RT on DVD: Cloverfield, Charlie Wilson and 2008's Worst-Reviewed Film
You know it's bad when there are zero special features on a DVD release.
It's a bird! It's a plane! It's a Slusho, whatever that is! Cloverfield stomps its way onto DVD as not only the most exciting new release of the week, but the one most chock-full of special features. Charlie Wilson's War, The Savages, and The Orphanage are also new -- but be on the lookout as the year's worst flick to date, One Missed Call, also shuffles onto shelves.
Cloverfield
Tomatometer:
76%
The best-kept secret of 2007 (look up viral marketing in the dictionary and see J.J. Abram's grinning mug) turned out to be the rebirth of the kaiju -- a Godzilla-esque creature wreaking havoc in Manhattan, as seen through the eyes of Handicam-wielding twenty-somethings. Online campaigns involving Slusho and the mysterious 1-11-08 teaser title made for a gonzo opening weekend take, but significant drop-off suggests that many of you were waiting for DVD.
Bonus Features:
Two alternate endings, deleted scenes, commentary by director Matt Reeves and tons of Easter Eggs make Cloverfield a must-own. Now, figure out where to buy it, since no less than four special store-specific editions will be available, ranging from a Steelbook case (FYE and Suncoast), exclusive ringtone (K-Mart and Sears), "T.J. Miller's Video Diary" bonus DVD (Best Buy) and our recommendation, a "Rob's Goin' to Japan Party Mix" CD (Target).
Charlie Wilson's War
Tomatometer: 83%
If modern, smarmy Tom Hanks doesn't rub you the wrong way (why, oh why, couldn't he have stopped at A League of Their Own??) and you'd like to see him charm the pants off of Julia Roberts' conservative socialite, then perhaps there's nothing stopping you from watching the true story of Texas Congressman Charlie Wilson and how he run the Soviets out of Afghanistan. But if you're paying attention, you already know how that situation panned out.
Bonus Features:
There's not much here, but a "Who Is Charlie Wilson?" featurette brings us up close and personal with not only Hanks, producer Aaron Sorkin, and director Mike Nichols (The Graduate), but also Wilson himself and his lover/benefactor, Joanne Herring.
The Savages
Tomatometer: 90%
After a nine-year absence, Tamara Jenkins (Slums of Beverly Hills) wins us over again. This time, her angsty protagonists are middle-aged siblings (Best Actress nominee Laura Linney, Philip Seymour Hoffman) whose perfectly rancorous relationship is tested when they must deal with their increasingly senile, elderly father (Philip Bosco). One of last year's critical darlings, The Savages deserves a wider audience for its bittersweet, acute observations -- you'll laugh, you'll cry, you'll see poop on the walls.
Bonus Features:
There's not much to see here: extended scenes, interviews, and a "Behind the Scenes" photo gallery. But don't let that deter you; give The Savages a try and you'll likely end up touched. After all, who doesn't love their parents?
The Orphanage
Tomatometer: 84%
Orphaned by the Oscars (it was Spain's official entry but didn't make the final cut) and at the box office, here your chance to adopt this overlooked flick! In the Guillermo del Toro-produced stab at familial horror, Laura (Belen Rueda) moves into the orphanage she grew up in, but finds the house already occupied by spirits who seemingly kidnap her son. Come for the thrills, stay for the surprisingly tender story.
Bonus Features:
The Orphanage largely takes place in one setting, so location, location, location was undoubtedly a vital adage on set. Two DVD features reveal the efforts taken to bring Laura's nightmarish world to life: the first, "When Laura Grew Up," shows the filmmakers at work building the orphanage set. The second takes us into "Tomas' Secret Room," where the haunting climax of the movie takes place.
Starting Out in the Evening
Tomatometer: 86%
I don't know about you, but nothing gets our blood boiling like a good May-December pairing. Starting Out in the Evening boasts the match-up of sexagenarian Frank Langella and Lauren Ambrose (Six Feet Under) as an aging writer and grad student , respectively, who grow close in Andrew Wagner's film about relational intimacy and alienation.
Bonus Features:
Director Wagner offers in-depth commentary in the disc's only non-trailer offering.
Hannah Takes the Stairs
Tomatometer: 67%
Is the movie movement known as mumblecore (a certain brand of D.I.Y. flicks with ultra-low budgets and nonprofessional actor) all it's cracked up to be? Take the first step in making your call with the latest notable mumblecore effort, a wry, intimate story about a flaky girl and her crush on two goofy co-workers.
