As odd as it is mesmerizing.
Cobra Verde (1987)
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Reviews Counted:14
Fresh:12
Rotten:2
Average Rating:6.9/10
Runtime: 1 hr 51 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: Filmed in Ghana, Brazil, and Colombia, COBRA VERDE is a visually astonishing 19th-century true-life tale about a Brazilian bandit known as Cobra Verde (played by the ever-intense Klaus Kinski) who... Filmed in Ghana, Brazil, and Colombia, COBRA VERDE is a visually astonishing 19th-century true-life tale about a Brazilian bandit known as Cobra Verde (played by the ever-intense Klaus Kinski) who is exiled to West Africa to rejuvenate the slave trade. Once he's in Africa, his sanity is put to the ultimate test, as he is an unwanted outsider in a foreign, uncultivated world. Holed up in a deserted slave fortress on the coast, Cobra Verde, like many Herzog/Kinski creations before him, goes about constructing an elaborate and unlikely scheme--in this case to build up a vast slave trade ruled under his iron fist. His plans fall apart, however, when the civil wars waged by the insane Leopard King come crashing down on Cobra Verde and his plans. When the bandit is rescued by the king's equally crazy brother, Cobra Verde gathers a vast army of Amazon women warriors and plans to regain his dominance. The exquisitely photographed dusty and alien landscape of the African coast is juxtaposed evocatively with the ridiculous behavior of the slave traders as represented by Cobra Verde. Herzog crafts a deft and powerful vision of human folly and the eventual tragedy that follows, chronicling Cobra Verde's descent into total madness and self-destruction. [More]
Starring: Klaus Kinski, José Lewgoy
Starring: Klaus Kinski, José Lewgoy
Director: Werner Herzog
Director: Werner Herzog
Screenwriter: Werner Herzog
Producer: Lucki Stipetic
Composer: Popol Vuh
Reviews for Cobra Verde
The results are like Kinski's performance: baffling, breathtaking and strangely beautiful.
Those who give this offbeat production a chance will find it unforgettable.
The type of crazed, folkloric epic that Germany’s own De Niro–Scorsese duo usually excelled at.
Linear storytelling was never Herzog's strong suit even under the best of conditions. His strength lies in capturing lucid lunacy on film, and Manoel da Silva's descent into the jaws of madness is a straight shot into the heart of darkness.
The final third of this film contains sequences of horrifying sublimity and ethereal beauty, moments that have a clarity and power beyond the reach of reason.
Verde is too blankly amoral to sustain interest, but the film has isolated moments of haunting poetry.
It's easy to understand why this was Herzog's final collaboration with the actor, but Kinski's performance nevertheless serves up a potent confusion of documentary and fiction that has long been an essential element of Herzog's filmmaking.
Though less apocalyptical than usual, the imagery is as lavish as ever, but the film is wrecked by an underwritten narrative.
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