starring: Bill Murray, Tim Robbins, Saoirse Ronan, Harry Treadaway
Starring: Bill Murray, Tim Robbins, Saoirse Ronan, Harry Treadaway, Mary Kay Place, Martin Landau, Toby Jones
Director: Gil Kenan
Director: Gil Kenan
Screenwriter: Caroline Thompson
Producer: Tom Hanks, Gary Goetzman
Composer: Andrew Lockington
Studio: Walden Media
Reviews for City of Ember
Murray is always good to have around, and so are Tim Robbins, who plays Doon's defeated father, and Martin Landau as one of the drones who tries to keep the city in working order. The young actors are excellent.
Although it starts slowly, there are plenty of rewards in this well crafted family fantasy adventure, as it explores a world in which light bulbs form the sky and a powerful generator acts as its heartbeat.
This well-designed and executed piece of entertainment is actually very satisfying.
Built upon a bedrock of dazzling and richly constructed sets -- think Dr. Seuss meets Jules Verne meets Mad Max -- and complemented by rock-solid storytelling, it's an enormously enjoyable family film.
Ultimately, this journey to rekindle the fire of humanity fails to burn bright enough, leaving only the unpleasant taste of ashes.
A shaky platform of sense but the visual genius is so great, the film must be seen.
In addition to being fascinating and exciting, City of Ember invites its young viewers to constantly ask questions and never give up.
Tween audiences should be awestruck, and the message of audacity in the face of orthodoxy feels genuinely heroic.
Pure escapism fun, with plenty of stark visuals and inventiveness to go around.
The best family movie you never heard of is waiting for you to discover it.
This is a movie with a very specific target audience %u2013 young people who've read the book %u2013 and it will play solely to that demographic.
Richly detailed setting does not overcome haphazard, amusement-park ride plotting.
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