Bonus Features:
Those mumblecore kids are majorly hands-on with the filmmaking process and their subsequent DVD releases. Hannah continues the trend with a commentary, behind-the-scenes footage, deleted scenes, and a short film by director Joe Swanberg, Thanks for the ADD! And speaking of which, check out Swanberg's MySpace page for even more short films, including the trailer to his next feature, Nights and Weekends.
One Missed Call
Tomatometer: 0%
At last, the worst-reviewed movie of 2008 has arrived on DVD! (Okay, it's only the worst so far, but we're betting it can go the distance.) It takes something special to go 64 reviews without a single fresh rating, but this remake of Takashi Miike's J-horror pic -- in which people like Shannyn Sossamon get phone calls portending their imminent deaths -- manages the feat. Even Uwe Boll's Dungeon Siege: In the Name of the King notched a five percent Tomatometer. Bravo, One Missed Call. Bravo.
Bonus Features:
Here's the kicker: there are no bonus features. Zilch. Zero. Nada. Can you blame Warner Bros. or their no-name filmmakers (not to mention Sossaman and co-star Ed Burns, who both seemed listless while promoting the flick at Comic-Con) for washing their hands of the career-killing box office bomb?
Fun fact: One Missed Call's Australian title is Don't Pick Up the Cell Phone! (Note exclamation point.) Rent accordingly.
Cloverfield
Tomatometer:
76%The best-kept secret of 2007 (look up viral marketing in the dictionary and see J.J. Abram's grinning mug) turned out to be the rebirth of the kaiju -- a Godzilla-esque creature wreaking havoc in Manhattan, as seen through the eyes of Handicam-wielding twenty-somethings. Online campaigns involving Slusho and the mysterious 1-11-08 teaser title made for a gonzo opening weekend take, but significant drop-off suggests that many of you were waiting for DVD.
Bonus Features:
Two alternate endings, deleted scenes, commentary by director Matt Reeves and tons of Easter Eggs make Cloverfield a must-own. Now, figure out where to buy it, since no less than four special store-specific editions will be available, ranging from a Steelbook case (FYE and Suncoast), exclusive ringtone (K-Mart and Sears), "T.J. Miller's Video Diary" bonus DVD (Best Buy) and our recommendation, a "Rob's Goin' to Japan Party Mix" CD (Target).
Charlie Wilson's War
Tomatometer: 83%If modern, smarmy Tom Hanks doesn't rub you the wrong way (why, oh why, couldn't he have stopped at A League of Their Own??) and you'd like to see him charm the pants off of Julia Roberts' conservative socialite, then perhaps there's nothing stopping you from watching the true story of Texas Congressman Charlie Wilson and how he run the Soviets out of Afghanistan. But if you're paying attention, you already know how that situation panned out.
Bonus Features:
There's not much here, but a "Who Is Charlie Wilson?" featurette brings us up close and personal with not only Hanks, producer Aaron Sorkin, and director Mike Nichols (The Graduate), but also Wilson himself and his lover/benefactor, Joanne Herring.
Tomatometer: 90%After a nine-year absence, Tamara Jenkins (Slums of Beverly Hills) wins us over again. This time, her angsty protagonists are middle-aged siblings (Best Actress nominee Laura Linney, Philip Seymour Hoffman) whose perfectly rancorous relationship is tested when they must deal with their increasingly senile, elderly father (Philip Bosco). One of last year's critical darlings, The Savages deserves a wider audience for its bittersweet, acute observations -- you'll laugh, you'll cry, you'll see poop on the walls.
Bonus Features:
There's not much to see here: extended scenes, interviews, and a "Behind the Scenes" photo gallery. But don't let that deter you; give The Savages a try and you'll likely end up touched. After all, who doesn't love their parents?
Tomatometer: 84%Orphaned by the Oscars (it was Spain's official entry but didn't make the final cut) and at the box office, here your chance to adopt this overlooked flick! In the Guillermo del Toro-produced stab at familial horror, Laura (Belen Rueda) moves into the orphanage she grew up in, but finds the house already occupied by spirits who seemingly kidnap her son. Come for the thrills, stay for the surprisingly tender story.
Bonus Features:
The Orphanage largely takes place in one setting, so location, location, location was undoubtedly a vital adage on set. Two DVD features reveal the efforts taken to bring Laura's nightmarish world to life: the first, "When Laura Grew Up," shows the filmmakers at work building the orphanage set. The second takes us into "Tomas' Secret Room," where the haunting climax of the movie takes place.
Tomatometer: 86%I don't know about you, but nothing gets our blood boiling like a good May-December pairing. Starting Out in the Evening boasts the match-up of sexagenarian Frank Langella and Lauren Ambrose (Six Feet Under) as an aging writer and grad student , respectively, who grow close in Andrew Wagner's film about relational intimacy and alienation.
Bonus Features:
Director Wagner offers in-depth commentary in the disc's only non-trailer offering.
Tomatometer: 67%Is the movie movement known as mumblecore (a certain brand of D.I.Y. flicks with ultra-low budgets and nonprofessional actor) all it's cracked up to be? Take the first step in making your call with the latest notable mumblecore effort, a wry, intimate story about a flaky girl and her crush on two goofy co-workers.
Bonus Features:
Those mumblecore kids are majorly hands-on with the filmmaking process and their subsequent DVD releases. Hannah continues the trend with a commentary, behind-the-scenes footage, deleted scenes, and a short film by director Joe Swanberg, Thanks for the ADD! And speaking of which, check out Swanberg's MySpace page for even more short films, including the trailer to his next feature, Nights and Weekends.
Tomatometer: 0%At last, the worst-reviewed movie of 2008 has arrived on DVD! (Okay, it's only the worst so far, but we're betting it can go the distance.) It takes something special to go 64 reviews without a single fresh rating, but this remake of Takashi Miike's J-horror pic -- in which people like Shannyn Sossamon get phone calls portending their imminent deaths -- manages the feat. Even Uwe Boll's Dungeon Siege: In the Name of the King notched a five percent Tomatometer. Bravo, One Missed Call. Bravo.
Bonus Features:
Here's the kicker: there are no bonus features. Zilch. Zero. Nada. Can you blame Warner Bros. or their no-name filmmakers (not to mention Sossaman and co-star Ed Burns, who both seemed listless while promoting the flick at Comic-Con) for washing their hands of the career-killing box office bomb?
Fun fact: One Missed Call's Australian title is Don't Pick Up the Cell Phone! (Note exclamation point.) Rent accordingly.
Related Items
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vitajex writes: on Apr 21 2008 05:50 PM Cloverfield was AWFUL! I love kaiju films (Gamera's my hero!). I love sci-fi and horror, etc. but this film was a total waste of time. When my friend and I walked out of the theater at the end, he said to me, "I feel like I just got taken." And I agreed. In fact, all of America was suckered by J.J. Abrams super-fancy game of Three-Card Monte. Where's the queen? I guarantee she ain't hiding underneath this turd of a film. (Reply to this) |
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Some guy you dont know writes: on Apr 21 2008 06:03 PM One Missed Call bombed? Good. (Reply to this) |
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~*Admiral Snowstorm*~ writes: on Apr 21 2008 06:08 PM I am very happy about One Missed Call's hilarious 00% and its complete lack of special features. It truly just hammers home the point that it's a worthless and lazy movie undeserving of any attention from any human being currently living; even the makers of it are ashamed. That's brilliant. (Reply to this) |
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horrorfan25 writes: on Apr 21 2008 06:18 PM Actually I don't understand why One missed call got 00% out of 100%. Because it's not that bad. Sure it wasn't scary but just have fun with it. 'Clvoerfield' could have been phenominal if there wasn't that shaky camera. (Reply to this) |
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vaodsi writes: on Apr 21 2008 06:32 PM shaky cam rox my sox :) (Reply to this) |
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Utopian Evolution writes: on Apr 21 2008 06:35 PM Cloverfield was one of the best times I've had in the theater this year thus far -- second being Forbidden Kingdom, then the Ruins -- I have to say it was a good start for the year. One Missed Call was the worse experience I've had in the movies since.... well, I can't remember... Though I have to say I recieved a Steak dinner after due to being right about it being so bad, w00p w00p! Definitely getting Cloverfield and The Orphanage! (Reply to this) |
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jokerboy1991 writes: on Apr 21 2008 06:36 PM Cloverfield and Charlie Wilson's War were both pretty good, The Savages was great,and I wanna rent Starting Out In the Evening and I hear The Orphange is really good. (Reply to this) |
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Utopian Evolution writes: on Apr 21 2008 06:38 PM Cloverfield was awesome, a great beginning of the year for movies in my eyes. Can't wait to buy The Orphanage, I've heard nothing but great things about it and I am so glad that One Missed Call bombed, worse experience in a theater I've had since... uh, can't remember... atleast I got a steak dinner afterwards due to me being right about it being so bad, w00p! (Reply to this) |
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mssk8erboy writes: on Apr 21 2008 06:45 PM The orphanage was spectacular, Charie Wilson's War was also good, (Hoffman is hillarious) Cloverfield was good, just as i had expected it to be and i can't wait for the savages. So overall, I'm more than likely going to buy all 4 films... not so much One Missed Call. -MIKE (Reply to this) |
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Shadow16nh writes: on Apr 21 2008 06:48 PM In Cloverfield the shaky cam was essential to the way they were telling the story, it wasn't a gimmick, it was a technique. The film as it was made was much more interesting, dramatic and emotional than any other of its kind, and people who were just waiting for the payoff of seeing the monster full-frame or the same tired destruction effects from Michael Bay to Roland Emmerich completely missed the point. It wasn't about just seeing things destroyed non-stop, it was meant to be an interactive experience that called upon your own imagination combined with clever and tasteful hints at what was happening to almost feel like you were in the film. I feel sorry for people who didn't get to enjoy it from that perspective. (Reply to this) |
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Destroyer318 writes: on Apr 21 2008 07:06 PM "Don't Pick up the Cell Phone!"??? Come on!!! Sounds like and Attack of the killer tomatoes sortof thing! (Reply to this) |
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DivineCC writes: on Apr 21 2008 07:27 PM I don't understand the hate for Cloverfield. The only reasoning I can see is that people are pissed that everything wasn't explained for them or they hated the shaky cam. I don't know why anyone would expect it to be explained. How could any of the characters know where the thing came from or why it was attacking? And you should have known about the shaky cam before seeing it. It just seems to me that these people didn't know enough about the movie before seeing it and expected more. (Reply to this) |
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Glyoung writes: on Apr 21 2008 07:39 PM In reply to this comment (#1698723) I think that's just it. People either loved Cloverfield or hated it. I for one loved it but I think the people who hated it were the people that did not put two and two together and realize what the point of the movie was. They expected the usual blockbuster type movie and expected Cloverfield to follow that formula. I'm not sure how though because the trailer told you exactly what to expect. (Reply to this) |
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Warheart1188 writes: on Apr 21 2008 07:43 PM Cloverfield was good. It was a good American giant-monster movie(and the only one we have besides King Kong), even if it was a sort of Godzilla rip-off of sorts in terms of the monsters proposed origin(in a way). One Missed Call should never have been made into existence. I think it made, what, a little over $20 mil at the B.O.? that's probably exactly what the budget was to make it. (Reply to this) |
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Xx MooSE xX writes: on Apr 21 2008 07:44 PM In reply to this comment (#1698703) if i wanted to use my imagination in a movie, i'd make the motha phuckers, when i go see one i want to see the product of someone elses imagination on screen, like vita jex said, this was clearly a well designed advertising compaign, that took the world for 10 dollars a person. BLAIR WITCH WITH A MONSTER... (Reply to this) |
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arendr writes: on Apr 21 2008 07:57 PM Never even heard about One Missed Call, but that plot description reminds me of that scene from Forgetting Sarah Marshall. "Why don't you just take the batteries out?" (Reply to this) |
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zturner writes: on Apr 21 2008 08:10 PM Cloverfield was horrible! I havent seen the Orphanage yet, but it cant be bad if Del Torro was involved. (Reply to this) |
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smartmoviekid writes: on Apr 21 2008 08:20 PM In reply to this comment (#1698723) thank u! to me, Cloverfield was a fresh, intense take on the staling monster genre, and it did a fantastic job of meshing the horror of a huge monster, adding a decent intimite love story under the chaos, and leaving much space for a (much anticipated already) sequel. Bring on Cloverifeld 2: the monster returns! (hope the title ain't that) lol (Reply to this) |
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windors2 writes: on Apr 21 2008 08:21 PM I too loved Cloverfield. It was and will be for a long time one of the most unique experiences I've had at the theater. From now on many films will try to "copy" what J.J. Abrams accomplished with the film. Because of that, Cloverfield's legacy as a "ground-breaking" film will only grow. For those who didn't like the film because it left them with a lot of questions, pay more attention to the final shot in the movie (the shot of the ocean from the video camera). When paying close attention you can clearly see that something drops from the sky into the ocean towards the top right of the screen. Which explains the biggest question of the movie: Where did the creature come from? Somebody give me some support with this find, cause nobody that I personally know caught what I saw. (Reply to this) |
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smartmoviekid writes: on Apr 21 2008 08:28 PM In reply to this comment (#1698763) exactly! i just really hope 4 a sequel to further add to the freshness of the film, and hopefully a severe limitation of films trying to rip off of its concept. (Reply to this) |
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